Magical realism is essential to Gabriel García Márquez’s works as he uses them to transcend his views through his work, as shown in Chronicle of a Death Foretold by highlighting his objections towards the indifference of society. García Márquez depicts his animosity towards how indifferent society is by using gluttonously graphic imagery throughout the novel. One of the most gruesome examples of this imagery uses magical realism when “[Santiago] stood up, leaning to one side, and started to walk in a state of hallucination, holding his hanging intestines in his hands” (119). Here Gabriel García Márquez’s use of magical realism allows him to blur the lines between reality and the supernatural in order to show in great detail the brutal murder of Santiago. García Márquez purposely does this, as it is often difficult to explain dark events, as these gruesome events are the result of societal indifference, h...
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...to connect with the text on a personal level, and envision themselves in the setting he has created. But by using magical realism and imagery in order to intertwine the extraordinary and mundane, García Márquez has pioneered a way to explain the gruesome effects that societal difference has that also traces back to his Colombian background. Hence, in voicing his discontent with the customs he has experienced, Chronicle of a Death Foretold is bursting with satire as he criticizes the traditional nature of gender roles. Nevertheless, García Márquez attacks these gender roles from all points of views, using juxtaposition in order to confirm that until society stops promoting these customs, the suffering will not falter. Gabriel García Márquez has created a more than an indifferent town, but a warning that conforming to societal standards can be a very treacherous thing.
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