In Joseph Heller’s Catch-22, many of the character are conformists or conform to something one way or another. Major Major tries to act like the other men but still ends up being hated by everyone for no real reason besides being a major. Yossarian was in Pianosa and was just dealing with strangers shooting at him. He followed orders. However, he questioned why they had to do the things they were doing in the first place, why he had to kill people he didn’t know before they killed him first. At first, it did not bother him that he was killing people, but he was afraid of death. His fear of his own mortality caused him to question the order of his commanding officers and question his friends who actually enjoyed being in the war, such as Milo who never actually had to do anything besides make money for his syndicate. The men become dehumanized and eventually act like robots just doing what they were programed to do. Yossarian was once one of these men, but as the war progressed and his friends were dying, Yossarian became aware of the way he was being treated by the commanding officers. He wanted to make his own choice decided whether or not he lived or died and he was tired of seeing the horrors of the world. He rebeled against what he was told was right and did what he thought was right. Yossarian’s rebellion against the war was brought on by the death of his friends and the horrors of war and portrayed an individuals feelings in a time when indivivuality is frowned upon.
John Yossarian is the most important character out Catch-22´s squadron of important characters. He openly questions the war and the governments handling of if it. Yossarian was upset because ¨strangers he didn´t know shot at him with cannons ever...
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...ed the military, Yossarian did what everybody else did; he followed orders, he bought prostitutes and harassed the nurses. However, as the state of the war decreases and his contempt for his higher-ups increased, Yossarian conformed less and less to what his peers and his commanding officers wanted and began to think for himself. When he wanted to save the whore’s kid sister, Milo assumed that Yossarian only wanted to rape her. Small things like that are what set Yossarian apart from the other characters. He conformed because that what he believed that was the right thing to do, but when he realized he was wrong, he corrected himself and began to work towards what he wanted. Yossarian may have started off as a conformist, but as his character developed, he became a free man and he found something that “is worth dying for” (Heller 247). Yossarian became an individual.
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