Judith Schaecter’s stained glass piece Cold Genius is inspired by song, as are many of her pieces. This piece in particular takes inspiration from “The Cold Song”, an aria written by Henry Purcell about a Cold Genius who recognizes the power of love to thaw the harshest winter (Cold Genius, 2009). Although it has many references to traditional stained glass scenes found in Christian churches, particularly in the intricate folds of the fabric, this stained glass piece is very distinct.
To exaggerate the loneliness and intense physical and emotional cold in the scene, the layer of glass that covers the panel adds another degree of separation from the subject. Swaths of shadow border the sides, and tree branches snake over the top, as if the Genius were on display in a cage of trees, or perhaps on a stage. The Genius in the center is uncomplaining, suffering and seemingly dying without opposition. The black pools of his eyes are abysmal, displaying the very root of his unexplained despair and apparent acceptance of his fate.
German studio glass artist Erwin Eisch has produced many intricate and curious modern sculptures during his long career, perhaps his most personal being “Eight Heads of Harvey Littleton”. Eisch met the American glass artist Harvey Littleton in 1962, and their close friendship led to a unification of European and American studio glass cultures. The sculpture is a portrait of his friend made up of eight individual cast glass heads with enamel detailing, each displaying a different mood or characteristic of Littleton.
The relationship between Eisch and Littleton was mutually inspirational and both left a very deep impression on the other. Littleton, who was teaching at the University of Wisconsin when he first encountered Eisch, stated that “meeting Erwin confirmed my belief that glass could be a medium for direct expression by an individual” (Littleton, 1980). One of the heads in Eight Heads of Harvey Littleton has a speech bubble with the words “Technique is cheap” written in enamel. This phrase is one that Littleton uttered during a conference and sparked rich debate, and was clearly something that Eisch kept with him. What Littleton meant by the phrase is that “technique is available to everybody… [t]echnique in and of itself is nothing.
In the book “The Boys of Winter” by Wayne Coffey, shows the struggle of picking the twenty men to go to Lake Placid to play in the 1980 Olympics and compete for the gold medal. Throughout this book Wayne Coffey talks about three many points. The draft and training, the importance of the semi-final game, and the celebration of the gold medal by the support the team got when they got home.
Dylan Thomas' Do Not Go Gente Into That Good Night and Catherine Davis' After a Time
Gentileschi’s Judith Slaying Holofernes epitomizes the style of artwork during the Italian Baroque era. By using a Catholic subject and key elements and techniques essential to baroque art such as chiaroscuro and foreshortening, she was able to create a piece that gushes drama and realism. Without the use of all of these elements the effect would be lost, but instead the piece is one that moves the viewer with its direct and gritty realism of the religious subject, evoking emotion in a way that leaves the viewer in awe.
“Wild Geese” is very different from many poems written. Oliver’s personal life, the free form of the poem along with the first line, “You do not have to be good,” and the imagery of nature contributes to Oliver’s intent to convince the audience that to be part of the world, a person does not need to aspire to civilization’s standards.
The music of George Frideric Handel has been celebrated throughout time, especially his oratorio work. Handel’s oratorios are considered to be some of the best in existence. However, much discussion and reverence is given to his Messiah, while the others are not as commonly subject to this praise. Therefore, I will investigate the origin and creation of the oratorio, Esther by Handel, with focus on his music for the scene. I will argue that Handel expresses the drama and emotion of this biblical story through the musical elements he employs, particularily
The first thing I noticed about Kate Chopin’s “The Storm,” is that it is utterly dripping with sexual imagery and symbolism. Our heroine, if you will, seems to be a woman with normally restrained passions and a well-defined sense of propriety, who finds herself in a situation that tears down her restraint and reveals the vixen within. I wonder if it was intentional that the name Calixta makes me think of Calypso – the nymph from Greek mythology. If half of the sexual symbolism I found in this story was intentional, Chopin was a genius. I was quite taken with the sexual imagery of the colors mentioned: white, and red. There is also mention a place called Assumption, while there’s nothing written on it in the bible, I believe it’s the popular opinion of those of Christian faiths, that Mary (Jesus’ mother) going to heaven was called “The Assumption.” Again, I cannot accept that as merely a happy coincidence, I believe its mention in the story was intentional. Finally, we have the storm, so central to the theme of the story that it was named for it. In this work, as well as others by Chopin, there is a recurring theme of infidelity, or women behaving in ways that society generally doesn’t accept, women behaving badly, if you will, I cannot help but wonder if Kate Chopin used her writing to express desires that she would not otherwise have expressed.
Imagine pondering into a reconstruction of reality through only the visual sense. Without tasting, smelling, touching, or hearing, it may be hard to find oneself in an alternate universe through a piece of art work, which was the artist’s intended purpose. The eyes serve a much higher purpose than to view an object, the absorptions of electromagnetic waves allows for one to endeavor on a journey and enter a world of no limitation. During the 15th century, specifically the Early Renaissance, Flemish altarpieces swept Europe with their strong attention to details. Works of altarpieces were able to encompass significant details that the audience may typically only pay a cursory glance. The size of altarpieces was its most obvious feat but also its most important. Artists, such as Jan van Eyck, Melchior Broederlam, and Robert Campin, contributed to the vast growth of the Early Renaissance by enhancing visual effects with the use of pious symbols. Jan van Eyck embodied the “rebirth” later labeled as the Renaissance by employing his method of oils at such a level that he was once credited for being the inventor of oil painting. Although van Eyck, Broederlam, and Campin each contributed to the rise of the Early Renaissance, van Eyck’s altarpiece Adoration of the Mystic Lamb epitomized the artworks produced during this time period by vividly incorporating symbols to reconstruct the teachings of Christianity.
Arwas, V., Newell, S., Museum, S. & Gallery, A., 1996. The art of glass. 8th ed. Paris: Andreas Papadakis Publisher.
The cycle of life always ends in death, but the frightful aspect of death is not necessarily death itself, but the concept of timing. Mark Twain states that “The fear of death follows from the fear of life. A man who lives fully is prepared to die anytime” which means people’s fear of dying stems from their fear of living, and this frightful emotion takes over people’s lives and prevents them from living each day like it is their last. This fear prevents many from taking action on their dreams and ambitions which inevitably is giving one’s life up too quickly. Dylan Thomas, a famous contemporary author, believes existence is taken advantage of and when one’s existence is threatened, most people are too quick to give up. In Thomas’s “Do Not Go Gentle Into That Good Night,” the speaker of the poem confronts his deceased father about releasing one of the most valuable things in nature: life (Pattern #3).
Sam Woods is a very important character in the novel In the Heat of the Night. He is a racist, and throughout the novel you will notice many changes in his attitude towards Negros.
In Green Grass, Running Water by Thomas King, King intertwines stories to create a satire that pokes fun at Indian culture compared to European culture. The book attempts to also poke fun at Judeo-Cristian beliefs by examining the creation story. King makes fun of the story of Adam and Eve. He pokes fun at western civilization and government. Although the book made me laugh some of the meanings behind kings writing puzzled me and made me question king's motives. The book is truly a puzzle that can be hard to decipher for most. I found the book to be challenging but entertaining and interesting.
but one thing he was rich in was happiness. Bob earned 15 ‘bob’ a week
To Build a Fire - Jack London The short story “To Build a Fire” by Jack London is a comprehensive story that tackles the struggles of a newcomer trying to survive a day in the Yukon with very harsh and cold weather. The man travels with a big native husky and tries many times to build a fire but fails due to his inadequate personality. The man repeatedly lets his ignorance and arrogance dictate his decisions, which soon leads to his demise. The theme of the short story “To Build a Fire” by Jack London is that being ignorant, arrogant and foolish can lead to bad decisions.
A Love Affair in The Storm by Kate Chopin Kate Chopin's "The Storm" is a short story about a brief love affair that takes place during a storm that has separated Calixta from her husband and son. The title "The Storm" is an obvious reference to the storm outside, but more importantly to the love affair that takes place. The title refers to nature, which is symbolically used again and again in the story. Chopin uses words like "somber clouds", "threatening roar", and "sinister intentions" to describe the approaching storm. Later in the story those same words in reference to the storm outside, will also be represented symbolically to the storm brewing inside with the love affair.
entitled to. He is not even placed in a coffin and is buried "just as