The stained-glass window was created by the “process of mixing metal oxides into molten glass, colored sheets were cut into fragments to fit preconceived designs,” (170). The glass was “fixed within lead bands, bound by a grid of iron bars,” then set into vertical frames made from stone. Although the specific creator of this artifact is not listed, Abbot Suger was known for his stained-glass designs in the cathedral. These windows could take the natural light and form it ...
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...s, they still believed that “human reason was the handmaiden of faith” and that reason “was essential to the understanding of God’s divine plan,” a common theme in the medieval era (157). The scholastics focuses on the divine power and related it to humans. The stained-glass Notre Dame de la Belle Verriere was made from, represented divine truth.
The Notre Dame de la Belle Verriere represents this period because it exemplifies the merging of different cultures regarding their styles of art, symbolism the medieval view on life and religion, and in a way, connects to the work of scholastics. The fusion of all artistic expression allowed for new ideas, beliefs, and opinions. However, all seemed to have that same fundamental basis: the religious vitality of the Age of Faith. This religious vitality is what allowed the synthesis of different modes of artistic expression.
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