The, By Slavenka Drakulic And Memoirs Of An Italian Terrorist Essay

The, By Slavenka Drakulic And Memoirs Of An Italian Terrorist Essay

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Although How We Survived Communism and Even Laughed by Slavenka Drakulic and Memoirs of an Italian Terrorist by Giorgio are so structurally different, they both express a sense of anger and frustration through vivid imagery. The two novels reveal the pain of their narrators, who wish to live in a better world, democratic and free, nevertheless, a society where men and women enjoy the basics of freedom, equality, and free of a heavy political apparatus exploiting all to serve few. Even though Drakulic and Giorgio came from a different perspective and ideology about whether living under a communist - Marxist- Leninist political system, they share the key distinction of recognizing that 1970s Europe was about to see real changes. However, the word “communism” in the two texts is used to represent two very different ideas; dissatisfaction for Drakulic and idealism for Giorgio. In HWSCEL, author Slavanka Drakulic uses the word “communism” in its most general sense, describing the emotions of oppression, scarcity, neglect and subjugation (Drakulic, p.24 and p.51)…. In the MOAIT, the word “communism is used to represent a cause, a philosophy, an ultimate goal throughout a Marxist-Leninist revolution. As Engels conceived capitalism, as the root of all oppression, the apparent oppressor of women too, and thought that capitalism’s eradication would free the whole of society. Furthermore, amongst both narrators, as of a large number of young people who lived throughout this decade, see a profound desire to be politically aware and active. It consequently bring us to wonder what attracted one author to wage his war against the state of Italy gorged by the Marxist ideal of false consciousness, therefore engaging in political violence and arme...


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...ries, women spent enormous time and money acquiring makeup, cloth, and other means by which to mimic Western fashion. Although many of these women looked overdressed and over-primped, they did it “to cheer themselves up in a grim everyday life…In fact, they [were] doing it to show difference; there [were] not many other ways to differentiate oneself” (Drakulic, p.27). Drakulic described these women and their efforts to assert individuality: “In the party-controlled magazines for women, where they are instructed to be good workers and party members first, then mothers, housewives, and sex objects next, - never themselves? To be yourself, to cultivate individualism, to perceive yourself as an individual in a mass society is dangerous. You might become living proof that the system is failing. Make-up and fashion are crucial because they are political.” (Drakulic, p.26).

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