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High Renaissance Artist in Italy essay bartley.com
High Renaissance Artist in Italy essay bartley.com
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He used his paintbrush like a pen or a pencil to outline. He was more interested in making his paintings beautiful in a fantasy type of way. He died a lonely man having done little or no more painting in the last ten years. Who was this famous artist? Botticelli. Thoughtful and clever, Botticelli painted many famous masterpieces.
Botticelli’s real name was: Alessandro Filipepi. He was born in 1445 in Florence, Italy. This was the time of the Renaissance. Botticelli was the youngest of five children. He got his nickname when working with a goldsmith. The goldsmith named him Botticelli, meaning, “Little barrel”. Many other people of the Renaissance said he had a deep-set of eyes and flowing locks. But they also said he was a jokester and a prankster to his friends (“WebMuseum” par 2). By the time he was 15, he had his own workshop to show off his work. (“Historylink” par 2). In addition, when he was 15 years old he already was training with a very popular painter from the Renaissance. His name was Fra Filippo Lippi (Historylink). Fra Filippo Lippi taught him how to mix colors and how to paint pictures. In 1465 Botticelli made his own studio (“WebMuseum” par 3).
In comparison Botticelli and Fra Filippo Lippi are very similar. They both painted a picture beginning with: The Adoration of the… Botticelli’s picture: The Adoration of the Maji is a painting of the birth of Christ. Lippi’s picture: The Adoration of the Kings is a picture of the Kings. (“FactMonster” par 1). Botticelli spent most of his life in Florence. He painted many pictures of mythology. His most famous masterpiece was the Birth of Venus (“Artchive” par 2.). He was devoted to only paint pictures of mythological beings instead of religious subjects. That’s what he was...
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...elli made a big difference in Florence, Italy. He worked for the famous Medici family. The Medici family was very important in the Renaissance. They controlled the Florence city and they were very wealthy. They valued him very much. Since Botticelli’s paintings were known for their poetic feeling, they either told a story or showed a famous scene from a mythological or religious subject. The masterpieces never had anything to do with science or nature. Not all of the characters were real they just had to stand for a purpose in the painting. Botticelli’s master Fra Filippo Lippi impacted his life by getting him to start to paint pictures. Without his assistance he would have never learned to paint any of the famous masterpieces in the Renaissance. He learned about mythological subjects and how to use decorative details. Lippi got him to be the gifted artist he was.
Michelangelo Buonarroti was a man who desired to create. His art is impactful, reflects the time of the renaissance, and his growth as an artist. Michelangelo Buonarroti was born March 6,1475 in Caprese, Italy. His father was a government agent in Caprese and his mother died when he was six years old ("Michelangelo Buonarroti"). When Michelangelo was 13 he was an apprentice to a painter named Domenico Ghirlandaio. In addition to being an apprentice, he also studied sculpture with Bertoldodi Giovanni ("Michelangelo Buonarroti"); at 17 he created his earliest sculpture. Michelangelo was an ambitious artist who took on big projects. He was interested in human anatomy, engineering, painting, sculpture, architecture, and poetry (Bleiberg et al. 386-398). “Michelangelo was intensely religious and received inspiration from a deep sense of his own personal unworthiness and of his sinful nature”
In an attempt to comprehend the allegorical meaning behind Botticelli’s painting, one must first understand the use of mythological figures during the Renaissance. As Europe began to move away from the stylistic nuances of the medieval period, the interest in studying the classical world became increasingly popular. Renaissance artists and philosopher’s believed that the ancients had the ability to create true beauty. In order to attain this same perfection, the contemporary artists attempted to emulate the art of antiquity. Furthermore, “the depiction of classical mythology provided a more ambitious vehicle for the artist than purely devotional subjects.” The allegory of spring – the alternative title and subsequent interpretation was applied
A common topic of artwork throughout history has been the crucifixion of Christ. Since it is such a common topic, it makes it very easy to see how artwork changed and developed from the Middle Ages to the Renaissance. The painting on the left, The Crucifixion by Pietro Lorenzetti, shows the usual characteristics of a painting from the Middle Ages. The facial expressions are not varied or very in depth, Jesus and the other saints have the typical halo that is used very often, and the colors are mostly all bright, making nothing in particular stand out. The second painting, on the right, is by Caravaggio and is titled The Flagellation of Christ. There is an obvious shift from one painting to the next. Caravaggio’s piece is much more realistic.
Giovanni Bellini was born in Venice, Italy around 1430. He was the son of Jacopo Bellini, an esteemed painter at the time, and probably began his career along side his brother as an assistant in his father’s workshop. Though his artwork was influenced by many of his friends and relatives, Giovanni possessed certain qualities in his compositions which set him apart from the others. He blended the styles of both his father and brother-in-law, Andrea Mantegna, with his own subtle appreciation of color and light, the high regard he held for the detail of natural landscape, along with the very direct human empathy he placed in his painting. These components of Bellini’s personal style became foundational to the character of all Venetian Renaissance Art. Bellini later developed a sensuous coloristic manner in his work which became yet another characteristic he contributed to the Venetian Renaissance Art.
Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.
himself through his mediums. He used oil on canvas for his medium in this painting. There are
Titian had many accomplishments in his lifetime. In 1518, Titian’s Assumption of the Virgin was shown at the Church of the Frari in Venice. It was in this composition that Titian seemed suddenly to absorb the achievements of the Roman High Renaissance style. At the time, it was learned that Titan had not traveled much, and therefore assumed that he squired this knowledge of art by visiting artists, studying their drawings and reproductive engravings. During the decades following his appearance in the art life, Titian’s reproductions placed him along with Michelangelo, as the most powerful artist in Europe. He was recognized for his mythical paintings, three of which he created for Alfonso I d’Este of Ferrara, called The Bacchanal of the Andrians, The Worship of Venus, and Baahus and Ariadne. Among his many patrons, the most important were the Spanish Habsburgs. Titian’s fame, wealth, and social position resulted from his patrons and admirers. His major artistic inhibitions included being especially creative with diagonal placing and perspectives, as well as setting up unusual spectator viewpoints. Among his most famous works, rests the picture known as The Gypsy Madonna. This picture ...
Michelangelo Merisi da Caravaggio better known as simply Caravaggio was an Italian Baroque master painter born in Italy around 1571. After he apprenticed with a painter in Milan, he moved to Rome, where he lived for most of his life. His work influenced painters around Europe. He’s most known for his gruesome subjects and use of Tenebrism, which was a technique that used heavy shadow to emphasize light areas. His life was filled with great controversy. He was known for being violent, with “drastic mood swings and a love for drinking and gambling”. (N.A., "Caravaggio”) In 1606, Caravaggio killed a Roman pimp named Ranuccio Tomassoni. Historians don’t know why Caravaggio killed him only that Caravaggio fled Rome after the incident. His violence didn’t stop until his death in 1610. The cause of his death was unknown until 2010, when a team of scientists discovered high levels of lead that would have driven him mad.
While paintings in the Renaissance and beyond still had a ways to go in terms of technique and perspective, the progress made in Italy during this time period was astounding. Painters were able to convey emotions and feelings like never before, showing the world that they could transport them to scenes they had only seen in flat, Byzantine images. In a time of straining to make art look real, the use of perspective was the key.
- (1503-1540), Italian painter and etcher, whose work is among the most graceful and elegant of the school of mannerism
1. Ward, H. (2011). “The rising genius': Simeon Solomon’s unexplored interpretation of Alessandro Botticelli. British Art Journal, 12(3), 60.
In both of these paintings we see some of the typical themes of Renaissance art. For example, Lippi included in his scene a background which wouldn't have necessarily been needed. Really, he could have chosen just about anything, like the woods or the sea, that might have been easier to paint. He chose what appears to be the inside of a building, likely a church. Not only that, but he went to great lengths to ensure everything was in perspective, and the lines and angles were straight and sharp.
El Greco was one of the most influential artists in the late Renaissance through his techniques, styles, and views on art. Using his skills he learned, he changed the art world through mannerism, cubism and expressionism as well as his different views and visions which greatly changed the world of art.
Massimo Vignelli was an Italian designer who worked in a varying range of areas such as package design, advertising, industrial, interior, architectural design and the list goes on. Vignelli was also the co-founder of Vignelli Associates, which he started with his wife Lella some years after coming to America. Vignelli’s wide area of work and expertise has all helped contribute to make him a designer of interest. He has had works that have been published all around the world and throughout many museums as well.
Leonardo was born in a small town in Tuscany, Italy called Vinci on 15 April, 1452. Back then, not all people had surnames; only those who were rich and powerful deserved one. Therefore, when people today refer to him as “Leonardo da Vinci”, “da Vinci” actually means “from Vinci” in Italian. His talent for painting was recognized by his family and neighbors when he was still a boy, and he started his painting career at a very young age. At 14, he was sent to Florence by his father to learn from Verrocchio, who owned a leading workshop at the time. It is said that when he cooperated with Verrocchio on the Baptism of Christ, his skill was so much finer than his master’s that Verrocchio quit in the middle and never painted again for his whole life. 1