Nina Simone used music to challenge, provoke, incite, and inform the masses during the period that we know as the Civil Rights Era. In the songs” Four Women”, “Young Gifted and Black”, and Mississippi God Damn”, Nina Simone musically maps a personal "intersectionality" as it relates to being a black American female artist. Kimberly Crenshaw defines "intersectionality" as an inability for black women to separate race, class and gender. Nina Simone’s music directly addresses this paradigm. While she is celebrated as a prolific artist her political and social activism is understated despite her front- line presence in the movement. According to Ruth Feldstein “Nina Simone recast black activism in the 1960’s.” Feldstein goes on to say that “Simone was known to have supported the struggle for black freedom in the United States much earlier, and in a more outspoken manner around the world than had many other African American entertainers.”
Her family ties to the south, her unique talent, her ability to travel and make money are similar to the Blues women movement that preceded her. It can be said that Nina Simone goes a step further the by directly attacking inequities pertaining to race and gender in her music. However, what distinguishes her is her unique musicianship and that is what ultimately garners her massive exposure and experiences than those of her past contemporaries. Like the Blues women Simone expands ideas pertaining to self-expression, identity and beauty as they relate to black women. She does this by embracing what is definitively African American and connecting that to a historical context. By doing so she is the embodiment of a political statement. Her journey which began like many entertaine...
... middle of paper ...
...utobiography Of Nina Simone, Da Capo Press; 2003.
Additional Sources Consulted:
Brooks, Daphne A. . "Nina Simone's Triple Play." Callaloo. 35.4 (2011): 176-194. Web. 11 Feb. 2013. .
Lewis, Andrea. "Nina Simone remains a powerful inspiration for black women." Progressive. (2003): n. page. Web. 11 Feb. 2013. .
Simone, Nina, perf. Mississippi Goddam. 1964. Song.
https://www.youtube.com/watch?v=fVQjGGJVSXc
Simone, Nina, perf. To Be Young, Gifted and Black. 1970. Song.
https://www.youtube.com/watch?v=h3OIfuVpocU
Simone, Nina, perf. Four Women, 1966. Song.
https://www.youtube.com/watch?v=Nf9Bj1CXPH8
Tsuruta, Dorothy Randall. "`I Ain't About To Be Non-Violent, Honey.'." Black Scholar 29.2/3 (1999): 54. MasterFILE Premier. Web. 11 Feb. 2013.
The black women’s interaction with her oppressive environment during Revolutionary period or the antebellum America was the only way of her survival. Playing her role, and being part of her community that is not always pleasant takes a lot of courage, and optimism for better tomorrow. The autonomy of a slave women still existed even if most of her natural rights were taken. As opposed to her counterparts
...ng to this day, she is one of few who could compete with the men of hip-hop, but she never pretended to be anything but a woman. She not only sang about female empowerment, but she wrote about being a woman from the insecurities that we as women sometimes feel to the nirvana of being in love. Sensuality and femininity were always as important to her which was her strength, and message to get out to women especially those of color.
Beale, Frances. "Double Jeopardy: To Be Black and Female." An Anthology of African-American Feminist Thought. New York: New, 1995. 146. Print.
"Angelou, Maya (née Marguerite Annie Johnson)." Encyclopedia of African-american Writing. Amenia: Grey House Publishing, 2009. Credo Reference. Web. 12 March 2014.
Aretha Franklin is a well known pop, R&B, and gospel singer. She has been nicknamed “The Queen of Soul” and is an internationally known artist and a symbol of pride in the African American community. Her popularity soared in 1967 when she released an album containing songs “I Never Loved a Man”, “Respect”, and “Baby I Love You.” Throughout her career she has achieved fifteen Grammy Awards, Lifetime Achievement Award, National Academy of Recording Arts and Sciences Legend Awards, and many Grammy Hall of Fame Awards. In 1987 she became the first woman inducted into the Rock & Roll Hall of Fame. Time magazine chose her as one of the most influential artists and entertainers of the 20th century. She sang at Dr. Martin Luther King’s funeral and at former President Bill Clinton’s inaugural party. Although she has all these accomplishments and awards there are other reasons that have driven Franklin to fame and landed her on the front cover of Time magazine on June 28, 1968. The reasons I believe allowed Aretha Franklin to become so successful are the following: Her family’s involvement with religion, the inspiring people that surrounded her, and the pain she suffered.
Motown Records was founded in 1959 by Berry Gordy who turned his music production company into history’s most successful black-owned record label company.
Unlike the earlier era, in which they had received freedom but it was so new to them, and they truly didn’t understand what it meant to be a free group, they began to move into a time period where they were finding their voice, and “finding their freedom”. Instead of writing about becoming free, and wanting freedom, they begin to act free. They begin to prove they were free by giving off confident in their culture and in their work. In her writing she has many different subsections where she rebuttals the ideas pushed onto the African American race. She proves the stereotypes wrong using the truth. The first example is, under the section titled “originality” she wrote, “it has been said so often that the negro is lacking in originality that has almost become a gospel. Outward signs seem to bear this out. But if one looks closely its falsity is immediately evident.” and , “So if we look at it squarely, the Negro is a very original being. While he lives and moves in the midst of a white civilian, everything that he touches is re-interpreted for his own use. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country, just as he adapted to suit himself the sheik haircut made famous by Rudolph Valentino.” this passage shows how much she believes in her race. She isn’t asking for anything from anyone. She doesn’t beg for respect, acceptance, or freedom, she is telling them to treat them like they are free. This passage really exemplifies the theme of accepting themselves and their culture during this time period. The African Americans were able to begin to stand up for themselves and up against the falsely acclaimed stereotypes that have been made against them. During this time period they were recreating the culture that had been taken away from them. They were finding their voice through
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
Whitney Houston is considered one of the greatest singers of our generation. According to the Guinness Book of World Records, she holds the record of being the most rewarded female artist of all time. I chose her as my topic, because she represents resiliency and tenacity, despite her troubled experiences with drugs and her personal life. Whitney Houston comes from a family with an amazing, musical pedigree; her mother, Cissy Houston, was a successful back-up singer for Aretha Franklin and Elvis Presley. Dionne Warwick is her first cousin, and Aretha Franklin is her godmother.
Nina Simone experienced racism and Sky Brown experienced sexism. Nina Simone rebelled by singing and writing poetry about the merits of Black Culture. Sky Brown rebelled by becoming a great skateboarder. Both refused to do what was told by their cultures.
Pearson, Patricia. When She Was Bad: Violent Women and the Myth of Innocence. New York: Viking, 1997
The movie Lady Day: The Many Faces Of Billie Holiday paints an interesting, and thought provoking portrait of one of jazz and blues most charismatic, and influential artists. The incomparable talent of Billie Holiday, both truth and legend are immortalized in this one-hour documentary film. The film follows Holiday, also referred to as “Lady Day” or “Lady”, through the many triumphs and trials of her career, and does it’s very best to separate the facts from fiction. Her autobiography Lady Sings The Blues is used as a rough guide of how she desired her life story to be viewed by her public. Those who knew her, worked with her, and loved her paint a different picture than this popular, and mostly fictional autobiography.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Known as the “Empress Of Blues”, Bessie Smith was said to have revolutionized the vocal end of Blues Music. She showed a lot of pride as an independent African-American woman. Her style in performance and lyrics often reflected her lifestyle. Bessie Smith was one of the first female jazz artists, and she paved the way for many musicians who followed.
Not only was she a heterosexual woman who turned lesbian, but also she was a Caucasian woman who the majority of the time found herself on the side of the underdog in any argument. When it came to fighting for women’s right she declared herself a feminist and got to work. When it came time for the African Americans to speak up and be heard, she joined in. She was a woman who had mainly lived in upper-class white neighborhoods who moved and started working in urban New York with kids who were minorities. This allowed for her to witness first hand the injustices. She however knew that it would take a little work to make others listen. Many didn’t want to listen to the problems that had nothing to do with them or painted them in a negative light, so she did it in the only way she knew how, by using imagery of nature that was very popular up until them, to give an underlying meaning of oppression and inequality. This can be witnessed in her poem, “What Kind of Times are