The river Niles, representing Africa, sits on one side of the fountain. The torso the Niles is composed of two different parts. The upper part of his body is falling backward. His exposed chest and the bent arms are drastically against his invisible head that is covered with a cloth. The tensed muscle on the legs reveals the existence of an unbalanced strength...
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...y, compared with the other river gods, the ancient Egyptian river god does not even have a dignified face in Rome only because of its unknown origins to the churches. For the Western, Egyptian culture, to some extent, is one of the evidence proving their superiority in the seventeenth century.
Dominic Montserrat once comments on the Western’s obsessions with Egypt in one word: the Egyptian afterlife, which means “the desire of finding an antecedent for one’s self or one’s beliefs in Ancient Egypt” (279). The hybrid creations of two cultures usually obtain distinctive appearances, and they are intended to be special among the other creations. At the same time, it is also necessary to consider the impacts of two cultures in one product seriously. There is no inferiority or superiority between either party. Otherwise, the invisible qualities would be easily ignored.
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