In Act I, the first thing I notice is movement and vocal production. The character, Matt, is remembering an episode of The Simpsons, which you later find out holds importance to the play as a whole. He uses loud snaps and clapping while trying to get his point across. Between the gestures and pauses in his voice, it is a very believable, realistic scene. The other actors and actresses join in by adding tidbits of information, just like a normal conversation.
Also in Act I, there was a powerful silence. The character, Gibson, approaches the group for the first time. He has his hands up and everyone has a gun pointed at him. Everyone in the scene is in a silent panic. Matt goes and takes Gibson 's bag and pats him down. Then, ...
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- During the 1890's, American audiences still saw theater as a form of entertainment and therefore, it could not be considered a medium through which to comment on the social situation of the society. However, across the Atlantic, Henrik Ibsen was steadily bringing realist drama to prominence and simultaneously achieving critical acclaim. At home, James A. Herne débuted his radical play, Margaret Fleming, but achieved little success. However, it did draw both positive and negative criticism. Such a varied reaction to such a controversial play at such a pivotal time must have a profound effect on the society that existed during this time.... [tags: Theater]
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