Aldous Huxley’s Brave New World illustrates a perfect society: “community, identity, stability” (Huxley 7). This superb environment, however, is only achieved through the dehumanization of each individual. The world is run by world-controllers, a powerful oligarchy, whom have successfully brainwashed, or conditioned, children for the sole purpose of controlling their minds (Biderman 549). In result, individuals have lost their ability to think and act for themselves. Children are stripped of human rights, even before conditioning, by being a product of governmental test tube reproduction. They are artificially produced and only made with the consent of the world-controllers. Not only are they produced by the government, but they are produced in scores of embryos that are all identical for a sole purpose. Their lives are then controlled by the government to ensure happiness and success. Each citizen has their own little job in the social system and during afterhours, is told to be adventurous, dangerous, and promiscuous. It all sounds like a magical fairy-land, until suicide becomes the only option to escape dehumanization.
The process of dehumanization starts when life itself beings. The process of sexual reproduction is reduced to a mere act of test tube fertilization, “but a bokanovskified egg will bud, will proliferate, [and] will divide” into scores of embryos (Huxley 6). This allows for the government to create and maintain the population of a society it wants, while still encouraging people to be promiscuous. Meaning, the government can produce a product it needs for a specific function and still allow for people to feel pleasure. Bokanovski allows the government to produce “ninety-six identical twins working ninety-six i...
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...rough dehumanizing each individual by stripping away their natural rights of life, liberty, and property, but then it is only a false utopia, because people are no longer people without those rights (Locke 5-6). So ask yourself, is a perfect society worth losing your natural rights?
Works Cited
Biderman, Albert D. "The Image of "Brainwashing"." Oxford Journals (1962): 547-563.
Huxley, Aldous. Brave New World. New York City: Perennial Classics, 1998.
Locke, John. "Second Treatise, Of Civil Government." Woll, Peter. American Government Readings and Cases 16th Edition. New York: Pearson Longman, 2006. 5-6.
Morgan, S.Philip, Suzanne Shanahan and Whitney Welsh. "Brave New World: Philosophy, Politics, and Science in Human Biotechnology." Population Council (2005): 127-144.
Rogers, Winfield H. "Aldous Huxley's Humanism." The Johns Hopkins University Press (1935): 262-272.
The Second Treatise on Civil Government. Trans. William Popple. N.p., a.k.a . a. 1684.
In the novel Fahrenheit 451 by author Ray Bradbury we are taken into a place of the future where books have become outlawed, technology is at its prime, life is fast, and human interaction is scarce. The novel is seen through the eyes of middle aged man Guy Montag. A firefighter, Ray Bradbury portrays the common firefighter as a personal who creates the fire rather than extinguishing them in order to accomplish the complete annihilation of books. Throughout the book we get to understand that Montag is a fire hungry man that takes pleasure in the destruction of books. It’s not until interacting with three individuals that open Montag’s eyes helping him realize the errors of his ways. Leading Montag to change his opinion about books, and more over to a new direction in life with a mission to preserve and bring back the life once sought out in books. These three individual characters Clarisse McClellan, Faber, and Granger transformed Montag through the methods of questioning, revealing, and teaching.
In Fahrenheit 451 by Ray Bradbury, irony is used to convey information and it contributes to the overall theme of the novel. Written during the era of McCarthyism, Fahrenheit 451 is about a society where books are illegal. This society believes that being intellectual is bad and that a lot of things that are easily accessible today should be censored. The overall message of the book is that censorship is not beneficial to society, and that it could cause great harm to one’s intelligence and social abilities. An analysis of irony in Fahrenheit 451 by Ray Bradbury shows that this literary technique is effective in contributing to the overall theme of the novel because it gives more than one perspective on how censorship can negatively affect a society.
Science and Technology have a strong influence on the daily lives of the citizens in the world state. The first influence is through the use of drugs and in particular, soma. Soma is a drug that is used in the world state by everyone to create false happiness. When john, Bernard and Helmholtz meet Mustafa mond the leader of the world state, Mond explains the beneficial effects of simply consuming one drug on a daily basis. “Now, you swallow two or three half-gramme tablets, and there you are. Anybody can be virtuous now. You can carry at least half your mortality about in a bottle. Christianity without tears-that’s what soma is.” (Helmholtz, 162) In the world state, there is only praise for the drug known as soma, as there are no side effects the members of society fear of. Science and technology has reached a point where it allows a simple tablet to relieve its citizens of any sort of problem that they may encounter. Furthermore Soma is produced in large quantities for consumption in order to suppress understanding of what is around the members of society. Secondly, along with the Soma consumption, the citizens are also influenced by science in everyday life by not being able to gain knowledge. methods of gaining knowledge include: reading books or anything that promotes an idea. Using technology, the world state prohibits any type of reading. When small children are being conditioned to keep away from books, the procedure is presented, “Crumpling the illuminated pages of the books, the director waited until all were happily busy. Then, ‘Watch carefully,’ he said. And, lifting his hand, he gave the signal... There was a violent explosion... The children screamed; their faces were distorted with terror.” (16) even at a young age...
In Aldous Huxley's novel, "Brave New World" he introduces a character named, Bernard Marx an alpha part of the upper higher class who does not quite fit in. Bernard is cursed by the surrounding rumors of something going wrong during his conditioning that he becomes bitter and isolates himself from those around him in the World State. Huxley's character experiences both alienation and enrichment to being exiled from a society that heavily relies on technology and forms of entertainment with little to no morals.
Morgan, S. Philip, Suzanne Shanahan, and Whitney Welsh. "Brave New Worlds: Philosophy, Politics, and Science in Human Biotechnology." Population and Development Review 31.1 (2005): 127-44.
Aldous Huxley’s Brave New World portrays a society in which science has clearly taken over. This was an idea of what the future could hold for humankind. Is it true that Huxley’s prediction may be correct? Although there are many examples of Huxley’s theories in our society, there is reason to believe that his predictions will not hold true for the future of society.
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
I stood in front of the television screen in horror and disbelief at 10 o'clock on September 11, 2001. Watching as the second plane struck the World Trade Center in a fiery ball of destruction, I thought for sure that this world as we know it was coming to an abrupt end. Seeing the first tower fall and then the second, with over 100 stories each now a pile of twisted steel and death made me want to vomit. In two short hours, the stability of America’s foundation became questionable. I wondered how such a terrorist attack could happen in this society. Then I began looking for warning signs. Ironically, all the warning America needed lies underneath the cover of Aldous Huxley’s Brave New World published in 1932. Huxley warned America prior to World War II and almost 70 years prior to the “Attack on America” that materialism, ethnocentrism, complacency, and racism could all lead to ultimate destruction. America chose to ignore him.
In Brave New World, Aldous Huxley deftly creates a society that is indeed quite stable. Although they are being mentally manipulated, the members of this world are content with their lives, and the presence of serious conflict is minimal, if not nonexistent. For the most part, the members of this society have complete respect and trust in their superiors, and those who don’t are dealt with in a peaceful manner as to keep both society and the heretic happy. Maintained by cultural values, mental conditioning, and segregation, the idea of social stability as demonstrated in Brave New World is, in my opinion, both insightful and intriguing.
Locke, John. "Second Treatise of Civil Government." Constitution Society. 1690. http://www.constitution.org/jl/2ndtr02.htm (accessed March 31, 2011).
The novel, Brave New World, takes place in the future, 632 A. F. (After Ford), where biological engineering reaches new heights. Babies are no longer born viviparously, they are now decanted in bottles passed through a 2136 metre assembly line. Pre-natal conditioning of embryos is an effective way of limiting human behaviour. Chemical additives can be used to control the population not only in Huxley's future society, but also in the real world today. This method of control can easily be exercised within a government-controlled society to limit population growth and to control the flaws in future citizens. In today's world, there are chemical drugs, which can help a pregnant mother conceive more easily or undergo an abortion. In the new world, since there is no need...
Coker, Jeffrey Scott. "Genetic Engineering Is Natural and Should Be Pursued." Genetic Engineering, edited by Noël Merino, Greenhaven Press, 2013. Opposing Viewpoints. Opposing Viewpoints in Context,
There were quite a few changes made from Aldous Huxley’s, Brave New World to turn it into a “made for TV” movie. The first major change most people noticed was Bernard Marx’s attitude. In the book he was very shy and timid toward the opposite sex, he was also very cynical about their utopian lifestyle. In the movie Bernard was a regular Casanova. He had no shyness towards anyone. A second major deviation the movie made form the book was when Bernard exposed the existing director of Hatcheries and Conditioning, Bernard himself was moved up to this position. In the book the author doesn’t even mention who takes over the position. The biggest change between the two was Lenina, Bernard’s girlfriend becomes pregnant and has the baby. The screenwriters must have made this up because the author doesn’t even mention it. The differences between the book and the movie both helped it and hurt it.
They program these humans to have needs and desires that will sustain a lucrative economy while not thinking of themselves as an individual. Huxley describes the World State’s intent to control their society through medical intervention, happiness, and consumerism, which has similarities to modern society. Designing life from conception is an intriguing concept. Brave New World’s World State is in control of the reproduction of people by intervening medically. The Hatchery and Conditioning Centre is the factory that produces human beings.