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Sir gawain and the green knight chivalry essay
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The term “chivalry” refers to one of the most popular medieval social ideals. Indeed, this term has excited the imagination of poets and readers throughout history, and modern cultures continue to revise the chivalric ideals of past ages. However, pinpointing what the term meant within the medieval period is difficult at best. The source of this difficulty lies within the fact that there was never one consistent definition for chivalry. Indeed, the meaning of the word seems to shift between cultures and throughout time. For example, the earliest usage of the word seems to denote only mounted cavalry; however, as time shifts, the word becomes synonymous with certain martial ideals. As the period progresses, the ideal of chivalry encompasses a more total social paradigm, incorporating a wide array of ideals including honor, hospitality, and love. Even this rough outline of chivalry’s history fails to account for the shifting ground that surrounds this term. However, regardless of an individual culture or poet’s conception of chivalry, it remained a popular ideal. Indeed, it was most often communicated within the genre of romance, and romance is among the most popular of medieval genres. Often times, these romances not only celebrate the ideal of chivalry but they also examine and critique it. Certainly, the form of the romance offers a perfect vehicle for this exercise. Whereas epic heroes are different from ordinary people by kind, the heroes of romance are different only by degree. While they may be a little stronger, a little smarter, or a little more honorable than the average person, we see within their victories the victories of the culture, and we experience within their failures the failures of the social...
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...on seems to point towards the sort of cross-factionalism that the chivalric order demands. When Lancelot destroys him, he is in effect destroying the tie that binds the factions together, and Gawain reacts with rage. When the smoke clears, Gawain and Arthur are dead, and the dream of Camelot is destroyed. The critique here seems to be on humankind more than chivalry, for while chivalry stands as a great ideal, the men and women of Camelot were unable to subordinate their own desires to it. As with Gawain and the Green Knight, the text examines the most perfect example of chivalry that has existed and finds it flawed.
In this way, medieval romance walks a delicate path between honoring the chivalric ideals and critiquing their execution. Ultimately, these texts seem to criticize humanity’s inability to live up to the code as often as they do the code itself.
In a the story, Sir Gawain and the Green Knight, Sir Gawain is faced with many challenges. Many of the challenges have to do with him trying to maintain his chivalry. Part of him maintaining his chivalry is to stay loyal; he should not give in to Lady Bertilak, who is constantly pursuing him, but should also listen to what she tells him to do. During Gawain 's stay at Bertilak’s castle, Lord Bertilak suggests they play a game in which they will have to exchange the winnings they gained that day. In the end, the story tells us that Lady Bertilak had been following the instructions her husband had given her to try to trick Gawain into not staying true to his word during the game they played. However, Lady Bertilak did many unnecessary and sexual
Essay with Outline Loyalty, courage, honor, purity, and courtesy are all attributes of a knight that displays chivalry. Sir Gawain and the Green Knight is truly a story of the test of these attributes. In order to have a true test of these attributes, there must first be a knight worthy of being tested, meaning that the knight must possess chivalric attributes to begin with. Sir Gawain is self admittedly not the best knight around. He says "I am the weakest, well I know, and of wit feeblest; / and the loss of my life [will] be least of any" (Sir Gawain, l. 354-355). To continue on testing a knight that does not seem worthy certainly will not result in much of a story, or in establishing a theme. Through the use of symbols, the author of Sir Gawain is able to show that Gawain possesses the necessary attributes to make him worthy of being tested. He also uses symbols throughout the tests of each individual attribute, and in revealing where Gawain’s fault lies. The effective use of these symbols enables the author to integrate the test of each individual attribute into a central theme, or rather one overall test, the test of chivalry.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
When all the courtly love elements that flow through The Knight of the Cart are composed, in addition to a tale of love affair between Queen Guinevere and Lancelot of the Lake, a document revealing the enchanting history of the Twelfth Century Renaissance is created. Troyes, our powerful storyteller, was able to do this by taking us on a journey with Lancelot, not only though his exciting battles to Guinevere but, through his passionate and enamored thoughts and behaviors that yearns for his beloved.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
When comparing the epic poem of The Song of Roland to the romantic literature of Ywain, the differences between the early medieval period and the high medieval period become evident. Both The Song of Roland and Ywain depicts the societies from which each story derives its fundamental characteristics. Through close observation, one is able to see the shifts in customs and mentality that make the move from the epic to the romance possible. In his chapter 'From Epic to Romance', R.W. Southern shows how this transformation manifests itself through changing ecclesiastical and secular thoughts and feelings.
In Gordon M. Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, he argues that Sir Gawain and the Green Knight is truly about the strength and weaknesses of human nature. One particularly interesting part of his argument asserts that Gawain’s humanity broke medieval romance tradition.
In the Medieval Period, knights dedicated their lives to following the code of chivalry. In Sir Thomas Malory’s Le Morte d’Arthur, a number of characters performed chivalrous acts to achieve the status of an ideal knight. Their characteristics of respect for women and courtesy for all, helpfulness to the weak, honor, and skill in battle made the characters King Arthur, King Pellinore, and Sir Gryfflette examples of a what knights strove to be like in Medieval society. Because of the examples ofchivalry, Le Morte d’Arthur showed what a knight desired to be, so he could improve theworld in which he lived.
Chivalry was a set of codes and values that the knights would follow to show loyalty to their king, respect to their lady, and humbleness to the poor. Next, courtly love was more of a tradition that was beheld usually by a knight and a lady such as Lady Bertilak, they would engage in a relationship and it would be kept a secret. The two have conflicts with each other because while Sir Gawain was courting Lady Bertilak’s he was to do as commanded but also was to not betray the loyalty of King Bertilak who was his host. Furthermore, while Sir Gawain was receiving kisses he also had a deal with his Host, anything he received in his castle would be given to King Bertilak and in exchange, he would receive what the king killed during his hunt. Throughout the first and second time that the king left and came back from hunting Sir Gawain gave him the kisses he received but on the third he failed to give him what he received since Lady Bertilak had given him a green griddle and told him to take it as well as to not to tell her husband about it. Sir Gawain was not to say a word about the gift but in receiving this gift and doing what she commands he breaks the deal between his host and he fails to be
During the Middle Ages, Courtly love was a code which prescribed the conduct between a lady and her lover (Britannica). The relationship of courtly love was very much like the feudal relationship between a knight and his liege. The lover serves his beloved, in the manner a servant would. He owes his devotion and allegiance to her, and she inspires him to perform noble acts of valor (Schwartz). Capellanus writes, in The Art of Courtly Love, “A true lover considers nothing good except what he thinks will please his beloved”. The stories of Marie de France and Chrétien de Troyes illustrate the conventions of courtly love.
Marie de France’s “Lanval” is a Breton lai dominated by themes common to 12th century literature, which through its exploration of love, erotic desire, wealth, gender and community, tells the story of a young knight who finds himself caught between two worlds: his lover’s and his own. Forced to separate these societies by a warning in which his lover states, “do not let any man know about this…you would lose me for good if this love were known” (Lines 145-148), Lanval must keep his love a secret and exist apart from the Arthurian world into which he was born. Consequently, romantic love between Lanval and his fairie queen exists conditionally, that is upon Lanval’s physical and emotional isolation. This restriction suggests that romantic love, as described in terms of erotic desire and physical/emotional devotion throughout “Lanval,” is unsuited for existence in the mundanity of Arthurian society. Therefore, Lanval’s solitude is necessary for his maintaining his relationship with the fairie queen, a fact that suggests the incompatibility of romantic love with Arthurian society, as Marie depicts it.
Keen opens his book with an introductory chapter examining three literary works pertaining to chivalry: the Ordene de Chevalerie, the Book of the Ordre of Chyvalry, and the Book of Chivalry. All three of these were written during a period of great religious reform, yet, according to Keen, they appear to not have been influenced by the ideas of the Church. The Ordene de Chevalerie is an anonymous poem that stresses the importance of the ritual required for initiation into knighthood. The popularity of the piece leads to the conclusion that the poem reflects “what men understood chivalry to mean” (8). This poem is then contrasted by the Book of the Ordre of Chyvalry, a narrative work written by Ramon Lull that describes in detail the origins and meaning of chivalry. A consideration of Geoffrey de Charny’s ...
The code of chivalry is a set of rules followed by the knights during the middle ages. The evolution of heroic and chivalry code has changed over time beginning from the Middle ages to now. The three stories Sir Gawain and the Green Knight, Lanval and Beowulf illustrate what it takes to be considered a chivalrous knight. In Sir Gawain and the Green Knight, Gawain shows qualities
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
Closely associated to the romance tradition are two idealized standards of behavior, especially for knights: courage and chivalry. The protagonist within many medieval romances proved their worth by going on quests, as many a knights went in those times, thus returning with great tales of their travels and deeds. Many modern people think of chivalry as referring to a man's gallant treatment of women, and although that sense is derived from the medieval chivalric ideal, chivalry could be seen as more than that. Knights were expected to be brave, loyal, and honorable-sent to protect the weak, be noble to...