Diane Thiel’s poem, “The Minefield,” is about a man who has been traumatized by his past memories of war while he was a teenager. The man witnessed his friend stepping on a land mine and watched his body blow into pieces. This horrific experience has been embedded in his mind and continues to haunt him daily. The trauma that he carries with him results in the mental and physical abuse towards his daughter (Thiel) and the rest of his family. In the first stanza of the poem, the setting takes place in a field somewhere between Prague and Dresden. The rest of the poem continues on while he and his family eat dinner. Thiel uses literary elements including tone, metaphors, and similes to demonstrate how the never-ending pain caused by the war impacted him and his family.
In the beginning of the poem the tone seems to be adventurous and playful. In the first stanza, Thiel describes her father and his friend running through towns in Germany to find lettuce because they hadn’t eaten all day. Thiel’s use of imagery makes it seem as though these young boys are out on an adventure. The playful tone sets in when Thiel describes her father and his friend racing one another. Thiel states, “His friend ran a few lengths ahead, like a wild rabbit across the grass” (pg 442). The simile portrays his friend as running free, without a care in the world. Although these boys were in the war, this playful tone is able to express that they were still teenagers and wanted to have fun. The tone quickly changes as he watches his friend step on a mine and his whole body is scattered throughout the field. This horrifying image causes the tone of the poem to change from playful and adventurous to dark and angry.
Throughout the second and third stanzas, the d...
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... same images as her father. Her youthful mindset has been severely damaged because of the memories of the minefield. The father has scarred his children with his abuse and taken away their innocence. Although the father may not recognize it, he is carrying his family through the same experiences that he went through during the war. The memories caused by the father continue to haunt Thiel and her family for years to come.
“The Minefield” is a dark and traumatic poem that expresses the prolonged pain and suffering that is caused by the war. The memories that Thiel’s father carried with him caused him to mentally and physically abuse his family. Thiel is able to recreate her painful childhood by the use of tone, metaphors, and similes. “The Minefield” represents how the war can leave such a negative influence on someone’s life and also affect family and loved ones.
Over many centuries, Poetry and song has been a way for people to explore their feelings, thoughts and questions about War & Peace. Rupert Brooke's “The Soldier” and Cold Chisel’s “Khe Sanh” provide two different insights into the nature of war. . “The Soldier” conveys a message of bravery for soldiers to go into war and fight while “Khe sanh” conveys a message about post-traumatic stress and the horrible factors of coming back into civilization after war.
In the aftermath of a comparatively minor misfortune, all parties concerned seem to be eager to direct the blame to someone or something else. It seems so easy to pin down one specific mistake that caused everything else to go wrong in an everyday situation. However, war is a vastly different story. War is ambiguous, an enormous and intangible event, and it cannot simply be blamed for the resulting deaths for which it is indirectly responsible. Tim O’Brien’s story, “In the Field,” illustrates whom the soldiers turn to with the massive burden of responsibility for a tragedy. The horrible circumstances of war transform all involved and tinge them with an absurd feeling of personal responsibility as they struggle to cope.
In all works about war, the element of pain is essential. Without pain, there is no real happiness. The men described in these works all endured vast amounts of physical and emotional pain on their tours serving the country and the accurate representations of their time overseas wouldn’t be able to be complete without this element.
...is painful, but without direct experience, these values hold incomplete meaning. A writer’s job is to color in the holes—to paint an entire picture of the immense, excruciating pain war inflicts. Beyond monotonous explanation, a writer produces engaging moving pictures which arouse all the senses. Once keenly aware of seemingly indescribable suffering, an audience may evaluate the purpose and significance of war’s pains. A writer latches onto an audience’s change in perception to introduce his or her own viewpoint. Powerful description not only reproduces an immersive experience but also communicates and encourages the development of new ideas.
We now know that we are in the real world in a natural setting a place where deer’s run. Also we know that the dark is nothing more than the cover of darkness in the night. Now that the dark is painted into our heads it will help us to visualize the poems significance. As we go through the poem he states that he sees a dead deer, “Traveling through the dark I found a deer dead on the edge of the Wilson River road” (1-2). Towards the end of the stanza he says “It is usually best to roll them into the canyon: that road is narrow; to swerve might make more dead” (3-4). What he is saying is that one needs to move away from any situation which might not be ideal before harm comes aboard. He is calm and controlled and does not get overly excited thus keeping his emotions intact.
The images drawn in this poem are so graphic that it could make readers feel sick. For example, in these lines: "If you could hear, at every jolt, the blood/ Come gargling from the froth-corrupted lungs/ Obscene as cancer, bitter as the cud,"(21-23) shows us that so many men were brutally killed during this war. Also, when the gas bomb was dropped, "[s]omeone still yelling out and stumbling/ [a]nd flound'ring like a man in fire or lime.../ [h]e plunges at me, guttering, choking, drowning."(11-12,16) These compelling lines indicate that men drowned helplessly in the toxic gasses. These graphic images are very disturbing but play a very effective role in the development of the poem.
The horrible conditions and quality of life in the trenches of World War One are emphasized with Owen’s use of figurative language, such as similes, metaphors and personification. An excellent example of a simile would be what he wrote in the first line of the poem, “Bent double, like old beggars under sacks, knock kneed, coughing like hags, we cursed through the sludge” (stanza 1, line 1 and 2). This description portrays the soldiers to be ‘crippled or ‘broken’, and shows them to be left both psychologically and physically scarred. It really helps us to visualize a group of young men who are in fact exhausted and so “drunk with fatigue”(stanza 1, line 7) that they are unable to even stand upright, and have lost most control over their physical actions. By bringing in these similes, Owen adds mo...
The first line of the last stanza “Therefore,” suggest that previous ideas of physical need and despair provide a telling prelude to the fate of the children. The following lines “their sons grow suicidally beautiful at the beginning of October…” are further telling to their destiny. As aforementioned, the phrase “suicidally beautiful” and the setting of October are indicative of a period of death and decay. Following this notion, is the line “And they gallop terribly against each other’s bodies” which literally takes the poem back to the football game, but also symbolizes the struggle of the sons. They “gallop terribly” denoting an uncontrollable rapid progression, and are doing so “against” one another as if attempting to be the hero the community dreams about. However, just as the poem begins with the setting of the stadium and ends with their struggle, their lives are ultimately determined by a cycle of poverty beginning with the idealization of a hero, failure to provide the family, and hope for the child just like the “proud fathers” in the stadium. However, the chances of escape are extremely
Poetry has been used for centuries as a means to explore emotions and complex ideas through language, though individuals express similar ideas in wholly different forms. One such idea that has been explored through poetry in numerous ways is that of war and the associated loss, grief, and suffering. Two noted Australian poets shown to have accomplished this are Kenneth Slessor with his work ‘Beach Burial’ and John Schumann’s ‘I Was Only Nineteen’. Both of these works examine the complexities of conflict, but with somewhat different attitudes.
Diane Thiel’s poem “The Minefield” is about a man who’s mind has been ravaged by memories of a war in his childhood. She shows that even though the war had been over for years, the memory of it haunted the man in everything that he did. Through a powerful combination of symbols, dark images, and a split chronology, she creates a full picture of a life changed forever by war.
The three narratives “Home Soil” by Irene Zabytko, “Song of Napalm” by Bruce Weigl, and “Dulce et Decorum Est” by Wilfred Owen all have the same feelings of war and memory, although not everyone experiences the same war. Zabytko, Weigl, and Owen used shifting beats, dramatic descriptions, and intense, painful images, to convince us that the horror of war far outweighs the devoted awareness of those who fantasize war and the memories that support it.
War is cruel. The Vietnam War, which lasted for 21 years from 1954 to 1975, was a horrific and tragic event in human history. The Second World War was as frightening and tragic even though it lasted for only 6 years from 1939 to 1945 comparing with the longer-lasting war in Vietnam. During both wars, thousands of millions of soldiers and civilians had been killed. Especially during the Second World War, numerous innocent people were sent into concentration camps, or some places as internment camps for no specific reasons told. Some of these people came out sound after the war, but others were never heard of again. After both wars, people that were alive experienced not only the physical damages, but also the psychic trauma by seeing the deaths and injuries of family members, friends or even just strangers. In the short story “A Marker on the Side of the Boat” by Bao Ninh about the Vietnam War, and the documentary film Barbed Wire and Mandolins directed by Nicola Zavaglia with a background of the Second World War, they both explore and convey the trauma of war. However, the short story “A Marker on the Side of the Boat” is more effective in conveying the trauma of war than the film Barbed Wire and Mandolins because of its well-developed plot with well-illustrated details, and its ability to raise emotional responses from its readers.
Throughout the times war has effected people immensely both physically and mentally. All people deal with their circumstances differently to help cope with what they dealing with. Whether it’s a fatality in the family, or post traumatic stress disorder most people find a way to heal from injury or emotional damage. In Brian Turners poem, “Phantom Noise,” he writes about the constant ringing he hears from the war he served in. The poem expresses that Turner seems to deal with his emotional damage by writing poetry about what he feels, hears, and sees during the time he spent in war and in civilian life. Even though Turner is no longer in war it still effects him greatly each day. The overall tone of the poem is very solemn and makes the reader
The image developed in the first stanza is especially striking, with its suggestion of once tame and friendly animals who have reverted to wildness and will no longer risk the seemingly innocent taking of bread from the speaker's hand. This stanza establishes at once the theme of change, a change from a special, privileged condition to one of apparent mistrust or fear, and the sense of strangeness (no explanation is given for the change) that will continue to trouble the speaker in the third stanza. Strangeness is inherent in the image itself -- "with naked foot stalking in my chamber" - -- and the stanza is filled with pairs of words that reinforce the idea of contrast: "flee"/"seek," "tame"/"wild," "sometime"/"now," "take break"/"range." Most interestingly, we are never told who "they" are.
With this being said Heaney uses similes and denotations throughout his poem to put in a sense of tone in the poem to help the readers get a better understanding of what the people were going through when they would see soldiers walking about. According to Dictionary.com (“Simile”, 2016). “A simile is a figure of speech in which two unlike things are explicitly compared.” This is being used in line 18 where it says “standing there like youngsters” (Heaney, n.d.). This interprets how men working would pause and observe what was going on and the soldiers marching by just like kids would do when they see something remarkable. Heaney also uses Denotation. Which according to Dictionary.com, “Denotation is the explicit or direct meaning or set of meanings of a word or expression, as distinguished from the ideas or meanings associated with it or suggested by it.” This is being showed in the poem throughout various lines. It’s being showed when he writes, “They would have heard the screaming, / Then heard it stop and had a view of us / In our gloves and aprons / coming down the hill” (lines 6-9), this evokes an image showing that what is being told and said is what is truly happening. That the soldiers were so close to them that they could hear the slightest scream of a pig being