Over the course of the Grade 10 year, I had the wonderful opportunity to read a few texts, including plays, poems and books. These readings included two very interesting novels/plays, “The Help” and “Macbeth”, that each had different plots, but many similar characters. Within the novel “The Help” there was Aibileen, Minny, Skeeter, Hilly Holbrook and various other characters. From Macbeth the characters most significant to the plot and journey were Banquo, Macbeth himself, Macduff and Lady Macbeth . Each and every single one of these characters had very long and eventful journeys that were lived within the texts, but the two journeys that stood out most from both of these books, and that seemed to be the most relevant to one another were those of Mrs. Hilly Holbrook, and Lady Macbeth. These two powerful women played what I thought to be very significant roles in their respective worlds of drama, being so encompassed in their own worlds of mischief, that they forgot the bigger picture and almost never realized who they were wronging.
The journey Hilly Holbrook took throughout “The Help” was quite dull, yet eventful. From “Bridge Club” gatherings at Ms. Leefolts house, to banquets and dinners, Mrs. Holbrook seemed to always be out and about, trying to make the already difficult lives of coloured people far more difficult than they already were. From the start of the book, the reader got the immediate sense that Hilly was a racist, mainly because she stated on the 8th page of the book that she believed, and I quote, that “they (Black People) carry different kinds of diseases than we (White People) do.” (The Help, Page 8). She believed that by passing a law that would make it mandatory for colored people to have separate bath...
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...cognized what she was doing was wrong, and that her actions were not only effecting her, but those surrounding her as well as the victims of her sins and those who surround them. Evidence for this is clearly shown when we get the sad news in Act 5 Scene 5 that Lady Macbeth had committed suicide. She could not live with herself knowing what she had done and therefore ended her life under her own will. In Mrs. Holbrook’s case, from start to finish she never once understood that what she was doing was a bad example on her family, and a horrible influence on those surrounding her. She never realized that she was hurting other people, and even if she had she never stopped doing what she was doing. At no point throughout the book do we see Hilly treat someone of a different race, or anyone of her race for that matter, as someone who is on the same “level” as her.
Most people probably thought that Lady Macbeth did not have a humane side to herself and is self-centered. When Lady Macbeth was hiding in the bushes waiting for Macbeth to return, she was talking to herself. At the beginning of Act II scene 2, Lady Macbeth shows her sympathetic side by stating “He could not miss 'em. Had he not resembled My father as he slept, I had done’t.” Lady Macbeth is inherently a person with emotional attachment, but when it comes to her ambitious needs, she shows a different side of herself.
In this essay we will be comparing two female characters from different texts and different time periods. We will be looking in depth at Lady Macbeth from Shakespeare's play 'Macbeth', and Sheila from J.B. Priestley's 'An Inspector Calls'. We will be looking at their roles in their respective plays, and how their characters develop over time.
In understanding the art form of expression in various ways like music and play writes, it brings together this sense of self identity that the artist wants to fulfill. Having this understanding about the life behind the scene, screen, and/or stage. My paper will present two art forms music by 50 cent “Many Men” and William Shakespeare play “Macbeth” in which I will describe similarities among the characters. My four categories for 50 cent and Macbeth are as follow Greed, Savage, Survivor and Success.
A quote which really defines Lady Macbeth and Macbeth’s ambition regarding power is “Power does not corrupt men; fools; however, if they get into a position of power, corrupt power” George Bernard Shaw. Lady Macbeth is more ambitious in terms of gaining power then Macbeth is and that Lady Macbeth will do almost anything to gain power, even evil things that she normally wouldn’t do. This is shown when Macbeth and Lady Macbeth learn about the witches’ predictions, then roles in the plans to murder king Duncan in order to gain power and then finally after the murder, Macbeth doesn’t want to finish the plan making Lady Macbeth angry and causing a chance they might get caught and gain no power at all.
There was a common saying, “Behind every great man there's a great woman”. The men, Macbeth and Winston Smith in Shakespeare’s Macbeth and George Orwell’s 1984 may not be considered as the “great man” however, both Lady Macbeth and Julia are good examples that can be presented as the “great woman” behind the men. Both Lady Macbeth and Julia do an excellent job of pretending to be someone who they are not, they are not only affecting the men in their lives to rethink their previous position but also have a bad ending accompanied with physical and psychological issues.
Perhaps the most fundamental theme of Shakespeare’s Macbeth is the inherent corruptibility of even a seemingly good man when ambition turns to greed, and Macbeth himself, as one would expect, exemplifies this concept throughout the play. While at the outset he is seen to be loyal to his king, generally considered trustworthy, and displaying numerous other laudable qualities, Macbeth ultimately succumbs to the influence of those around him and becomes unequivocally evil, setting aside all his previously held morals and coming to be driven only by his lust for power. This transition is brought about by a wide variety of factors and plays an integral role in the development of the plot. In his tragedy Macbeth, William Shakespeare employs multiple methods of characterization in order to highlight the protagonist’s transformation from hero to villain as a result of the influences of the people surrounding him, namely the Weïrd sisters, Lady Macbeth, and Macduff, including extensive foreshadowing, a general shift in tone corresponding with turning points in the plot, and the inclusion of long-winded soliloquies to mark a critical change in Macbeth’s character.
In the play Macbeth, William Shakespeare does an excellent job describing his characters and their settings. Throughout the play Shakespeare connects several different situations to things that are happening with the characters. Shakespeare uses his characters to represent things, such as good and evil, and also to describe their surroundings at that time by adding details about the characters environmental settings in the act and scene. Macbeth, Macduff, Banquo, and King Duncan are the main characters in the play and Shakespeare uses them to get his good vs. evil point across even more.
Macbeth: Shakespeare's Comparisons and Contrasts. Throughout Macbeth Shakespeare uses comparison and contrast to bring out characteristics of his main character, Macbeth. Shakespeare uses comparisons with Duncan, Lady Macbeth, and Banquo to bring out aspects of Macbeth's character. After hearing of Macbeth's courageousness on the battlefield, Duncan, a good and honest king, bestows the title of Cawdor on Macbeth.
William Shakespeare’s Macbeth tells the story of a general who commits regicide in order to become king. Early in the play, Macbeth is conflicted as to weather or not he wants to kill his kinsman the king. In the first two acts Macbeth is not portrayed as a ruthless killer; he is a sympathetic character who succumbs to the provocation of his wife and a prophecy foretold by three mysterious witches. In contrast, Lady Macbeth is a manipulative, immoral woman. Her ambition is so strong that she is willing to do anything to see her husband succeed. However, in the third act things begin to change. The death of the king and lord and lady Macbeth’s rise to power catalyze profound transformation in their personalities.
has sent to her, Lady Macbeth begins to plot and plan how Macbeth can become
The play Macbeth, by William Shakespeare, explores the darkest corners of the human psyche. It artfully takes its audience to a place that allows one to examine what a human being is truly capable of once tempted by the allure of power. In the play, Scottish noble Macbeth and his wife inevitably fall prey to their own self corruption. Initiated by prophesies made by three mysterious witches, the Macbeths set their sights on the throne. When the curtains open on the plot to murder King Duncan, Lady Macbeth is the driving force. Her criminal mind and desire for ruthlessness have led many a critic to define her as evil. Closer examination, however, reveals that she is a multifaceted character; other sides to her persona include: genuine good will towards her husband, coy manipulation, and feminine tenderness.
text of the play seems to imply that Macbeth is indeed responsible for his own
The main theme of Macbeth-the destruction wrought when ambition goes unchecked by moral constraints-finds its most powerful expression in the play's two main characters. Macbeth is a courageous Scottish general who is not naturally inclined to commit evil deeds, yet he deeply desires power and advancement. He kills Duncan against his better judgment and afterward stews in guilt and paranoia. Toward the end of the play he descends into a kind of frantic, boastful madness. Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition helped, of course, by the malign prophecies of the witches is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
In Shakespeare’s tragic play Macbeth, Shakespeare creates the ruthless character Macbeth, who is willing to go beyond any measure in order to attain the power of being king, including murder, deceit, betrayal and overpowering the chain of being. Macbeth was first tempted by the idea of kingship when three witches presented him with their portent of Macbeth becoming the next King of Scotland. Ebullient, Macbeth, immediately informed his wife of the news and they both pondered the thought of having the power to rule all of Scotland. Lady Macbeth, a power seeker herself, promptly schemed a plan to kill King Duncan in order for her and her husband to rule, displaying her ready ambition for power. Macbeth’s thirst for power ate away at his conscience
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.