In many classic novels, authors use biblical allusions to highlight a certain character or situation. By using biblical allusions, authors can help the reader better understand what it is that they want to convey through their literary work. In William Golding’s Lord of the Flies, Golding utilizes symbolism of places and characters to allude to the Bible. Out of the many references, four significant biblical allusions – title of the novel, Simon, beast, and the island itself – emphasize Golding’s theme inherent sin and evil in mankind.
The title, Lord of the Flies, refers to the pig’s head that was placed on a spear and worshiped by the young boys on the island. In other words, the boys have chosen to believe in a fake deity, much like the people of Israel, who built golden calves to worship. And along with these fake gods comes along sacrifices, such as the head was for the beast as Jack stated, “This head is for the beast. It’s a gift” (137). Additionally, the lord of the flies is also known as Beelzebub, an Egyptian god that was linked with the 4th plague, as one of the ten plagues God sent over Egypt through Moses. To further suggest a biblical allusion, Beelzebub is deemed a demon within The Bible and is one of the many vividly described embodiments of evil within the book: “At least Simon gave up and looked back; saw the white teeth and dim eyes, the blood – and his gaze was held by that ancient, inescapable recognition” (138). Golding effectively uses the lord of the flies as a biblical allusion because he is able to exploit the underlying tone of subtle evil that begins to surface within the boys, through their worship of a disgusting thing. However, the allusion loses its power if the readers were unacquainted with The...
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... of Adam and Even, who did not feel ashamed of their nudity before they ate the fruit (10). And as mentioned before, Golding concludes his Eden allusion when he brings about the “beast” as the snake that sets the boys on the fast track towards evil, while stranded on the island.
Golding’s use of symbols to strengthen his biblical allusions adds more power to the main theme of a corrupted society, through mankind’s inner evil. The connection between the title and a demon within The Bible, Simon and Christ, the beast and Satan, and lastly, the island and the Garden of Eden, serve as foundations for the thematic ideals of sin, corruption, beauty, fear, and forgiveness that outline Golding’s literature. By intertwining biblical allusions, Golding was able to further support his principle that we are all evil, and the references became an important part of his novel.
Many works of literature inspire new works to be made every day. From things as old as beowulf to the many shakespeare plays, current day writers keep pulling ideas from the classics to create their own stories. Because of this, many older works of literature are still relevant today. The novel Lord of the Flies by William Golding is more current than ever with allusion from Popular television shows, music that is heard on the radio and the newest blockbuster movie. The many allusions in modern day literature and works of art to lord of the flies are too numerous to count.
In William Golding’s Lord of the Flies, the beast gives the children a sense of fear throughout the story. It also shows that it is one of the children's top priorities, as they hunt for it and try to protect themselves from it. The children use the beast to work together, but as the novel progresses the group goes through a separation. The beast is an important role in the novel, having many forms of concepts about it. In the novel Lord of the Flies by William Golding, the concept of the beast as a whole is used as fear, reality, and evil.
All of the boys but Simon are becoming the beast at that moment. In Lord of the Flies, Golding proves that fear draws out man’s inner evil and barbarism. Within the novel, Golding uses characterization of the boys and symbolism of the beast to show the gradual change from their initial civility to savagery and inhumanity. Learned civility, order and humanity become ultimately futile in the face of fear. The author teaches that without logic, fear consumes us endlessly.
Golding illustrates mankind’s essential illness when the boy’s pillage the once beautiful Garden of Eden and render it a perverted Eden. When the boy’s first crash on the island, Golding describes it as enchanting, full of beautiful waters and tress that cover the skyline. Golding illustrates the enchanting beauty of the island when he depicts, “ This was filled with a blue flower, a rock plant of some sort, and the overflow hung down the vent and spilled lavishly among the canopy of the forest. The air was thick with butterflies, lifting, fluttering, settling” (Golding 28). Clearly, before the evils of mankind disturb the island, it is quite beautiful. However, this charming landscape does not last forever, as the boys light half the island on fire when they try to make a signal fire. Golding conveys the children are destroying the once beautiful island and turning it int...
One of the most important and most obvious symbols in Lord of the Flies is the object that gives the novel its name, the pig's head. Golding's description of the slaughtered animal's head on a spear is very graphic and even frightening. The pig's head is depicted as "dim-eyed, grinning faintly, blood blackening between the teeth," and the "obscene thing" is covered with a "black blob of flies" that "tickled under his nostrils" (William Golding, Lord of the Flies, New York, Putnam Publishing Group, 1954, p. 137, 138). As a result of this detailed, striking image, the reader becomes aware of the great evil and darkness represented by the Lord of the Flies, and when Simon begins to converse with the seemingly inanimate, devil-like object, the source of that wickedness is revealed. Even though the conversation may be entirely a hallucination, Simon learns that the beast, which has long since frightened the other boys on the island, is not an external force. In fact, the head of the slain pig tells him, "Fancy thinking the beast was something you could hunt and kill! Ö You knew, didn't you? I'm part of you?" (p. 143). That is to say, the evil, epitomized by the pig's head, that is causing the boys' island society to decline is that which is inherently present within man. At the end of this scene, the immense evil represented by this powerful symbol can once again be seen as Simon faints after looking into the wide mouth of the pig and seeing "blackness within, a blackness that spread" (p. 144).
As Simon was trying to tell the boys that the beast did not exist, his death symbolises that mankind can’t face the truth about their inner desires. Part of Golding’s intent was to demonstrate that the evil is not recognised in specific populations or situations. On the island, the beast is manifest in the deadly tribal dances, war paint and manhunt; in the outside world, the same lust for power and control plays out as a nuclear war. Throughout ‘The Lord of the Flies’ Golding has managed to show that evil is present in everyone.
Woe Soyinka, a Nigerian writer, once said “Well, some people say I'm pessimistic because I recognize the eternal cycle of evil. All I say is, look at the history of mankind right up to this moment and what do you find?” Essentially, Soyinka is saying that it is mankind’s inevitable fate to repeat its past due to the endless existence of evil. Soyinka’s ideas are echoed in William Golding’s Lord of the Flies. In the novel, a group of well-behaved British boys are stranded on an island. In time, the boys’ natural savage instincts are revealed. Throughout the novel, the reader should see that Golding uses Christian imagery to reinforce the idea that mankind is naturally evil and is doomed to repeat its past.
William Golding’s Lord of the Flies portrays the lives of young British boys whose plane crashed on a deserted island and their struggle for survival. The task of survival was challenging for such young boys, while maintaining the civilized orders and humanity they were so accustomed too. These extremely difficult circumstances and the need for survival turned these innocent boys into the most primitive and savaged mankind could imagine. William Golding illustrates man’s capacity for evil, which is revealed in man’s inherent nature. Golding uses characterization, symbolism and style of writing to show man’s inhumanity and evil towards one another.
...and is being consumed by fire, concludes the end of a long and treacherous experience for each of the boys. Through the process of showing how the boys arrive on the island conditioned by society to act civilized and leave the island at the end more savage and more evil, Golding succeeds in trying to depict how man possesses inherent evil. The concept of inner evil in man can be connected to the inner evil in Brutus, from the play Julius Caesar by Shakespeare. While Brutus is a trusted advisor and good friend to Caesar, he still conspires and is involved with the assassination of Caesar. His desire to murder, even as he holds a prominent position among Caesar’s advisors, provides proof of his inherent evil. Golding ultimately seeks to prove in the Lord of the Flies that evil is the prevalent force in man and that it takes precedence over even childhood innocence.
The Lord of the Flies by William Golding is tale of a group of young boys who become stranded on a deserted island after their plane crashes. Intertwined in this classic novel are many themes, most that relate to the inherent evil that exists in all human beings and the malicious nature of mankind. In The Lord of the Flies, Golding shows the boys' gradual transformation from being civilized, well-mannered people to savage, ritualistic beasts.
This leads to the fact that a beast really does exist within all human beings, but is only expressed when human instinct for survival becomes the main objective. At first the boys aren?t able to kill, but as survival instinct starts taking over, the reader?s are able to se the true character?s play out, and lives are compromised. ?You feel as if you?re not hunting, but- being hunted, as if something?s behind you all the time in the jungle,? (pg.53) proves that it?s every man for himself and people will do anything to survive. An example of this in the novel was when Robert became the ?pig,? and was wounded even though it wasn?t intentional, but the situation became worse when Piggy?s death happened as a result of all civilization lost and evil taken over.
It’s one of the most famous stories to ever exist, the story of how two people changed what defines us as humans. It’s the story of Adam, Eve, a serpent, and the unbecoming of mankind, the Fall of Man. This iconic account has been the premise for many works over the centuries. Today, Lord of the Flies by William Golding is considered one of the most influential novels of our time, not only for its adventurous story of stranded boys on a lost island, but also because of its allegorical tale of the true fault in man’s soul. William Golding leans heavily upon the Biblical account of the Fall of Man to highlight man’s depravity in his novel, Lord of the Flies.
Man’s inhumanity to man literally means human’s cruelty towards other humans. This is a major theme of the story and is seen throughout it. Golding himself even states that “man produces evil as a bee produces honey.” A review of the book states how Golding portrays this “because the boys are suffering from the terrible disease of being human.” Piggy, Ralph, and Simon are the “rational good of mankind” portrayed in the book, and Jack and his hunters are the “evil savagery of mankind.” “The beast” is a symbol for the evil in all humans, and Simon and Piggy, or rationality, are almost helpless in his presence. Simon, though, in a book filled with evil, is a symbol of vision and salvation. He is the one to see the evil as it truly exists, in the hearts of all humanity. When he tries to tell the others of this truth, however, he is killed, much like Christ was trying to bring salvation to the ignorant. Simon being there gives us hope; the truth is available to those who seek it. In the book, Jack and his hunters become so evil that they end up killing two boys while on the island. Man’s tendencies towards evil in The Lord of the Flies are also compared to the book of Genesis in the Bible. Nature, beauty, and childhood can all be corrupted by the darkness within humankind. The ending of this truly dark and evil story tells readers how Golding feels about evil within society and where he thinks humanity is headed. Evil will triumph over the intellect and good, unless some force intercedes. In th...
Lord of the Flies, a novel by William Golding, took place on an isolated tropical island. There were many symbolic items within the story, and their meanings changed as the story developed. The fire was the symbol of hope and civilization at the beginning of the novel, but at the end it had become a fire of destruction. Ralph, in the beginning of the book, stood for leadership and almost perfection, however as the story progresses, he was nothing more than a normal human. The beast, upon its first appearance, symbolized fear, but soon, it represented the savagery within them. The different symbolic figures within the book, such as the fire, Ralph, and the beast, shifted in meaning as the story develops.
Simon is a Jesus figure, Ralph and jack are like Cain and Abel, and the boys start to have a Pagan religion and treat the beast like a god; supporting the theory that Lord of the Flies can best be read as a religious allegory. Golding was trying to demonstrate that references to God and religions are everywhere. The need for religion and hope causes many people to show religious symbols in their art. Everyone worships something; everyone needs religion and religious symbols.