The central conflicts within Antigone speak to people through the centuries as relevant to their way of life or the violent situations they find themselves in.
The lesser disputes mostly centre around family feuding. The argument between siblings (Antigone and Ismene) and the strife between father and son (Creon and Haemon) are illustrations of clashes within many families.
The arguments between the Ruler and People (Chorus/Guard) and his adviser (Tiresias) feed into the central dispute between Ruler and Rebel as personified by Creon and Antigone.
. The two sisters’ disagreement in the first pages (1 to 7) is pertinent to families throughout history. Sibling rivalry is a major point in the play as the death of Polyneices was at the hands of his own brother so a continuation of the discord between the children of Oedipus is to be expected. The first sister, with a profound sense of duty to her family, has given her life up to caring for her blind father in exile until his death while the other has stayed safely at home in the house of her Uncle. It is inevitable that Antigone‘s outrage is more pronounced than Ismene’s and her anger at the appearing lack of sibling solidarity is not surprising. In any time or place when one sibling takes the family business on their own shoulders it is natural for there to be trouble with the other members of the family who may be seen to be having an easier time of things or protected from the big decisions required. Ismene has been well looked after in the house of the King and sees no reason to ‘rock the boat’ She has always occupied the ‘appropriate female role’ within the palace and was probably looking forward to a ‘good’ marriage and a long, comfortable life. The conflict is therefore als...
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Burial Practice/Court Ruling
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Antigone’s two contradictory roles, as a sister to Polynices and as a female of Thebes, gives rise to her problem. It can be argued that it is not Antigone that enforced this impact. Antigone not unfairly declares that ruler has no right to keep her distant from her own brother and she was simply satisfying her ordinary responsibility by providing Polynices some resemblance of
Sisters and brothers have a special bond that makes them who they are. Siblings fight and argue all the time, but they will always protect and feel responsible for each other. This is what causes Antigone to go against the law and bury her brother; she loves her siblings and will do anything for them, even risk her life. Because Antigone and Polyneices are brother and sister, they will always defend and be there for each
The play Antigone by Sophocles is about reason and opinion and reveals how people use their voice to be heard. Antigone uses reasoning and opinions to express their moral beliefs and state laws in the play. People manipulate each other by using these terms to get their way by speaking out and standing up for themselves.
The purpose of this short essay is to justify Antigone’s position during the story and to conduct an analysis from the other readings to defend my interpretation. I will take in consideration the similarities and differences of all three other readings Civil Disobedience, Machiavelli and Socrates.
Antigone and her family have suffered many things. It all began with her father Oedipus. Oedipus has a very confused life. He ends up killing his father, the king of Thebes, while he believes his father is someone else. He ends up as the king of Thebes and married to his mother, Jocasta. He dose this all while believing that his parents are dead. He finally ends up finding all this out; he blinds himself and is banished from Thebes. This is where Antigone's two brothers come in, Eteocles and Polynices. They end up fighting for the throne. Eteocles wins and banishes Polynices from Thebes. Polynices, however, is not done. He goes to Argos and recruits an army to take Thebes. The plan backfires though and Eteocles and Polynices end up killing each other, and the army is driven off. With no male heir to the throne, Creon, Oedipus' brother, takes the throne. This may be a lot for one person to handle, but Antigone's grief has just begun.
Antigone herself is quite the character, her confidence is indubitable, and coupled with her righteousness, she stands as a key tool for Sophocles’ use in addressing gender roles. In an act of virtue, Antigone decides to bury her brother's body, and to perform all of the necessary rites associated with doing so, all while knowing that what she hopes to attempt is forbidden by royal decree. Confronting her sister, Ismene, with her idea, she is reminded that women have a certain place in society, being told, “[W]e were born / Women, and so not meant to fight with men” (Sophocles 63-4). Antigone takes this statement offensively, learning that her sister has a different understanding of what is important, and what is not. Ismene believes her own life has more
There are many similarities and differences between Antigone by Sophocles and Shakespeare’s Romeo and Juliet. The adults in both of the books have the difficult job of controlling the actions of the younger characters. Their decisions have a crucial effect on the outcome of the books, for the younger characters that they guide are the main figures in their stories. Antigone’s King Creon and Romeo and Juliet’s Prince Escalus and Lord Capulet share but also have unique strengths, weaknesses, leadership qualities, and crisis-managing techniques.
The book also has conflict between Antigone and her sister, Ismene. In the opening chapter, Ismene becomes central to this moralistic tale as she stands for all that was expected of women in Greece in 5BC. She alone, in her dialogue shows us, right from the beginning why Antigone is so brave in her decision to bury Polyneices when she says; “Two women on our own faced with a death decree – women, defying Creon? It’s not a woman’s place. We’re weak where they are strong. Whether it’s this or worse, we must do as we’re told.”
Elizabeth Bobrick’s Sophocles’ Antigone and the Self-Isolation of the Tragic Hero declares “the heroic code may be summarized as follows: I protect my philoi—a term that includes family, kin, loved ones, and loyal community members—and they honor me. To hate my friend is to hate me. To help my enemy is to harm me. Being dishonored by my philoi is the equivalent of death. I will either kill them, or myself, or both.” This can explain Antigone’s excessive desire to bury her brother and even further be supported in lines 25-28 when Antigone challenges her sister’s loyalty. Aristotle himself said that a tragic hero should be neither better nor worse normally than a normal person. With that being said Antigone’s sister, Ismene, was in the same position as her. Originally invoking a sense of naturalism this changes with Ismene’s refusal to help bury their brother. The lack of support for Antigone’s plan leaves her no choice, but distances herself from her sister who obviously doesn’t share the same family loyalty beliefs as her (Lines 77-81). Ismene later in the play tries to claim some guilt in order to help Antigone’s cause. Yet again, Antigone refused to allow her sister to assume any punishment for her crime. Sophocles, Peter Meineck, Paul Woodruff’s Theban plays acknowledges Antigone would rather be dead with her brother than alive with a husband (Line 55-58). This is
Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’ decisions in society can be equally justified.
Family is such a large part of both of these stories. The very first line of Antigone makes it clear that blood ties are very significant to Antigone: "Now, dear Ismene, my own blood sister," The fact that Ismene is her blood sister is important enough to verbalize it, even when addressing Ismene. Throughout the play, several other aspects of the story indicate that Antigone is slightly obsessive about her family. She is willing to give up her life to honor her dead brother, all the while discussing how she would be honored to "lay down with the man I love". This is horrifyingly close to implying incest. She feels she has a duty to bury him. "Yes. I’ll do my duty to my brother and yours as well, if you’re not prepared to. I won’t be caught betraying him."
In the play Antigone, by Sophocles, it is greatly apparent just within the first few exchanges between Ismene and Antigone that there are various social issues surrounding the women in ancient Greece. The play raises many gender and socially related issues especially when looking at the contextual background of the playwright and the representation of the women within the play. When the characters of the first scene begin their analog, it is important to note what they are actually saying about each other and what their knowledge of their own social status is. The audience is first introduced to Antigone who we later learn is the antagonist of the play as she rebels against the protagonist, Creon. Her sister, Ismene, is the second character the audience is introduced to, hears of Antigone's plan to bury their brother's body in the first scene. Ismene’s actions and words give the reader the hint that her sister’s behavior is not usual, "so fiery" and "so desperate" are the words used to describe Antigone's frame of mind. At this very early point in the play the reader discovers that Antigone is determined to carry out her mission to bury her beloved brother. However, she is in no position that gives her the rights as a woman, sister, or even future queen to make her own decisions and rebel. Instead, her decision to bury her brother demonstrates her loyalty to her family, the gods, and to all women. Her motivation for those decisions will end up driving her far more than that of what the laws set by Creon have implemented. She shows no fear over disobeying the king and later says about the punishment of death "I will lie with the one I love and loved by him"(Sophocles, 2). Throughout the play the reader can see the viewpoint of an obedient woman, a rebellious woman, and the social norms required for both of them.
The character of Antigone in Sophocles’ play, Antigone, is one of the most controversial tragic characters in classic literature. The war in her city has torn her family apart, caused the death of both her brothers, and created a reason for her to fight against the King, her uncle. Her uncle, Creon, makes a ruling that her brother, Polynices, is not to be buried because he is a traitor, but according to her religion, her brother’s soul will not go to the afterlife until he is buried. In defense of her brother, she buries his body illegally and is subsequently sentenced to death. With her complex patterns of thought, bold actions, and the end she encounters, the character of Antigone causes debate among critics as to whether or not Antigone is in fact a tragic heroine. She can be perceived as a martyred hero, dying for love and religion, or as a fanatic woman who lacks the ability to think rationally. The way in which Antigone’s role is interpreted can further help to interpret Sophocles’ view of women and politics. In taking the view that she is a hero who died for her beliefs, it shows that Sophocles was aiming to prove that women deserve to be treated as equals and as citizens of Greece.
The dilemma of identifying the true hero, or heroine, of Sophocles’ Antigone has tortured students for years. It is indeed a difficult decision to make. The basis for this decision is what the reader perceives to be Sophocles’ dramatic issue in this play. The dramatic issue of the play is twofold: Antigone is a fanatic who is driven by her religious fever to bury the body of her criminal brother, Polyneices, against the edict of Creon. In the second part, Sophocles shows how the new King Creon’s refusal to change his decision in the face of adversity is admirable, but at the same time his political morals end up destroying his family. His fall from grace is tragic, whereas Antigone's fall is welcome. In this manner, Sophocles sympathizes with Creon, and thus he becomes the hero of the Antigone.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.