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True meaning of beauty
The importance of the environment for the life of human life
The relationship between human and nature
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What makes nature beautiful? It was the summer of twenty eleven. My dad and brother and I were preparing for a long awaited trip to the cold, desolate country of Canada. My grandpa has a friend who has a fully furnished log cabin on a peaceful lake in the far north. They invited us to come and stay a week in their humble abode and enjoy some well-needed rest and relaxation, while appreciating the surplus amounts of fishing.
We started our long trek into the great unknown early into the morning. The car ride seemed like it dragged on forever, even more than it should have, due to the limited legroom and long stretches of bumpy roads. Even the occasional bear decided to distract us and waste even a bit more of our time. After many hours, many lunch and potty breaks, we had finally reached the mouth of the narrow, hilly road that would eventually take us to our destination. The road was so treacherous and dangerous that low speeds and four wheel drive was needed for the next ten miles. Then the road got even narrower and we had to take our supplies on four-wheeler another tw...
Servomaa, Sonja. “Nature Of Beauty—Beauty Of Nature.” Dialogue & Universalism 15.1/2 (2005): Academic Search Premier. Web.
overnight adventure through the isolated reign of nature was our goal. We chose a trail
In the “Impoverishment of Sightseeing”, John Daniel seeks to inspire readers to experience nature beyond observation. Daniel clearly differentiates between the minute appreciation received from sightseeing, and the aweing admiration you can feel if you engulf yourself in nature. Through sharing his personal experiences and scholarly analysis, Daniel demonstrates the importance of being vulnerable to the environment that is necessary for comprehensively understand nature. He argues by allowing ourselves to be naked to nature, one can understand how the natural World has the power to limit our existence.
Muir’s wilderness is rooted in the idea of an aesthetically pleasing natural scape given they fit into certain criteria such as, “ none of Nature’s landscape’s are ugly so long as they are wild” (Muir). The attachment of this emphasis on an aesthetically pleasing landscape was partial truth, which drove people out the national parks. While these places where indeed wild and beautiful, Muir sold the masses on this idea of all nature being pristine and pure, when in reality that was not the
When thinking about nature, Hans Christian Andersen wrote, “Just living is not enough... one must have sunshine, freedom, and a little flower.” John Muir and William Wordsworth both expressed through their writings that nature brought them great joy and satisfaction, as it did Andersen. Each author’s text conveyed very similar messages and represented similar experiences but, the writing style and wording used were significantly different. Wordsworth and Muir express their positive and emotional relationships with nature using diction and imagery.
From the lone hiker on the Appalachian Trail to the environmental lobby groups in Washington D.C., nature evokes strong feelings in each and every one of us. We often struggle with and are ultimately shaped by our relationship with nature. The relationship we forge with nature reflects our fundamental beliefs about ourselves and the world around us. The works of timeless authors, including Henry David Thoreau and Annie Dillard, are centered around their relationship to nature.
Since the beginning of time, humans have always had some type of relationship with nature, whether it was negative or positive. Adam & Eve were exiled from paradise for eating from the forbidden tree. Neanderthals flourished living in caves while having constant interactions with nature. And now in this day in age the relationship continues. This ever-changing relationship between man and nature is the main focus of two writers, Wendell Berry and Terry Tempest Williams. Both writers have a similar voice and style in some aspects, yet differ in others.
In Zora Neale Hurston's Their Eyes Were Watching God, Janie noticed while living in the Everglades that some of the Indians started leaving the town and heading east. She also noticed that the animals started to scatter as well. Janie asked one of the Indians why they were leaving and he said that there was a hurricane approaching. The park ranger that guided us on the slough slog informed the class that this is a fact. The animals as well as the sawgrass know when hurricanes are approaching. The Indians these days know when a hurricane is approaching as well. Yet, these days they most likely find out from the weather channel reports on their big-screen TV's in their casinos instead of analyzing whether or not the sawgrass is blooming! It would have been interesting to have had class this Friday to see for ourselves if the blooming of sawgrass is indeed a fact now that Hurricane Michelle is approaching.
It is intriguing how Emerson determines the purpose of natural beauty he does this by writing “The health of the eye seems to demand a horizon. We are never tired so long as we can see far enough” (945). We depend on nature to balance out our lives. Nature gives us the views necessary to achieve
Flourishing nature is most beauteous in areas which have not been maimed by the human race. The idea that spiritual and philosophical wellness can be found in nature is supported world-wide. Many different cultures use their eco-rich surroundings to become more spiritually/philosophically endowed. In the short story “A White Heron” by Sarah Orne Jewett there are two fundamental relationships with society and nature that reflect the author’s point of view in support of this idea. The first is a good example of how nature can positively affect the spiritual/philosophical wellness of a person through an appreciative, loving, and tolerant relationship (Sylvia). The second is a destructive, parasitic relationship that is only beneficial to one party (the hunter). Sylvia struggles with her loyalty to her own innocence and respect of nature because of the exciting new possibilities the hunter promises to her. I will elaborate on topics such as the nature of Sylvia’s relationships, the narrator’s point of view, and the writing style in the text to demonstrate an understanding of how the author saw the relationship of society and nature in “A White Heron”.
Ralph Waldo Emerson(1803-1882), the leader of the Transcendentalism in New England, is the first American who wrote prose and poem on nature and the relationship between nature and man Emerson's philosophy of Transcendentalism concerning nature is that nature is only another side of God "the gigantic shadow of God cast our senses." Every law in nature has a counterpart in the intellect. There is a perfect parallel between the laws of nature and the laws of thought. Material elements simply represent an inferior plane: wherever you enumerate a physical law, I hear in it a moral rule. His poem The Rhodora is a typical instance to illustrate his above-mentioned ideas on nature. At the very beginning of the poem, the poet found the fresh rhodora in the woods, spreading its leafless blooms in a deep rock, to please the desert and the sluggish brook, while sea-winds pieced their solitudes in May. It is right because of the rhodora that the desert and the sluggish brook are no longer solitudes. Then the poem goes to develop by comparison between the plumes of the redbird and the rhodora . Although the bird is elegant and brilliant, the flower is much more beautiful than the bird. So the sages can not helping asking why this charm is wasted on the earth and sky. The poet answers beauty is its own cause for being just as eyes are made for seeing. There is no other reason but beauty itsel...
Nature is often a focal point for many author’s works, whether it is expressed through lyrics, short stories, or poetry. Authors are given a cornucopia of pictures and descriptions of nature’s splendor that they can reproduce through words. It is because of this that more often than not a reader is faced with multiple approaches and descriptions to the way nature is portrayed. Some authors tend to look at nature from a deeper and personal observation as in William Wordsworth’s “I Wandered Lonely as a Cloud”, while other authors tend to focus on a more religious beauty within nature as show in Gerard Manley Hopkins “Pied Beauty”, suggesting to the reader that while to each their own there is always a beauty to be found in nature and nature’s beauty can be uplifting for the human spirit both on a visual and spiritual level.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
Through the ingenious works of poetry the role of nature has imprinted the 18th and 19th century with a mark of significance. The common terminology ‘nature’ has been reflected by our greatest poets in different meanings and understanding; Alexander Pope believed in reason and moderation, whereas Blake and Wordsworth embraced passion and imagination.
Many poets are inspired by the impressive persona that exists in nature to influence their style of poetry. The awesome power of nature can bring about thought and provoke certain feelings the poet has towards the natural surroundings.