Breathless, by Jean-Luc Godard Essay

Breathless, by Jean-Luc Godard Essay

Length: 2023 words (5.8 double-spaced pages)

Rating: Term Papers

Open Document

Essay Preview

Through extensive research it is clear that many critics would agree, New Wave of French films has been unsatisfactory, although more than a few respectable films emerged from it. With the appearance of 1960s Breathless, there came a film (for it’s time) that is new, aesthetically and ethically. In a clean, yet rebellious way, Godard makes the statement, ‘Anything is possible when it comes to cinema, that there is no limit to the possibilities of film form.’ Godard understood the rules and clichés of cinema and had the guts to fool around around with them. Godard split ways from classic cinema to make a film that was at the peak of cinematic innovation, while simultaneously paying homage to those past films much like many artists were doing during that time. He innovated countless conventions and posed a scandalous new view for the time. Godard would continue to make great films, but it was Breathless that changed cinema indefinitely.

With a brief overview of Godard and his film Breathless it will be clear why his motion picture is timeless and made such an impact on film. Jean-Luc Godard was born in Paris, France in 1930. Jean-Luc had three siblings that his prosperous French-Swiss parents raised primarily in Switzerland. With his success being established mostly as a French film director, screenwriter and film critic Godard is often recognized with the 1960s French film movement ‘New Wave’. Similar to his ‘New Wave’ contemporaries, Godard disapproved of conventional French cinema's ‘Tradition of Quality’’ , which "emphasized craft over innovation, privileged established directors over new directors, and preferred the great works of the past to experimentation." To defy this tradition, he and like-minded critics decided ...

... middle of paper ...

...s": At 50, Godard's film still asks how something this bad can be so good. American Scholar [serial online]. Spring2009 2009;78(2):110. Available from: MasterFILE Premier, Ipswich, MA. Accessed February 23, 2014.

Kauffmann, Stanley. "Adventures of an Anti-Hero." New Republic 144, no. 7 (February 13, 1961): 20-21. Academic Search Premier, EBSCOhost (accessed February 23, 2014).

¬––"Letterboxd — Your life in film." 'Breathless' review by Gustav • Letterboxd. (accessed February 25, 2014).

Romney, JonathanSaunders, Frances Stonor. "Breathless, again." New Statesman 129, no. 4494 (July 10, 2000): 43. MasterFILE Premier, EBSCOhost (accessed February 23, 2014).
––"The Cinemaniacs." The Cinemaniacs. (accessed February 25, 2014).

Need Writing Help?

Get feedback on grammar, clarity, concision and logic instantly.

Check your paper »

Jean Luc Godard 's Film, Breathless ( 1960 ) Essay

- Jean-Luc Godard’s film, Breathless (1960), is a conventional crime movie that is told using unconventional methods. The film tells a tale of a low-level gangster, Michel (Jean-Paul Belmondo), who aims to become Humphrey Bogart, a character in American crime films. He steals a car, in turn, shoots and kills a policeman. Michel escapes to Paris where he begins seducing a young, American, blonde named Patricia (Jean Seberg). Patricia does not know of his criminal activities. However, when the police final catch Michel, she tries to hide Michel from the cops....   [tags: French New Wave, Jean-Luc Godard]

Term Papers
779 words (2.2 pages)

Jean-Luc Godard´s Breathless Essay

- Breathless is in many ways the antithesis of the classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure. Breathless defies these elements of traditional filmmaking, instead defining what we know as French New Wave. From its opening scene Breathless breaks convention. Michel Poiccard, the main character in the film, is seen at the beginning but given no introduction....   [tags: classical Hollywood cinema, traditional filmmaking]

Term Papers
1367 words (3.9 pages)

The French New Wave By Jean Luc Godard Essays

- The French New Wave, particularly the works of Jean Luc Godard, has an important in the history of modern cinema. The new sense of realism that came out of his works would change film as an art form for the rest of time. A group of trailblazing directors who formed there own critical school called Cahiers du Cinema, set a new form of filmmaking in motion in the mid 1950’s. André Bazin is one of the most well known of these critics. The new style of the “Nouvelle Vague” rejected the linear tropes of the hollywood films that preceded, bring about complex narratives drawing focus to the common man or woman....   [tags: French New Wave, Jean-Luc Godard, Film noir]

Term Papers
1149 words (3.3 pages)

Film Review : French Cinema Essay

- In the 1950s, French cinema was entirely in the hands of directors of the 1930s, such as Duvivier, Clair and Carné. (cineclub) At the time, filmmaking was an expensive and strenuous process, made exclusively through studios, and required large crews, heavy cameras and elaborate lighting. The strictness and lack of freedom involved in cinema production at the time didn’t appeal to young creators who were more seduced by the immediate possibilities and liberties of literature and theatre. (cineclub) It is in that context that André Bazin created the “Cahiers du Cinéma” in 1951....   [tags: French New Wave, Jean-Luc Godard]

Term Papers
1649 words (4.7 pages)

The French New Wave And La Nouvelle Vague Essay

- We often over look small particular visual and artistic choices made by directors in contemporary films today, but when analysing these decisions we can see that there is a definitive influence of style. For example the French New Wave or commonly known as La Nouvelle Vague, was created post world war II and although the main movement died out before the 70s, it still has an important place in the industry to this day. Its characteristics and techniques are unlike many seen before its time. The style motivated numerous directors throughout its wake as well as other cinema movements following its time in the spotlight....   [tags: French New Wave, Jean-Luc Godard]

Term Papers
1260 words (3.6 pages)

French New Wave and Poetic Realism Essays

- Since the very first actualities from the Lumière brothers and the fantastical shorts of Maries Georges Jean Méliès, cinema has continually fulfilled its fundamental purpose of artistic reflection on societal contexts throughout the evolution of film. Two French cinematic movements, Poetic Realism (1934-1940) and French New Wave (1950-1970), serve as historical bookends to World War II, one of the most traumatic events in world history. The Rules of the Game (Jean Renoir, 1939) is a classic example of French Poetic realism that depicts the disillusionment in society and government politics by a generation already traumatized by the monumental loss of human life during the First World War....   [tags: cinema, The Rules of the Game, Breathless]

Term Papers
1115 words (3.2 pages)

Essay Tahking a Closer Look at Jean-Luc Godard

- Jean-Luc Godard is one of the French filmmakers who worked from the end of 50s and during the 60s in the trend called as the “nouvelle vague” (new wave). He wrote film critics for the magazines such as cahiers du cinema and made 4 four short films before he made 1959 his first feature film A bout de Soufflé, which was famous first of all through its jump cut and was called the first nouvelle vague film. With this film, he became an iconoclast and artistic hero in the film history. His films are filled with many kinds of references from various art genres and cultural media, which make his films special....   [tags: French filmmakers from the 50's]

Term Papers
2281 words (6.5 pages)

Analysis Of Jean Luc Godard 's Movie, Film, And The American Director Of Upstream Color

- In the world of cinema, a director can either be a tool to create a film without ever being seen or heard by the audience or they can put their “stamp” on the movie so that the audience immediately knows who directed the film. The latter of these types of directors is called an auteur. The director whose style and creativity is evident and repetitive in their films is what Francois Truffaut, the film critic who established the theory, would call an auteur (Boda &Pendleton-Thompson). Two such auteurs whose films were shown in class this semester include the legendary French director Jean-Luc Godard who directed Vivre Sa Vie (1962) and the American director of Upstream Color (2013), Shane Car...   [tags: Film theory, Film, Film director, Auteur theory]

Term Papers
2046 words (5.8 pages)

Jean Luc Godard?s Weekend as Didactic Self-Reflexive Cinema Essay

- According to Stephen Prince in Movies and Meaning: an Introduction to Film, Screen Reality is a concept that pertains to the principles of time, space, character behavior and audiovisual design that filmmakers systematically organize in a given film to create an ordered world on-screen in which characters may act and in which a narrative may unfold.(262) One mode of cinematic screen reality is self-reflexivity. While the other three modes of screen reality seek to sway the audience into accepting the authenticity of the world and the story that are on screen, the self-reflexive style deliberately attempts to tear down the illusion of the cinema....   [tags: essays research papers]

Term Papers
1882 words (5.4 pages)

Thinking for Ourselves: A Look at Godard’s Breathless Essay

- The film genre of French New Wave brought many new ideas to the table, and challenged the techniques of classic Hollywood cinema, not just recreating something that has been done, but doing something new with it. Breathless (1960) is in many ways the antithesis of classical Hollywood cinema; the changes have a direct effect on the relationship the film has with the viewer. Classical Hollywood cinema includes standards such as continuity editing, highly motivated, character-driven stories and a coherent narrative structure....   [tags: Hollywood cinema, traditional filmmaking]

Term Papers
1704 words (4.9 pages)