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The evolution of hip hop and how it effects culture
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Hip hop dance was important to African American culture because it allowed them to create their own culture, their own music their own style. When watching Flex is Kings, there are many young men in a video demonstrating what hip hop dance culture has evolved to in the 21st century. They are a contemporary urban dance movement. One can see the emotion and the “seriousness” in their movements. Hip hop dance is these people’s lives’(“Flex Is Kings”). Flex is a type of street dance, sometimes is called “bone breaking” due to their moves looking like a person either has no bones or that they are literally breaking them to create the skin cringing dances they create(“Flexing”). Dancers such as Storyboard P have mastered the art of flexing. He mentions in one of his interviews that when dancing one is revealing who they are (“Storyboard P”). African American people lean on this particular art form to elaborate how, as a race we have been able to display our culture to mainstream America. Mainstream is basically a majority of people (Mainstream). Hip hop, however, has transformed into mainstream culture, therefore losing itself. "Black culture, which has a long tradition of struggling against (and at the same time, working in close collaboration with) the dominant white culture, has rounded the corner of the 21st century with what looks in one sense like an unequivocal victory. Young America now embraces hip-hop as the signal pop-music genre of its time. So why does that victory feel strange: not exactly hollow, but a little haunted?" (“When the People Cheer”). As hip hop itself has begun to change so has the form of dance. Hip hop dance now has a mixture of what the Flex kings do in their videos and dances such as the popular dance “N... ... middle of paper ... ...tp://www.biography.com/people/josephine-baker-9195959?page=2>. Josephine Baker: The Activist Entertainer. Perf. Josephine Baker. Josephine Baker: The Activist Entertainer. N.p., n.d. Web. 04 Apr. 2014. . "The Official Josephine Baker Website." The Official Josephine Baker Website. N.p., n.d. Web. 03 Apr. 2014. . "- Slave Rebellion.org." - SlaveRebellion.org. N.p., n.d. Web. 05 Apr. 2014. . "THE SOCIAL SIGNIFICANCE OF RAP & HIP-HOP CULTURE." THE SOCIAL SIGNIFICANCE OF RAP & HIP-HOP CULTURE. N.p., n.d. Web. 04 Apr. 2014. .
Shaffer, Ann. "Josephine Baker: A Centenary Tribute | Blackgrooves.org." Josephine Baker: A Centenary Tribute | Blackgrooves.org. Black Grooves, 4 Oct. 2006. Web. 14 Dec. 2013.
Josephine Baker was an exceptional woman who never depended on a man. She never hesitated to leave a man when she felt good and ready. In her lifetime she accomplished many great things. She adopted 12 children, served France during World War II, and was an honorable correspondent for the French Resistance.
Hip-hop culture has been a global phenomenon for more than twenty years. When introduced into the American culture, the black culture felt that hip-hop had originated from the African American community. The black community was being denied their cultural rights by the supremacy of the white people, but hip-hop gave the community the encouragement to show their black pride and televise the struggles they were facing in the world. The failure and declining of the movements, the influential, rebellious, and powerful music is what reshaped Black Nationalism, unity and to signify the struggle. The African Americans who suffered from social and political problems found that they similar relations to the political movements, which allowed the blacks to be able to voice their opinions and to acknowledge their culture openly.
Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences than those of her past contemporaries. Like the Blues women Simone expands ideas pertaining to self-expression, identity and beauty as they relate to black women. She does this by embracing what is definitively African American and connecting that to a historical context. By doing so she is the embodiment of a political statement. Her journey which began like many entertaine...
To commerate Black History Month, I have decided to do reasearch on an exceptionally talented musician Ella Fitzgerald. She was essentially the Aretha Franklin of the Jazz Age. She was an incredibly talented jazz singer who was considered the best by almost everyone. The reason she’s been chosen as today’s Black History Month is because she holds the distinction of being the first Grammy Award Winner who was both Black and female. Ella Fitzgerald had an everlasting impact on, not only how jazz music sounded, but also who performed it. When looking at a compulsive life as Ella’s, I was inspired by the huge impact she brought throught out music; especially jazz.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
Ella Fitzgerald has come to herself multiple nicknames on account of her amazing voice. For example, she has been called to “First Lady of Song” (“Ella Fitzgerald”) and “The Queen of Jazz”) “(10 Interesting Ella Fitzgerald Facts”). She was also famous for being a master of dance. Ella has been given these names and credits of fame do with her talent. No one could scat like her. In fact, she made a wide spread of Jazz and scat music (“Ella Fitzgerald was the master of scat singing”). After all, Scat singing was Ella’s trade mark.
Hip-hop, which originally began more than 20 years ago, has undergone many changes during its lifetime. The music has always remained centered in urban landscapes, with most performers of the music rising up from the inner-city neighborhoods. Throughout its history, hip-hop has centered on the rhythm of the beat rather than the melody, which shows the connection between modern hip-hop and traditional African tribal music, often featuring complex polyrhythms and little to no melody. Hip-hop has also featured heavy bass sounds through out its history, with the rhythms hitting the second and fourth beat of each measure hard with either a heavy bass drum or a bass guitar. Hip-hop beats have evolved in many different ways throughout their twenty-year history, yet they are all centered around rhythm and feature heavy, syncopated bass.
Josephine Baker Josephine Baker was an African American woman who had to overcome discrimination and abuse in achieving her dream of becoming a singer and dancer. She did this during the 1920s, when African Americans faced great discrimination. She had a hard childhood. Her personal life was not easy to handle. Furthermore, she overcame poverty and racism to achieve her career dream.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Available: http://www.africana.com/Articles/tt_036.htm - A basic biography of Josephine Baker’s life, but from the African American point of view.
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
In fact, the way Japan molds their hip-hop culture should not be a surprise to us because hip-hop is a part of culture. Culture is rooted in the nature of humanity, and the essence of human nature is to be different, diverse, and malleable. Due to the plasticity of human nature, the cultural medium of hip-hop is manufactured and sculpted into a masterpiece, musical and lyrical, that transcends across borders.
Dance is a way of expressing once true feelings and problems in the world. One type of dance is hip hop, it originated in the early 1970s as a cultural movement by African Americans and Latino youths on the South Bronx of New York City. The hip hop cultural movement was represented into four different ideas: rap music, Djing, b-boying, and graffiti art. Hip hop was a way of responding to racial barriers and the end of civil rights movement. So, it began with DJ Kool Herc who started Djing and brought in all the crowds and dancers. Thus he became the father of hip hop. Along with DJ Afrika Bambaataa they expanded the hip hop culture and created the Zulu Nation. The Zulu Nation helped teens get out of the violence and gangs. Breakdancing was