Pardon the hyperbole, but I wonder if we can't trace a goodly portion of the decline of Western culture in just the drop-off from Walt Disney's Pinocchio to Steven Spielberg's A. I.: Artificial Intelligence. Despite the surface similarities between these tales of a wooden boy on the one hand and a robot boy on the other, both of whom hope to become real, and despite Mr. Spielberg's quite conscious attempt to implicate Pinocchio in his film, it is really the differences between the two that are instructive. Pinocchio is a story of the moral education of boy, an education which when completed makes him human. A.I. is the story of the emotional retardation of a boy, a retardation which sees him live for thousands of years without ever progressing beyond a desperate need for his mommy's love. It may well be that both stories are about becoming human, but what they tell us about how our culture perceived humanity at these different times is rather depressing. In 1940, to be human was to be a moral being. In 2001, to be human is to fixate on your own emotional needs. That's progress?
In Pinocchio, the kindly woodcarver Gepetto has made one particularly beguiling puppet of a little boy. Because of all the joy he has brought to others, when he wishes upon a star the Blue Fairy grants the puppet life. Pinocchio mistakenly believes himself to have become a real boy, but the Blue Fairy explains: "Pinocchio, if you are brave, truthful, and unselfish, you will be a real boy someday." She evens gives him a conscience, in the form of Jiminy Cricket, to help him tell right from wrong.
The task before Pinocchio then is plain enough, if not simple. And so begins the familiar series of adventures that sees him skipping school, joining a theater troop, being kidnapped to Pleasure Island, and ending up finally in the belly of the whale, Monstro. Along the way he learns vital lessons about what is expected of him, most memorably in the scene where his lies to the Blue Fairy make his nose grow, because a lie too grows until it's as plain as the nose on your face. In a harsh but fair judgment, the Blue Fairy warns: "I'll forgive you this once, Pinocchio. But this is the last time I can help you.
Brave New World, by Aldous Huxley, while fictitiously showing the future possible advances of science and technology, is actually warning people of what science could become. In the Foreword of Brave New World, Huxley states: “The theme of Brave New World is not the advancement of science as such; it is the advancement of science as it affects human individuals” (xi). He is not suggesting that this is how science should advance, but that science will advance the way that people allow it to. The novel is not supposed to depict a “utopian” society by any means, but it is supposed to disturb the reader and warn him not to fall into this social decay. Huxley uses satire to exploit both communism and American capitalism created by Ford.
Throughout history it is known that fairy tales were written to teach children lessons about life in a way they could understand and that is fun and unique. Authors of fairy tales put simple lessons into the stories so the children could understand them easily while reading. Whether this be a lesson to be nice to all people, like in Cinderella, or to not judge someone by their appearance, like in Donkey Skin, both by Charles Perrault. Each fairytale has a moral that can be found throughout reading the stories that teach children right from wrong while letting them use their imaginations to discover that moral. The good and the bad lets them express their thoughts openly, rather it be their negative thoughts through the villian or their
Lenina and Bernard go on a date. He tries to show her the ocean, and
John's eyes fluttered open and he cautiously surveyed his surroundings. Where was he taken? Who knocked him unconscious and carried him from his solitude at the lighthouse? He did not have to wait long for his answer, when he saw his friend standing over him, shaking him to awareness.
...n” is a great example of an old myth or tale reconstructed and adapted for a modern audience in a new medium. It is a progression on one hand in its use of modern language, setting, and style but it is also the product of the old myths in that it is essentially the same on the thematic level. In addition, the level of self-awareness on the part of the narrator and, by extension, the author marks it out as an illustration of the very notion of evolutionary changes of myths and fairy tales. Adaptation is the solution to the fairy tale, and fairy tales have been endlessly changing themselves throughout history and, by some strange transforming or enchanting power endlessly staying the same.”
...and the Pelican Child long after Alexander Afanasev wrote The Frog Princess, he innovatively incorporated certain parts of the classic version into his own, and the combination lead to elements of lessons and values evoked throughout the entire fairy tale. Ranging from the life lessons about taking action yourself to the lessons about keeping your happiness independent of the actions of others and basing them within the stories with the plot line and the lack of punishment amongst the villains seamlessly weaves the morals with the fiction. The similarities and differences combined together create a unique fairy tale that incorporates all the main aspects of the classic fairy tale while adding newer features simultaneously. These traits of the fairy tale are what has kept the fairy tale alive for such a long time and will keep them alive for many more years to come.
Have you ever thought what a world without children would be? Well, from comparing both “Brave New World” and “Children of Men,” it is found that a world without children is a dystopia. In other words, it is a complete disaster and everything in the world is not how it is today. By comparing the Brave New World society and the society in the film “Children of Men,” we can establish that in both dystopias there are no children, which impacts the relationship between man and woman. War, drugs, castes are common in both dystopias, as people tend to cope drugs to get away from the reality of war caused by people of different “castes.”
We all grew up hoping that we were the princesses who met the dreamy prince and lived ‘happily ever after’ like in a fairytale.People debate over whether or not Disney fairytales are beneficial for children. Like Melissa Taylor the author of the piece ‘10 reasons why kids need to read non disney fairy tales’, I am against disneyfied fairy tales. In this essay I will argue on why kids should not only watch disney fairytales but also the real versions.
Alduos Huxley, in his science fiction novel Brave New World written in 1932, presents a horrifying view of a possible future in which comfort and happiness replace hard work and incentive as society's priorities. Mustapha Mond and John the Savage are the symbolic characters in the book with clashing views. Taking place in a London of the future, the people of Utopia mindlessly enjoy having no individuality. In Brave New World, Huxley's distortion of religion, human relationships and psychological training are very effective and contrast sharply with the literary realism found in the Savage Reservation. Huxley uses Brave New World to send out a message to the general public warning our society not to be so bent on the happiness and comfort that comes with scientific advancements.
In this world where people can acquire anything they need or want, we have to wonder, “Is the government controlling us?” Both the governments in A Brave New World and in the United States of America offer birth control pills and have abortion clinics that are available for everyone, thus making birth control pills and abortion operations very easy to acquire. Although both governments offer birth control pills and abortion clinics, A Brave New World’s government requires everyone to take the pills and immediately get an abortion when pregnant. This in turn shows us that A Brave New World’s government is controlling the population and the development of children. China is one of the few countries that currently have control of the development of children. In controlling the development of its children, China is also controlling the population levels. In any country, controlling the amount of children a single family can have can dramatically decrease the population levels. Just by having birth control pills and abortion clinics there for anybody to take advantage of shows that the involvement of either government is already too high.
1.) The Savage Reservation is similar to the Utopia world in several ways. They both have drugs that are designed to calm people down. Soma, used in the Utopia and mescal used in the Reservation. They both also have a separation within their own society. The Utopia has social castes and the reservation has separation between the men and women, the men having more power. The two worlds also both have ceremonies. The Utopia has the orgy porgy ceremony in which everyone gathers around and has an orgy, hence the name. The Savage Reservation has traditional dancing ceremonies like the many traditional Indian tribes have today. The two cultures have many similar ideas, just expressed a little differently.
Fairy tales portray wonderful, elaborate, and colorful worlds as well as chilling, frightening, dark worlds in which ugly beasts are transformed into princes and evil persons are turned to stones and good persons back to flesh (Guroian). Fairytales have long been a part of our world and have taken several forms ranging from simple bedtime stories to intricate plays, musicals, and movies. However, these seemingly simple stories are about much more than pixie dust and poisoned apples. One could compare fairytales to the new Chef Boyardee; Chef Boyardee hides vegetables in its ravioli while fairytales hide society’s morals and many life lessons in these outwardly simple children stories. Because of this fairytales have long been instruments used to instruct children on the morals of their culture. They use stories to teach children that the rude and cruel do not succeed in life in the long run. They teach children that they should strive to be kind, caring, and giving like the longsuffering protagonists of the fairytale stories. Also, they teach that good does ultimately defeat evil. Fairy tales are not just simple bedtime stories; they have long been introducing cultural moral values into young children.
At first glance, what makes a fairy tale a fairy tale may seem obvious—some kind of magic, hidden symbols, repetition, and of course it’s evident it’s fiction—but fables are more than that. As Arthur Schelesinger puts it, it’s about “[expanding] imagination” and gaining understanding of mysterious places (618). While doing this, it also helps children to escape this world, yet teach a lesson that the reader may not be conscious of. A wonderful story that achieves all of this is Cinderella, but not the traditional tale many American’s have heard. Oochigeaskw, or The Rough-Faced Girl, and Ashputtle would be fitting for a seven-year-old because they get the gears of the mind turning, allowing for an escape on the surface, with an underlying enlightenment for children of the ways of the world.
Over the years, fairytales have been distorted in order to make them more family friendly. Once these changes occur, the moral and purpose of the stories begin to disappear. The tales featured in the many Disney movies - beloved by so many - have much more malignant and meaningful origins that often served to scare children into obeying their parents or learning valuable life lessons.
Ever since I was created, I have been mining here at Sector C-88 for coal. Sector C-88 is a monumental quarry with up to ten-thousand workers in a 10-kilometer by 15-kilometer area. Surrounding the massive quarry is an extensive network of processing and extracting factories and centers. Beyond that is, well, I don’t know. It’s just called the Beyond here, and it’s said to have something called “society”, but there’s probably nothing interesting like coal or anything. I looked up at the polluted beige sky and observed the curious shapes from the factory smokes. What could be above the smog? Infinite emptiness? I wondered. Suddenly, a familiar voice broke my course of thoughts.