Essay about The Classic Belief Of Love

Essay about The Classic Belief Of Love

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In all of media—and particularly, that which strives to touch its readers emotionally—it is, perhaps, the idea of love that holds power above all else in a narrative. There is a reason, after all, as to why this phenomena reoccurs again and again as a plot device, in turn becoming one of the most well known for audiences throughout history. No matter the context from which it may be derived, many can relate to the basic tale of love most of all, whether it be portrayed as comedic or tragic beyond the base aspects of its foundation. Nevertheless, while some hold steadfast on to the classic belief that love shall triumph against all odds, others have come to criticize it entirely, deconstructing it in ways that offer a much different point of view. With this alternative way of thinking, no longer is the feeling of love one that should be strived for, but rather, one that should be repulsed from, as it is nothing more than a distraction from proper reasoning. Such is ultimately the case in William Shakespeare’s A Midsummer Nigh’st Dream, and more specifically, Helena’s monologue in Act I, wherein she reflects on her vivacious passions for Demetrius and how it is actually more akin to a blinding obsession. Thus, through her, Shakespeare manages to portray the idea of love as one of sickness rather than one of virtue, and in turn, subverts the mainstream portrayal of such an emotional plot device. In doing so, the entirety of his play becomes a means to deconstruct the archetypical view of romance as a relatable plot device for the audience, depicting it as shallow, ludicrous, and just like a dream, not actually based in any semblance of reality.
As it were, within the context from which it is seen, Helena’s monologue could first be ...

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...heir own “blindness” to the reality of the situation in order to experience a story with the happy ending of everyone finding their romantic match. With the constant rhyming and dreamlike manner in which the play is presented, it almost comes across as the archetypical fairytale, one that any would assume should have a fanciful ending, and yet, herein lays the problem Shakespeare was trying to convey for its entirety: the idea of love will ultimately lead to delusions of grandeur, ones that prevent those who choose to look through those lenses from seeing the truth. While Helena and Titania choose to ignore the faults of both Demetrus and Bottom out of some form of love, the audience chooses to darker aspects of the play as a whole in order to perpetuate the supposed beauty and ideal that is love, their reason lost to the fantasy just as Shakespeare said it would be.

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