She was so young and scared. Her dad favorite Nettie more than her, so he decided to hurt her. He got Celie pregnant and gave the baby away to a preacher and his wife. Living in that house was like hell to Celie, she hated every minute of it. Even though it was slave days, her own father made her his own personal slave around the house. She had to cook supper every day, clean after all of those kids. Celie got recognized by this man at church named “Mister” and her father gave her to him because he did not really want Celie anymore. Celie, had been through a lot staying there with mister. The only way she could escape from her problems, was by writing in her diary (Wall). Although Celie initially writes her diary letters to heal the rift that has ensued from her sexual violation and to create an identity from fragmentation, the form of her text necessarily yokes together unity and disparity” (Wall). Mister hates Celie just because she is a woman. He claims women are not equal to men and that they should serv...
... middle of paper ...
... Nettie, so he stated I’ll tell you what, I’ll let you have Celie (Walker). Mister never looked at Celie before so this was a sudden surprise.
Eddy, Charmaine. "Marking the body: the material dislocation of gender in Alice Walker's The Color Purple." ARIEL 34.2-3 (2003): 37+. Literature Resources from Gale. Web. 14 Jan. 2014.
Wall, Wendy. "Lettered Bodies and Corporeal Texts in The Color Purple." Studies in American Fiction 16.1 (Spring 1988): 83-97. Rpt. in Contemporary Literary Criticism. Ed. Janet Witalec. Vol. 167. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
Weisenburger, Steven C. "Errant Narrative and The Color Purple." Journal of Narrative Technique 19.3 (Fall 1989): 257-275. Rpt. in Contemporary Literary Criticism. Ed. Janet Witalec. Vol. 167. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
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