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Social media campaigns by two different alcohol companies will be analyzed in this report. A comparison would follow after a detailed analysis of the companies’ uses of social media.
“Transform Today” is a campaign launched by Absolut Vodka in August 2013. The alcohol company teamed up with artists from all over the world and interacted with consumers via social media. One of the main strategies used in the campaign was ‘#NextFrame”, a collaboration between consumers and graphic artist Rafael Grampa via social media to create a crowd-sourced animation project. According to ____, “To build strong brands, you need to have a higher purpose” (__) - this is why Absolut Vodka had come up with such an elaborate campaign, seeking to “connect with the creative spirit in everyone and to inspire artistic transformation around the world.”. (__)
It is clear that from the organization’s use of social media, its goal is to inspire users to create art. However, its business goal is not clear. Through the promotion of the arts, it does not blatantly include its products in the campaign - however, it seeks to foster closer relationships with its consumers, increase brand loyalty, and thus increase profits. “#NextFrame” is an action strategy that is part of the Transform Today campaign. It was designed to reach the objective of inspiring audiences to think about their own creative potential by giving an opportunity to act on the messages of the campaign by collaborating with one of the artists. (___) As for the tactics, the organization utilized FaceBook as the main medium - every week, a FaceBook photo album of an “episode” was released, consisting of a brief storyboard of the animated film. FaceBook users were invited to submit plot decision ide...
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...gets artsy, wants to 'transform toda'y. Retrieved from http://www.clickz.com/clickz/news/2294492/absolut-gets-artsy-wants-to-transform-todayLBBonline. (2014, Febuary 20). Your shot: Absolut’s ‘next frame’. Retrieved from http://www.lbbonline.com/news/your-shot-absoluts-next-frame/
Nudd, T. (2012, March 23). Belvedere vodka apologizes for rapey ad on facebook. Retrieved from http://www.adweek.com/adfreak/belvedere-vodka-apologizes-rapey-ad-facebook-139162http://www.thefix.com/content/belvedere-vodkas-rapey-ad-social-media-fail
Wilkerson, M. (26, March 2012). Belvedere vodka's rapey ad: Social media fail?. Retrieved from http://www.thefix.com/content/belvedere-vodkas-rapey-ad-social-media-fail
Woman sues vodka company for using likeness in 'rape' ad. (2012, March 30). McClatchy-Tribune. Retrieved from http://search.proquest.com.libproxy1.nus.edu.sg/docview/962489192
Kilbourne includes various advertisements where the woman is the victim and target. The advertisements and media depicted women being overly sexualized, they promoted or glorified date rape, sex is the most important aspect of a relationship, fetishizes various products, and made men believe these were the correct ways to view or treat women. The audience these advertisements are appealing to are men because media depicts women as always being the victims. Men are lead to believe that they should buy certain products as portrayed in media or advertisements because they will get the attention from the ladies. “The violence, the abuse, is partly the chilling but logical result of the objectification” (Kilbourne 498). When women are so used to seeing themselves as objectified they soon start to believe it. Women become more vulnerable because it shows men that anything is possible with just a spritz of perfume or a certain brand of an alcoholic drink. Industries do not think twice before making an advertisement because they are not the victims. Violence is the main problem that arises due to advertisements. “Women are always available as the targets of aggression and violence, women are inferior to men and thus deserve to be dominated, and women exist to fulfill the needs of men” (Kilbourne 509). As long as industries make money, nothing is off limits to put on advertisements even if it is making someone a victim. No remorse of any sort is shown because as long as money is present nothing else matters to the
The ad I have chosen to use for my Ad Critique assignment is one from Skyy Vodka’s ad campaign. This ad shows a young Caucasian man and woman spread out on a velvety quilted red couch, with money falling all around them. The man is holding a martini in his right hand, while his other hand is nowhere to be seen. The woman is thrusting her breasts into the man’s face, while holding a handful of cash. Both parties seem to be extremely elated, and there is a bottle of Skyy Vodka sitting on the table in front of them. The ad is clearly hyper-sexualized, but that seems to be the goal of the marketing director, Kathleen Schuart, who explains the ad as, “inviting us to take an optimistic view and reimagine the world around us… [whose campaign is] challenging
Kilbourne, Jean. “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence.” From Inquiry to Academic Writing: A Text and Reader. 2nd ed. Eds. Stuart Green and April Lidinsky. Boston: Bedford/ St. Martin’s, 2012. 459-480. Print.
The author of this advertisement is all about sexual stereotypes such as blonde hair blue eyes and a very large breast size.
We may think of sex as a passionate way of showing one’s life-long partner one’s love, or as a means of satisfying oneself, but in the recent years we have grown accustomed to the idea of casual sex becoming the norm. As a result, the once scandalous sexualized ads of the early and mid-1900s have become so common that Kilbourne claims that these ads contribute to our current rape culture and to the objectification of women and children.
Jeff Koons is one of the most controversial artist in the modern art world. His artworks are mostly appurtenances of childish holiday celebrations such as Easter eggs, Valentine hearts, ice-cream sundaes, etc. All of those kiddie kitsch are scaled up, covered in glossy, colorful materials. In critics’ eyes, his works are banal, trivial, meaningless, are “affront to great tradition” of art. They believe Jeef Koons is able to sell those ridiculous pieces and became famous because of his sale experience, not because of the art itself. They criticize his endorsement of selling, advertising, marketing, and commercial life in general. Jeff Koons, instead of defending himself, admits that he completely believes in the power of marketing and media.
The ad appears in Adbusters Magazine, a web page created by The Adbusters Media. This is a Canadian foundation that uses ads to fight issues in society like smoking and alcoholism. For example, in this case they are discrediting the Absolut vodka brand, creating a mockery ad against the product...
Advertisements are everywhere. Rosewarne reveals that “In both a workplace and a public space setting audiences are held captive to such images; and both sets of images work to masculinise space in a way that makes women feel excluded” (Rosewarne 314). Take beer advertisements as an example of this. Beer advertisements have been utilizing the female body to draw the interest of males for centuries. This materialization of women has been verified to not only have a discouraging effect on women, but an unfavorable effect on civilization. The purpose of these posters is to allure the male 's eyes to the model’s body and therefore to the beer planted in the background. These ads strive to make you subconsciously affiliate a charming woman with a bottle of beer. In theory, these posters should make a guy imagine that if he purchases a bottle of their beer, that one way or another there would be a model to go with it. This is unreasonable of course because a pretty woman does not emerge out of nowhere every time someone has a beer. In my opinion, advertisements like these portray women as sex symbols. The advertisers attempts to link their product with the female body, does not encourage women, but rather has an accidental effect of lower self esteem and confidence in women. Rosewarne summarizes the her stand on sexual harassment in public ads by
Zimmerman, Amanda and John Dahlberg. “The Sexual Objectification of Women in Advertising: A Contemporary Cultural Perspective.” Journal of Advertising Research 48.1 (March 2008): 71-79. Business Source Premier. EBSCOhost. Howland High School Lib., OH. Web. 28 March 2014 .
The signs employed within the ad and the connection between signifiers and the signified were subjective and based on cultural representations. The denotative and connotative meanings that a message represents along with ‘doctrine of sign’s’ known as iconic, indexical and symbolic dimensions engaged by the advertiser to send ideology and mythical messages within the Katy Perry ad, such as wealth, authority and beauty are desirable and this can be attained if you buy this perfume. On a border and more thought provoking ideological level, the ad could perhaps interpret the message of freedom, prosperity and justice that women have culturally fought for throughout history. The basis of the selling pitch of the advert is sex, beauty and wealth. A contradiction perhaps, is an alternate meaning with the syntagm “Own the Throne’ intentionally placed underneath her genital area with Katy’s legs crossed. This may signify a deeper meaning that she is truly the one that ‘owns’ her sexuality not the advertiser. It is crucial advertiser’s understand that accomplishment of linguistic and non-linguistic communication is a result of the integrated system of cultural norms that allows potential buyers, to organise their world and give collective representations. In order to permit the reader to receive and successfully decode the
However, it can also be assumed that a large percentage of rape victims also never seek professional help or counseling when it comes to dealing with the effects of sexual assault. The statistic also makes a logical appeal due to the fact that it uses information that came from a study from the U.S. Department of Justice to let the audience understand that this is an issue that isn’t unique to them, but many other individuals all over the country. The citation of the statistic at the bottom left corner of the ad adds an ethical appeal because the audience would readily believe the statistic because it came from a credible source that specializes in issues such as dealing with sexual assault. Moreover, if the argument of the piece wasn’t clear enough to the viewer, a caption is located under the face of the young woman to ensure that the argument is explicit and does not leave the intended message misunderstood. This also makes a logical appeal because it adds detail to an argument that could potentially be misconstrued. Thus, it is important that the two issues of breaking their silence and seeking professional help are apparent to the victim, which this ad
In many clothing advertisements, particularly jeans and lingerie ads, women are used as the main subjects to entice the viewer to notice the ad and most importantly, be excited about the product. In one photo, Calvin Klein Jeans promotes its clothing through what seems to be unwilling, reluctant sexual activity – rape. The advertisement displays the woman resisting the man with the palm of her right hand, and she is pulling her shirt down to cover her stomach with her left hand; yet he is still pursuing her and attempting to remove her top. Her body language and gaze – devoid of emotion – reveal that she is not interes...
Kilbourne, Jean. “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence” Free Press. (2000): Web. 27 Feb. 2014
‘Creative without strategy is called “art”. Creative with strategy is called ‘advertising’. Creativity grabs attention. People are flooded with millions of ads each day, but screens most of them out. Creativity allows advertisements to get past the filtering process and appeal to the intended audience. (Altstiel & Grow 2012) Advertising agencies nowadays are forced to think outside the box, by looking at the bigger picture and constantly discovering new ideas and ways to grab people’s attention. A successful creative advertisement results from the ability to incorporate strategic concepts in order to draw the line between plain art and advertising. There are no rules, no patterns to creating highly creative advertising. (Lee 2000)
Since social media users grow larger and larger, many companies take the opportunities of using social media marketing to reach more customers. Companies use social media marketing in order to achieve marketing communication and branding goals. Social media allows companies to see what prospects are saying about their brands and competitors. It also allows companies to build deeper relationships with existing customers that drives them to purchase again and again. Not only it can help them generate new leads, but it allows them to build deeper relationships with existing clients that drives them to purchase again and again. It has become common for businesses to branch out and experiment with multiple networks with the aim of reaching the maximum amount of costumers.