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role of language in shakespeare plays
language in shakespeare
role of language in shakespeare plays
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Ben Jonson’s Volpone is highly occupied with the evolving city setting during the early seventeenth century in London where international trade, migration and commercial commotion played the imperative role to shape and reshape people’s attitude to life. This evolving urban panorama entices moral decay of individuals and corruption in institutions. Fraudulence, deception, covetousness, greed, and selfishness become the means of individual existence in the exceedingly cutthroat money-making society. For the Jonson’s people in the play, vocal supremacy comprises the way of devising plots for deceiving the wealth-maniac. Language performance by the characters has presented a cohesive and lacy development of Volpone that is full of complicated assortment of conspiracies by the fraudsters (Freitas1). Jonson furnishes the mind of audience with a pastiche of microplots artistically embroidered to intensify and heighten the social atmosphere in the play and to embody the seditions of a morally decaying society as well. Individuals are shaped by the social world. There is an close connection between individuals and social structures: the nature of the individual’s relation to the broader social system, the ways in which behavior is influenced by social experiences, the genesis of the individual’s social makeup (Turiel 5). Individuals develop conceptual systems for understanding and transforming the social world. Therefore, the role the materialistic world usually plays upon the individuals; the episodes of changing social status among the community; and individuals’ attitude to perception of morality are considered to analyze in the write-up. During the early seventeenth century the social atmosphere of London was shifting into a new statu... ... middle of paper ... ...on. Cardiff: University of Wales Press, 2004. 142-170. Rpt. In Literature Criticism from 1400 to 1800. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 158. Detroit: Gale, 2009. Literature Resource Center. Web. 2 Nov. 2012. Jonson, Ben. Volpone, or The Fox. Ed. Brian Parker. New York: Manchester UP, 1999. Stock, Angela, and Anne-Julia Zwierlein. “Our Scene is London…” Plotting Early Modern London: New Essays on Jacobean City Comedy. Ed. Dieter Mehl, Angela Stock, and Anne-Julia Zwierlein. Burlington: Ashgate Publishing, 2004. Sydney, Philip. ‘The Defense of Poesy’, English Essays: Sidney to Macaulay. The Harvard Classics. New York: P.F. Collier & Sons, 1909–14. Turiel, E. The Development of Social Knowledge: Morality and Convention, Cambridge: Cambridge University Press, 1983. Walker, Hugh. English Satire and Satirists. New York: Octagon Books, 1972.
Forum 19.4 (Winter 1985): 160-162. Rpt. inTwentieth-Century Literary Criticism. Ed. Thomas J. Schoenberg and Lawrence J. Trudeau. Vol. 192. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Nov. 2013.
215-225. Rpt. in Contemporary Literary Criticism Select. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Mar. 2014.
Heberle, Mark. "Contemporary Literary Criticism." O'Brien, Tim. The Things They Carried. Vol. 74. New York, 2001. 312.
...Chrie, D., (ed.), Nineteenth Century Literature Criticism. Detroit, MI: Gale Research Company, 1986. Vo. 13, pp. 53-111.
"Morton, Thomas - Introduction." Literary Criticism (1400-1800). Ed. Thomas J. Schoenberg. Vol. 72. Gale Cengage, 2002. eNotes.com. 2006. 21 Feb, 2011
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
Bressler, Charles E. Literary Criticism: An Introduction to Theory and Practice. 5th ed. New York: Longman, 2011. Print.
(May 1855): 554-568. Rpt. in Nineteenth-Century Literature Criticism. Ed. Laurie Lanzen Harris. Vol. 10. Detroit: Gale Research, 1985.Literature Resources from Gale. Web. 14 Jan. 2014.
164-69. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 341. Detroit: Gale, 2013.Artemis Literary Sources. Web. 5 May 2014.
Schoenberg, T. J. (2001). Bradford, William - Introduction. "Literary Criticiem (1400-1800). Retrieved March 2011, from enotes.com/literacy-criticism: www.enotes.com/literary-criticism/bradford-williams
Mullane, Janet & Wilson, Robert Thomas, Nineteenth-Century Literature Criticism. Detroit, MI: Gale Research Inc., 1988, Vol. 19, pp. 2, 4-8, 14, 17, 32, 42, 55-6, 58, and 66-7.
Century Literature Criticism. Ed. Jay Parini. Vol. 14. Detroit: Gale Research, 1987. Literature Resource Center. Web. 24 Jan. 2012.
Mullane, Janet & Wilson, Robert Thomas, Nineteenth-Century Literature Criticism. Detroit, MI: Gale Research Inc., 1988, Vol. 19, pp. 2, 4-8, 14, 17, 32, 42, 55-6, 58, and 66-7.
Alchemist remains to be one of Jonson’s popular comedies. Swindling or coy-catching was common in the seventeenth century. Swindle or coy is an acquainted theme that Ben found to be comedy natural topic. The play is informed by Ben’s wide-ranging reading and learning. To a modern audience, the play se...
- - -. “Literature Criticism from 1400 to 1800.” http://go.galegroup.com. N.p., 1988. Web. 9 Dec. 2010. .