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Hamlet and laertes as foils
How is Laertes a foil to Hamlet
How is Laertes a foil to Hamlet
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Shakespeare’s Hamlet tells the story of a former king's son seeking revenge for his father's death. As a result, his actions affect the fate of everyone in the play. William Shakespeare uses several characters as foils, minor characters that reflect some aspect of the protagonist. One of the foils in this play is Laertes, whom he uses to reveal several character elements of Prince Hamlet. Both Hamlet and Laertes love Ophelia, prove their masculinity, and seek revenge for their fathers' deaths. Laertes is an excellent example of a foil since he shares common attributes with Prince Hamlet. Both Laertes and Hamlet express their love for Ophelia and try to protect her.
Indeed, it is obvious that they both love their fathers. Laertes, in particular, is slightly offended by Claudius when he asks, "...was your father dear to you? / Or are you like the painting of a sorrow, / A face without a heart?" (4.7.107-09). It is noticeable that Laertes loves his father very much. On the other hand, Hamlet also loves his father deeply and still laments his death. He expresses his feelings...
According to Osric, the public loves Laertes because he is "an absolute gentleman, full of most excellent differences, of soft society and great showing… [and] he is the card or calendar of gentry…" (5.2.104-07). In comparison to Hamlet, Claudius says that he cannot punish Hamlet because the public loves him (4.7.17-18). Finally, Hamlet and Laertes test their masculinity through a sword fight. Before the fight, Hamlet apologizes to Laertes for the trouble he caused during Ophelia's burial and for killing Polonius (5.2.210-16). However, something unexpected happens. Gertrude dies from drinking the poisoned cup, which leads Laertes to realize that it is "the king… to blame" (5.2.313-314). He asks for forgiveness after learning the truth and forgives Hamlet for accidentally killing Polonius (5.2.322-23). Hamlet and Laertes both display what it takes to be a true man. This attribute greatly adds to the comparison between these two characters, but another idea that affects their actions is the pursuit of revenge. Finally, Laertes and Hamlet want to seek revenge for the death of their fathers. Both of their fathers' deaths are caused by radical conflicts. Hamlet's madness is a result of Claudius's intentional killing of Old Hamlet. Old Hamlet tells the truth, and he...
Throughout the play, Laertes is as an extremely caring member of his family. His strong emotions for family have an opposing side to it, a shadow that has repressed feelings of anger which cause him to add to the disaster in Denmark. An example that depicts this is when Laertes attempts to request more rites for Ophelia’s funeral. After he is denied, he starts a commotion by calling the priest “churlish”, explaining that Ophelia will be “A ministering angel” while the priest will “liest howling”(5.1.217-218). His compliments to Ophelia shows how much he loved her, while his nasty insults to the priest show his repressed rage. While this is occuring, Hamlet hears Laertes’s mention of Ophelia during the commotion and throws himself into a brawl with Laertes. It is the conflict built up from there that causes Claudius to target Laertes as his next weapon to kill Hamlet with. Laertes’s deep anger for Hamlet makes himself the best candidate for Claudius’s manipulation. Once Laertes’s sides with Claudius, he shows his dark intent by requesting Claudius to not “o'errule me to a peace”(4.7.58). On the day of the duel, Laertes undergoes a confrontation of his shadow while he clashes with Hamlet. His realization of his shadow comes too late into the duel when both Hamlet and Laertes are struck by poison, as this happens he declares that he is “ justly killed with mine own treachery (5.2.337).” In the moments that he is still alive, he dismisses his shadow and ends the circle of murder by announcing the true nature of Claudius. Laertes’s repressed anger guides the play into the duel where many deaths occur including Hamlet’s.
In Shakespeare’s “The Tragedy of Hamlet, Prince of Denmark” Hamlet and Laertes act as dramatic foils, where their similarities are used to highlight their differences. Each character learns that his father has been murdered and each plots his revenge against the murderer. In the first act of the play, the ghost of Hamlet’s father tells him “Let not
In Shakespeare's play, Hamlet, the young Prince Hamlet must deal with murder, corruption and incest. The foils to Prince Hamlet, give the reader a basis to summarize his character within the play. Such foils include Laertes, son of Polonius, Claudius, current king of Denmark and stepfather of Hamlet, and Fortinbras, the prince of Norway.
Hamlet questions what may or may not happen however Laertes just wants the revenge fast and effective. Although these characters have different standards when it comes to revenge, they both immediately blamed and directed their anger towards Claudius when they found out their father’s were dead. Hamlet’s reason to blame Claudius is simply because he is his father’s murderer. In 1.5 while Hamlet is talking to the ghost of his father he says, “Haste me to know ’t, that I, with wings as swift/As meditation or the thoughts of love/May sweep to my revenge” (Shakespeare 1.5.31-33). At first is seems as if Hamlet would seek revenge right away because he seems eager to find out who the killer is and when he does find out he says he knew it was Claudius all along. He is furious and after this part in the play, Hamlet’s anger is mainly focused on Claudius. On the other hand when Laertes found out Polonius is dead he went straight to Claudius assuming it was him. By doing this he shows that he is controlled by his impulses unlike Hamlet who waited until he got proof to act on his fury. Laertes also blamed Claudius for not giving his father a proper burial, which can relate to Hamlet’s anger too because Hamlet felt as if there was not enough mourning for his father death. Not only did they both lose their fathers, but they both lost Ophelia, a female figure in their lives that they both loved.
In The Tragedy of Hamlet, Prince of Denmark by William Shakespeare, Hamlet, the prince of Denmark, is infuriated with his mother, Gertrude, for marrying his uncle, Claudius, less than two months after his father’s death. Hamlet, the main protagonist, has two characters who act as foils to him, and they are Fortinbras and Laertes. Not only do they want revenge on their father’s murderers, but they are willing to do so at all costs, even if it means destroying their reputation and independence. They also find different ways to cope with their troubles. These foils enhance the importance of Hamlet’s character throughout the play.
His father was killed by Hamlet and his sister was driven insane due to the series of events that took place because of Hamlet. Like Hamlet, Laertes wants to avenge his father by killing the man who killed Polonius. As described earlier, Hamlet is slow to act. Laertes, on the other hand, acts quickly and with precision, wasting no time in acquiring his target and formulating a plan. Robert Palfrey Utter, Jr., puts it best, Hamlet and Laertes both come to the same conclusion that murder must be carried out, but Hamlet reaches that conclusion only “after he has had a few minutes to think it over.” (140) Once Laertes finds out that the man who killed his father was Hamlet he is ready to charge in and kill him as soon as possible. He is only stopped by Claudius, who advises him on a more subtle approach. Straight off the bat it is clear how efficient Laertes is compared to Hamlet. Hamlet wastes a large amount of time scheming up complex ideas on how to get a confession out of Claudius and how to kill him. Laertes on the other hand wastes no time in getting a straight and to the point plan that he can execute immediately. After spending more than half the play watching Hamlet squirm around on the stage getting almost nothing accomplished, the audience would be acutely aware of the stark difference between Hamlet and Laertes even though they share the same motivations. Laertes has his speed but he shares in Hamlets lack of critical thinking when he gets hot headed. He is in such a blind rage that he doesn’t think on what he is agreeing to do with Claudius. Just like Hamlet, his brash actions cost those around him his life. In carrying out the plan, the King, the Queen, Hamlet, and he all die to the poison that was used in the duel. Hamlet was slow and reckless while Laertes was quick and reckless. Wilds sums up the relationship between Hamlet and Laertes perfectly, “Laertes and Hamlet have been foils to each other
Laertes holds the most important role as a foil to Hamlet. He represents the rage that boils within Hamlet and the revenge which he seeks. In many ways Laertes mirrors Hamlet's character. Their anger is precipitated through the same source, the untimely death of their fathers. Other similarities between the two men include the love that they both felt for Ophelia, and the heartfelt sorrow which they displayed upon her tragic death. The differences between Hamlet and Laertes become obvious as the two characters are played off of each other. Both men are the dutiful sons of their father's. However Leartes is portrayed as the well-breed son, while Hamlet's character is played down to that of a more peculiar type commoner who possesses few royal qualities. Although both men are students, Leartes prefers to indulges in a Parisian type lifestyle, whereas Hamlet chooses to study in the more subdued atmosphere of Whittenburg. There is also a difference in the way that both men react to the death of their fathers. Upon learning of his father's death, Laertes immediately allows his grievances to be known and chooses to go strait to the arena for his revenge. Hamlet chooses a more peculiar approach...
Throughout the play, Laertes’s focus is revolved around the ideology of incest. Another example of incest that was perceived was the relationship between Laertes and Ophelia. Laertes believes that Hamlet is just using Ophelia for sexual satisfaction. He tries to explain it to her, but she is reluctant to listen. Laert...
Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet. Association with their families makes Hamlet and Laertes even more similar. The love and respect that they have for their fathers bring them to life threatening situations. Hamlet compares his father to a sun god “Hyperion” and similarly Laertes highly respects and loves his father Polonius.
...of the foils Shakespeare used to develop Hamlet's character. The one that did the best in accomplishing this task was Laertes, though. Laertes and Hamlet had a common goal, and if it hadn't been for him[,] the story would have taken a totally different route. Polonius was a good foil in that he convinced everyone that Ophelia was the cause of Hamlet's madness. If he hadn't been Ophelia's father, this part of the story may not have been as effective.
"Laertes is a mirror to Hamlet. Shakespeare has made them similar in many aspects to provide a greater base for comparison when avenging their respective fathers' deaths" (Nardo, 90). Both Hamlet and Laertes love Ophelia in different ways. Hamlet wishes Ophelia to become his wife, Laertes loves Ophelia as a sister. Hamlet is a scholar at Wittenberg; Laertes is also a scholar at France. Both were brought up under this royal family of Denmark. And both are admired for their swordsmenship. But most important of all, both of them loved and respected their fathers greatly, and showed great devotion when plotting to avenge their fathers' deaths.
Laertes is greatly influenced by revenge for his actions especially when he is seeking revenge for his sister. He shows his brotherly love for Ophelia when he says “For Hamlet, and the trifling of his favor,/Hold it a fashion and a toy in blood,/A violet in the youth of primy nature,/Forward, not permanent, sweet, not
[4, 1, 40] These idiosyncrasies are observed in the play when Claudius becomes concerned he will lose power as King and the likelihood Hamlet will murder him to avenge his father’s death. This is apparent when Gertrude informs Claudius that Hamlet is, “Mad as the sea and wind, when both contend which is mightier”. [4,1,6] With these thoughts daunting Claudius, he approaches Laertes in a Machiavellian manner to convince him to murder Hamlet, for he knows Laertes is angry, deranged and “Vows to the blackest devil” [4,5,131] after the death of his father. In doing so, Claudius has the intent to use Machiavellian powers over Laertes who is currently mentally unstable, with the objective being that Laertes will murder Hamlet to avenge his own father’s (Polonius) death. Claudius is able to successfully persuade Laertes in a manipulative speech, especially with his snide comment, “Not that I think you did not love your father, but that I know love is begun by time, and that I see a passage of proof.” [4,7,96] Claudius’ malicious comment indicates he is using his power over Laertes, so that the burden and repercussions do not rest on him, so that he may retain his authority as King. By utilizing his power over Laertes, Claudius is successful, as Hamlet is slain, however, as reflected in Claudius’
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for revenge, execution of their plans and behavior while carrying out their plans.
Although similar in age, class and ambition to destroy their fathers killers, Hamlet, Laertes and Fortinbras each have characteristics that make them different from each other and show how each acted unlike the others when carrying out their plans. Hamlet seems to be the one who lets things dwell in his mind before taking any action or making an attempt at trying to get on with things. He shows this after the death of his father when he remains in morning and a depressed state for three months without trying to get on with his life. Laertes seems to be the more quick minded of the three as he makes hasty judgements about Hamlet and is quick to force his opinion upon his sister, Ophelia about his fears for her if she stays in the relationship. “For Hamlet and the trifling of his favor, hold it a fashion and a toy in blood, a violet in the youth of primy nature, forward, not permanent, sweet, not lasting, the perfume and suppliance of a minute—No more.