The first anecdote within the essay is about how Klosterman used to enjoy making mixtapes for people but advancing technology has forced him to begin to make mix CDs instead (Klosterman, 135). This is relevant to Klosterman because mixtapes, he explains, can be used to “transfix, compliment, and confuse the listener,” (Klosterman, 135). Being able to do this was important to Klosterman; he described it as “his goal,” (Klosterman, 135). CDs on the other hand allowed the listener to “skip from track to track without really studying the larger concept behind the artistic whole,” and receive his unique and thoughtfully made mix CD like a disc “thoughtlessly purchased at the Best Buy,” (Klosterman,136). This anecdote ultimately is an examination of Klosterman’s own feelings as he considers why mixtapes are more valuable than CDs with his deciding factor being how much power they allow him to have over his listeners (Klosterman 135-136). It serves as an evaluation ...
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... and Jessie did (Klosterman, 146). In addition, as on Saved by the Bell, whenever he or one of his friends was not around they were not mentioned (Klosterman, 146). His initial rejection of the authenticity, he concludes is the result of his “memory always [creating] the illusion that [they] were constantly together, just like those kids on Saved by the Bell,” (Klosterman, 146). Nevertheless, in reality, there were “long stretches where somebody who […] seemed among [his] closest companions simply wasn’t around,” (Klosterman, 146).
In the essay “Being Zach Morris,” Chuck Klosterman explains his well-supported theory that “important things are inevitably cliché,” (Klosterman, 136). He uses many approaches to help with his explanation, one of them being psychoanalysis. Using this approach, Klosterman is able to help his readers fully understand his point of view.
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