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The film industry today
Modern film industry
The film industry today
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Drive is an American film directed by Danish director Nicholas Winding Refn, starring Ryan Gossling, Carey Mulligan, Bryan Cranston, Oscar Isaac, and Albert Brooks. The movie premiered in competition at the 2011 Cannes Film Festival, where his director received the Best Director Award. The film, based on the James Sallis novel of the same name, tells the story of a Hollywood stunt driver who also works as a getaway driver for criminals. The film’s plot is relatively simple. The unnamed driver, who lives in Los Angeles, works as a mechanic and a part-time movie stuntman. His boss in both jobs is Shannon, a garage owner who dreams of becoming a successful race car owner. In order to achieve his goal, Shannon turns to Jewish mobsters Bernie Ross and Nino asking for money to purchase a stock car chassis. These two guys also provide a getaway driver service. The driver always gives criminals a strict five-minute window to commit crimes and reach his vehicle. In addition, he never wants to know anything about the delinquents he is working for, or even talk to them. In fact, he simply does ...
Comedy films are often a tough sell in Hollywood. The humor that is popular here, The United States, usually does not translate well overseas. Many of the movies rely on sarcasm and overused jokes, which could translate differently overseas, and could even offend different cultures. So when a comedy movie goes big worldwide, it deserves all the attention it receives. The movie Airplane! Is a great example of a film that is well liked worldwide.
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
The two movies I chose to watch this week was “The Road to El Dorado” and “The Emperor's New Groove” as my choice of animated films to analyze. The animated film, “The Road to El Dorado” stereotypical representations of race, ethnicity, gender and sexuality are added in children’s films. I see sexuality played out most of the time in these Disney films. There is only one woman, and her name is Chel. There are many single female characters in otherwise male dominated movies who are portrayed as sexy. It is unfortunately very common and reinforces the idea of women as tokens, and the audience will not find stories interesting unless their focus is men’s issues and lives. As soon as Chel appears she is immediately characterized as an object that
The racial system is composed of three basic parts that divides people into different categories: the white on top, black on bottom, and brown in between. This system came to be as a result of three different population coming together with unequal terms resulting in one population having the most power. The film Do the Right Thing, directed by Spike Lee, does an excellent job at portraying how the racial system functions by showing the advantages of being at the top of the system and the disadvantages of being at the bottom of the system. Not only does Spike Lee show the way that the racial system works but it also shows the reality of it and how it puts the races at the bottom
Gone with the Wind is a classic fictional love story that depicts life in the old south before, during and after the Civil war. The book was originally written in 1936 by Margret Mitchell, the movie adaptation was released in 1939, directed by Victor Fleming, and staring Clark Gable and Vivian Leigh. Ms. Mitchell grew up listening to Civil war stories from confederate veterans. It was reported that they told her everything; everything that is, except that they had lost the war, she found that out when she was 10 years old. Though the book was written 71 years after the Civil War ended, Ms. Mitchell did her research and appears to have drawn inspiration from those childhood stories that she was told. This is apparent in the detailed description of the clothing, houses, and everyday discussions and interactions of the characters throughout the book. Though not all historically correct most of what is in the book is accurate. During the time the movie was released, “damn” was considered to be vulgar and controversial and they used the term “darkies” to describe the slaves.
Have you ever wondered what it feels like to live in a country or city that is completely discriminative about your ethnicity? How would you feel to be walking down the road and be afraid to cross the street because there is a different race in the direction you are wanting to head? Well these are prime examples that happen in everyday life all the time. The movie Crash that I will be referencing a lot of my information off of, is a movie where there is a lot of different ethnical backgrounds. In the beginning of the movie Crash, a detective is investigating a homicide, a black male was found dead on the side of the road. The movie starts off with a lot of vehicles driving down the road with a lot of tire marking engraved into the grass.
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
The movie I decided to analyze for this course was American History X (1998), which stars Edward Norton. Though this movie isn’t widely known, it is one of the more interesting movies I have seen. It’s probably one of the best films that depict the Neo Nazi plague on American culture. The film takes place from the mid to late 1990’s during the Internet boom, and touches on subjects from affirmative action to Rodney King. One of the highlights of this movie that really relates to one of the key aspects of this course is the deterrence of capital punishment. Edward Norton’s portrayal as the grief stricken older brother who turns to racist ideologies and violence to cope with his fathers death, completely disregards the consequences of his actions as he brutally murders someone in front of his family for trying to steal his car. The unstable mentality that he developed after his father’s death really goes hand-to-hand specifically with Isaac Ehrlich’s study of capital punishment and deterrence. Although this movie is entirely fictional, a lot of the central themes (racism, crime punishment, gang pervasiveness, and one’s own vulnerability) are accurate representations of the very problems that essentially afflict us as a society.
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
Paul Schrader; an American filmmaker, screenwriter, and film critic; that attended Calvin College, Columbia University and UCLA, where he graduated from the film program. Schrader’s studies played a major role in his life as a filmmaker, for it allowed him to create classic dark films like “Taxi Driver” and “American Gigolo”. Schrader’s article on film noir (black or dark film) discussed how these films brought cynicism, darkness, and pessimism into the cinema in America and over in to Europe (pg. 213). He does this by breaking the article into four major parts: influences, stylistics, themes and phases. The two points Schrader discusses in complexity are the influences and phases.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
The Fast and Furious franchise has been going on since 2001. Since then there have been seven movies to come out. Fast and Furious 7 may be the last movie in this series. With the actor Paul Walker, Bryan in the movie dead, there may not be any other way to produce another film. With that said, I thought the movie was very good and well thought of when coming to filming the rest of movie without Paul Walker and digitally having his face put in. In some scenes near the end of the movie you can tell that something is off and seems a little weird when looking at Paul’s character but aside from that it was a brilliant job done by the
Although I have watched the movie, Crash, many times, I had never looked at it through a sociological perspective. It blew my mind how much you can relate this movie to sociology, but also the more I got to thinking about it, the more it seemed to make sense. Everywhere I looked I found someway to connect this movie to some sort of sociological term, which I thought was pretty cool.
In the Oscar award winning movie Crash, directed by Paul Haggis, a network of characters portray the lifestyles of different races in Los Angeles. In the movie, characters “crash” into one another, similar to pinballs, to spur new emotions and explain their actions. A main character Anthony, an African American male, steadily tries to prove why he does not and will not fall into the black male thug stereotype. He was slightly close minded and repeatedly had a negative outlook towards his environment. Anthony created contradictions between what he said and what his actual intentions were. His actions were guided by his environment and further analysis of them will prove his motivation.
“The Mission” is based on a true story that occurred around the borderlands of Argentina, Paraguay and Brazil in the years 1750’s according to the film and history. The Treaty of Madrid of 1750 with the Spanish and Portuguese caused both havoc and death for the people of the Guarini and the members of the Jesuits. The Jesuits, members of the church, tried to bring Christianity and civilization to the natives while keeping at peace with Spain and Portugal. The Jesuits were the teachers for the natives; Teaching them not only the Christian religion but also civilization. Father Gabriel, a Jesuit, is first introduced in the film when he is showing his respects to a former Jesuit priest killed by the natives. He walks through the South American