Beethoven´s Third Symphony in E Flat Essay

Beethoven´s Third Symphony in E Flat Essay

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Beethoven's third symphony in E Flat, written in 1804 is a vast work in terms of length for any orchestra to perform. Indeed it contains one of the longest first movements ever composed. [Simpson 1986: 19] With a first movement comprising of some seven hundred bars this was a symphony that redefined the genre and moved Beethoven firmly into his musicologicaly perceived 'middle' period due to the range of compositional techniques, expressive articulation and wealth of ideas. This work is bordering on the Romantic. The overriding structure is sonata form but Beethoven gives an almost equal amount of bars to every section, including a coda, a pattern which was and still is extremely rare. The forces of the symphony however are relatively modest, apart from the inclusion of a third horn, there is little difference instrumentally between this and other symphonic works of the period owing to some conductors to double instruments and even whole sections in order to present the piece with its 'expected' grandeur sound. [Del Mar 1992: 21].
One of the problems for a conductor working with Beethoven on such a large scale movement is the sense of space that transpires from the music. This problem is rectified somewhat by the tempo of the movement which is remarkably fast, some would say too fast, for a work of this size. [Simpson, 1986 20]. Two forte E flat major tutti chords announce the movement and establish the key before piano stings feed into the exposition which stars officially (according to the bar lines) in bar four. This is a very overt start to the performance and will require rehearsal as these chords need to be very precisely placed and perfectly in tune. The exposition endures for 155 bars whereupon 1st and 2nd time bars app...


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...rtant climax? Are there any significant tempo changes? What is the composer trying to communicate through the piece? An analysis also helps to map out the structure of the work (which can help with learning the piece) as it aids the memorization of the work as a whole and enables the piece to feel much more accessible.
The conductor all in all, has to be (or appear to be) the most knowledgeable person in the room about the music that is being rehearsed. Without this, the performers start to lack in confidence and the entire piece will not be of as good a quality from a knowledgeable conductor who knows what the music is trying to communicate and can then bring this across in the performance. A pre rehearsal analysis of the music, however shallow, is guaranteed to positively affect the outcome of any rehearsal and therefore any performance of the piece in question.

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Beethoven´s Third Symphony in E Flat Essay

- Beethoven's third symphony in E Flat, written in 1804 is a vast work in terms of length for any orchestra to perform. Indeed it contains one of the longest first movements ever composed. [Simpson 1986: 19] With a first movement comprising of some seven hundred bars this was a symphony that redefined the genre and moved Beethoven firmly into his musicologicaly perceived 'middle' period due to the range of compositional techniques, expressive articulation and wealth of ideas. This work is bordering on the Romantic....   [tags: symphony, music, orchestra]

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