Tennessee Williams has poignantly depicted nature doing her bidding for the synchronization of, “unity of mental life,” (Freud, Reich, Lawrence, 499). The author appears to be like a naughty little boy running wild in the theater of universal consciousness. The projection of his inner life through his play A Streetcar Named Desire is his Picasso to the art gallery of replicas. He uses sublimation as an avenue to satisfy basic motives in a manner acceptable to society. In his attempt to escape social purgatory he constructed the characters Stanley and Blanche to give him wings unselfishly and put his ...
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