The entire setting of the play is very dismal, and lonely for most of the piece. It appears as though the tree is purposely bare to illustrate a sense of Vladimir and Estragon being on their own. I think that this plays into the idea that they are waiting for a God to come around and “show up” for them, which ends up not happening. Beckett may have been trying to illustrate his own opinion about whether or not a God even exists. Through the set and story altogether, it appears as though Beckett is trying to show the audience that God des not appear to save Vladimir and Estragon from their struggles. This can be compared to individuals praying for the help of God in their everyday lives. However, if you do not believe in God, then no one is going to supernaturally make your struggles and problems disappear. Vladimir and Estragon waited for the entire play, even asking others if they had seen Godot, with very nostalgic responses. They soon realize that their struggle is much harder than they originally anticipated, and run into a s...
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... man, especially towards Godot. In some ways, it may seem as though he is blaming Godot.
Overall, characters like Vladimir and Pozzo were both very different from themselves by the end of the play. They could have been classified as entirely different characters due to the fact that the entire mood of the play changed. Vladimir went from a very optimistic man, to someone who agreed with Estragon and resented Godot for not “showing up”. Pozzo went from a character that was very boastful and proud to dependent and weak. Struggle brought these characters down, and they waited for God to come to the rescue, to which he never came. Though others would argue my point of view, I believe that religion and spirituality plays a large role in the play.
Beckett, Samuel. Waiting for Godot: Tragicomedy in 2 Acts,. New York: Grove, 1954. Print.
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