In Beowulf, a tension arises between the natural construction of the poem and the Christian ideals added. Before the advent of Christianity, paganism placed an emphasis on wyrd. According to Christianity, God instills within mankind a sense of free will, which directly contrasts with the pagan idea of fate. Throughout Beowulf, these characteristics of paganism and Christianity transmute together. Beowulf instills the principle of fate within his speeches, as when he talks about how “fate saves an undoomed man when his courage is good” (11). However, previously in the poem, Beowulf graciously thanks “God that the wave-way had been easy for them” (5). In the fight with Grendel, Beowulf does not depend on his weapons, but his innate strength. As King Hrothgar states “‘Fate always goes as it must’” (9), Beowulf trusts in his own abilities, and not those created by man. As a young warrior, Beowulf “had long been despised” (38), but “change came to the famous man for each of his troubles” (38). Beowulf’s realizat...
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...etween the Danes becomes more than the typical warfare, but done for moral reasons. In Beowulf, individuals differ based upon their alterative motives, but the fight against the evilness of Grendel and his mother proves to become the biggest fight that Beowulf overcomes.
Beowulf encompasses several reasons for critics to decipher it as either a Christian allegory or a pagan fable, but in actuality, the epic becomes a combination of the two. Due to the intertwining ideas of wyrd and the will of God, the distinct ideals of the afterlife, and conflicting views of the entity, Beowulf epitomizes the attempts by Christian monks to turn the parable into a Christian novel; however, these efforts proved mixed. In the end, the poem shows efforts to proselytize pagan worshipers by the Church, but those endeavors remained inconsequential until the Christianization of the world.
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