Summary Of Our Spiritual Strivings By W. E. B Dubois

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It is no secret that there is a complicated history with race in America. The issue has been discussed by scholars such as Sterling Brown or W.E.B Dubois. Brown’s article, “Negro Characters as Seen by White Authors” outlines a variety of common stereotypes for black characters in American literature from the late nineteenth century through the early twentieth century. DuBois went a step further in his essay “Of Our Spiritual Strivings”, in which he outlined his theory of “double-consciousness”, a theory that has shown itself time and time again, especially in hip hop. Kanye’s West’s fifth studio album “My Beautiful Dark Twisted Fantasy”, takes listeners on a lyrical journey through common stereotypes and double-consciousness. For example, …show more content…

He describes the sensation of “measuring one’s soul by the tape of a world that looks on in amused contempt and pity” (2). West tackles double- consciousness in a lot of his songs, but more so I “Gorgeous” and “Power”. He does have slight elements in “Monster”, however. In “Gorgeous”, West is straight-forward in his approach, voicing his frustrations about appearing to fit in with the majority of popular artists (namely the white ones), yet when he does something stereotypically black he gets massive media attention and is berated for his actions. It is even in his clothes: if he is wearing the right clothing he is accepted, but is automatically perceived as ghetto when he is wearing sneakers and a white t-shirt. “As long as I’m in Polo’s smiling they think they got me/But they would try to crack me if they ever see a black me” (Lyrics On Demand). In “Power”, he discusses issues with fame and general concept of power, as well as being a minority with limited options. He talks about how education is limited and that minority children are eventually doomed to prison. “The system broken, the schools closed, the prison’s open” (Lyrics On Demand). His lyrics speak of how the world around him in controlled by the majority, and how minorities are forced to conform to the standards of the rest of the world. In “Monster”, the biggest hint at double- consciousness is the inclusion of Justin Vernon of Bon Iver, a white indie folk musician. Vernon’s appearance on such a quintessential rap track is impressive and jaw-dropping considering these types of songs (posse cuts”) are notorious for featuring all- black artists. His presence plays to the double-consciousness West expresses, by mixing black and white artists together for

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