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analysis of charlotte bronte's jane eyre
Jane Eyre reflection of Charlotte Bronte
Jane Eyre reflection of Charlotte Bronte
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One of the many ways that postcolonial literature accomplishes the task of challenging the hegemony of western imperialism is through the use of a ‘canonical counter-discourse,’ a strategy whereby ‘a post-colonial writer takes up a character or characters, or the basic assumptions of a canonical text [where a colonialist discourse is developed directly or indirectly], and unveils [its colonialist] assumptions, subverting the text for post-colonial purposes’. (Tiffin, 1987) Such a revolutionary literary project is evidently realised in Wide Sargasso Sea by Jean Rhys, a prequel that ‘writes back the centre’ of Charlotte Brontë’s Jane Eyre (1847). Rhys is categorical about her conscious authorial intention: ‘I immediately thought I'd write a story as it (the story of Bertha/Antoinette) might really have been.’ (Rhys, 1986) The novel revitalizes Bronte’s Bertha Mason, the madwoman in the attic, as Antoinette Cosway, a hyper-sensitive woman who is deprived of her voice, isolated, marginalised, rejected, led to the brink of insanity and finally locked up in a room to pay the price of her ‘otherness’. It combines a stark postcolonial critique of Brontë’s novel with an ethnographic approach that highlights the issues of race and miscegenation to deal with the problem of Antoinette’s racial heritage through a more or less straightforward exposition of her background.
This essay intends to examine the implications of double colonisation of patriarchy and empire experienced by the female characters of Rhys’s novel, particularly by Antoinette Cosway. ‘Double-colonisation’ is a critical term coined by Peterson and Rutherford (1986) to refer to the condition of simultaneous oppression experienced by women in colonised communities due to imp...
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...g effect of both the dimensions and this dual oppression is more severe and painful than a singular form of oppression either colonial or patriarchal.
Works Cited
Tiffin, H. (1987) ‘Post-Colonial Literatures and Counter-Discourse.’ in Ashcroft et al (Ed.), (1995) The Post-Colonial Studies Reader. New York: Routledge, pp. 95–98.
Rhys, Jean (1996) Wide Sargasso Sea. London: Penguin Books
Petersen, K. & Rutherford, A. (1989) ‘Speaking in Tongues: Dialogics, Dialectics, and the Black Woman Writer's Literary Tradition.’ in Napier, W. (2000) African American Literary Theory: A Reader. New York: New York UP, 2000. 257-267
Millet, K. (1971) Sexual Politics. London: Rupert Hart-Davis
Spivak, G., (1985) ‘Three Women’s Texts and a Critique of Imperialism.’ in Ashcroft et al (Ed.) (1995) The Post-Colonial Studies Reader. New York: Routledge, 1995. 269–72.
...usion that race is deployed "in the construction of power relations."* Indeed a "metalanguage" of race, to use Higginbotham's term, was employed by colonial powers to define black women as separate from English women, and that process is deconstructed in Good Wives, Nasty Wenches, Anxious Patriarchs. However, Brown's analysis rests mainly on the shifting English concepts of gender and race imposed on colonial society by the white elite, becoming at times a metalanguage of colonial gender. Nonetheless, Brown's analysis of overlapping social constructions is instructive for understanding the ways gender and race can be manipulated to buttress dominant hierarchies.
Lugones, María C. and Elizabeth V. Spelman (1983) “Have We Got a Theory for You! Feminist Theory, Cultural Imperialism and the Demand for ‘The Woman’s Voice’.” Women’s Studies International Forum, 6 (6): 573-581..
Compare The Successes And Failures Of Patriarchy In Colonialism, In “The Tempest”, “Translations” And “Things Fall Apart”.
Over the past few decades, research on women has gained new momentum and a great deal of attention. Susan Socolow’s book, The Women of Colonial Latin America, is a well-organized and clear introduction to the roles and experiences of women in colonial Latin America. Socolow explicitly states that her aim is to examine the roles and social regulations of masculinity and femininity, and study the confines, and variability, of the feminine experience, while maintaining that sex was the determining factor in status. She traces womanly experience from indigenous society up to the enlightenment reforms of the 18th century. Socolow concentrates on the diverse culture created by the Europeans coming into Latin America, the native women, and African slaves that were imported into the area. Her book does not argue that women were victimized or empowered in the culture and time they lived in. Socolow specifies that she does her best to avoid judgment of women’s circumstances using a modern viewpoint, but rather attempts to study and understand colonial Latin American women in their own time.
...ing novels of their time. They both revise aspects of their era, that would rarely, if ever, have been touched on. Wide Sargasso Sea having the double revision of challenging Jane Eyre, as well as social beliefs. “The devices that connect the two texts also rupture the boundary between them. Although this rupture completes Rhys’ text, it results in a breakdown of the integrity of Bronte’s.” As much as Bronte’s text was revolutionary of her time, so too was Rhys’. Time changed and what was once revolutionary became simplified and unbelievable. The fact remains, that without Jane Eyre, there would be no Wide Sargasso Sea, the two text’s are mutually exclusive, and just as revolutionary now as when they were written.
Charlotte Brontë's 1847 novel Jane Eyre depicts the passionate love Jane Eyre and Edward Rochester have for each other, and as Bertha Mason stands in the way of the happiness of Brontë's heroine, the reader sees Mason as little more than a villainous demon and a raving lunatic. Jean Rhys' serves as Mason's defendant, as the author's 1966 novella Wide Sargasso Sea, a prequel to Jane Eyre, seeks to explore and explain Bertha's (or Antoinette Cosway's) descent into madness. Rhys rejects the notion that Antoinette has been born into a family of lunatics and is therefore destined to become one herself. Instead, Rhys suggests that the Cosways are sane people thrown into madness as a result of oppression. Parallels are drawn between Jane and Antoinette in an attempt to win the latter the reader's sympathy and understanding. Just as they did in Jane Eyre, readers of Wide Sargasso Sea bear witness to a young woman's struggle to escape and overcome her repressive surroundings. Brontë makes heavy use of the motif of fire in her novel and Rhys does the same in Wide Sargasso Sea. In Rhys' novella, fire represents defiance in the face of oppression and the destructive nature of this resistance.
Achebe’s Things Fall Apart and Rhys’ Wide Sargasso Sea handle women’s situations in once-colonial countries quite differently. While both novels were written by writers who are actually from cultures with colonised pasts, Rhys is more effective in conveying a more feminist angle by having a female protagonist in a post colonisation period and being a woman with similar personal/racial history herself. This, however, doesn’t mean Things Fall Apart is excused from being potentially sexist. On the other hand, it’s problematic to assume the women in two texts, who are from different far ends of the world, would have the same problems. McLeod suggests that while looking at women in countries with a colonial past as a whole is ignoring their local
"Three Women's Texts and a Critique of Imperialism", Gayatri Chakravorty Spivak in The Feminist Reader ed. Catherine Belsey and Jane Moore (1997).
“The subaltern studies is certainly related to south Asia history, as Gramsci was related to Italy, its theoretical position, of studying how the continuity of supposedly pre-political insurgency brings culture to crisis and confronts power would make post-colonial studies more conventionally political. One major difference is that the disciplinary connection of post-colonial studies is to literary criticism rather than history and the social science. Subaltern studies has not pursed oral history as unmediated narrative, and its investigation and testimony have generally confined themselves to legal
Wojczak, Helena. “English Women’s History.” English women’s history. Hasting Press. n.d. Web 24 Nov 2013
In Wide Sargasso Sea, Jean Rhys confronts the possibility of another side to Jane Eyre. The story of Bertha, the first Mrs Rochester, Wide Sargasso Sea is not only a brilliant deconstruction of Brontë's legacy, but is also a damning history of colonialism in the Caribbean.
In this paper feminist aspect of post colonization will be studied in “Season of Migration to the North” novel by Tayeb Salih. Postcolonial feminism can be defined as seeks to compute for the way that racism and the long-lasting economic, cultural, and political influences of colonialism affect non-white, non-Western women in the postcolonial world, according to Oxford dictionary. As it mentioned earlier about the application of Feminism theory in literature, the provided definition of postcolonial feminism also is not applicable in literature analysis. Therefore, Oxford defines another applic...
...er Theory complicated by post-colonial scholars and scholars of race who consider the ways gender intersects with nationalism, class, and race. As feminist critic Theresa de Lauretis suggests, “a new conception of the subject is, in fact, emerging from feminist analyses of women’s heterogeneous subjectivity and multiple identities . . . the differences among women may be better understood as differences within women.” It is important to realize that not only does feminism as a movement exist in the face of these contradictions and complications—within feminist criticism, within gender studies, within individual literary texts and within our understanding of the individual woman as a subject—but that it cannot exist without them. Perhaps, like Wonder Woman, feminist criticism remains vital because it is astonishingly diverse, open, and rigorously self-problematizing.
The novel Jane Eyre by Charlotte Bronte and Wide Sargasso Sea by Jean Rhys were produced at different times in history. Indeed, they were created in different centuries and depicted extensively divergent political, social and cultural setting. Despite their differences, the two novels can be compared in the presentation of female otherness, childhood, and the elements that concern adulthood. Indeed, these aspects have been depicted as threatening the female other in the society. The female other has been perceived as an unfathomable force that is demonic in nature but respects these enigmatic threatening characters. The female other has been portrayed as intensely alienated while grows knowing that their actions are subject to ridicule, rumor,
"Can the Subaltern Speak?" may be Spivak 's best-known essay; it is certainly her most controversial.Postcolonial critics, like many feminists, want to give silenced others a voice. But Spivak worries thateven the most benevolent effort merely repeats the very silencing it aims to combat. After all,colonialists often thought of themselves as well-intentioned. Spivak points to the British outlawing