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Herman Melville “Bartleby, the Scrivener”
Herman Melville’s “Bartleby, the Scrivener”
bartleby the scrivener analysis essay
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Bartleby the Scrivener, by Herman Melville is a novella about a nameless lawyer who has in his employ a scrivener named Bartleby. Bartleby, throughout the novella, has different periods of work. In the beginning, he does his scrivening without reprimand or without hesitation, but as the novella progresses his attitude toward work changes drastically. Mordecai Marcus’ critical essay on the novella makes some good points, such that Bartleby is a psychological double for the lawyer, he represents a subliminal death drive within himself, and the conflict between absolutism and free will. All three of these points are attributed to Bartleby because he represents each respectively.
In Mordecai Marcus’ critical essay on Bartleby the Scrivener, he takes the stand that Bartleby is a psychological double for the nameless lawyer. While progressing through the novella, Bartleby begins to slow down and eventually stops working altogether. The Lawyer doesn’t know what to do mainly because, “Bartleby’s power over the lawyer quickly grows as the story progresses.” (Marcus 1) When the lawyer first hired Bartleby, he was a tenacious young worker, “There was no pause for digestion. He ran a day and night line, copying by sunlight and by candlelight.” (Melville 16) This is in the beginning of the novella right after the lawyer had hired him. Bartleby, to the lawyer, doesn’t seem to have any other ambitions rather than scrivening for him. But all of that begins to change when Bartleby begins to not want to do some of the tasks the lawyer asks him to do. The first instance of this is when he is asked to proofread one of the copies he just completed, “…rapidly stating what it was I wanted him to do – namely, to examine a small paper with me…Bartleb...
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...ast. But again obeying that wondrous ascendancy which the inscrutable scrivener had over me…” (Melville 44) Again, the lawyer is amazed at the amount of “power” Bartleby has over him. Bartleby, without actually doing anything, has taken away most of the lawyers’ free will and in turn feed his own absolutism.
The novella is set in New York City in a Wall Street law office; both Bartleby and the lawyer represent characters of New York. Bartleby represents a type of person who is excited to come to a new city but then gets ground down into the daily routine of the city and begins to loose the will to work. The lawyer, on the other hand, represents the quintessential New Yorker, owning his own business and trying to succeed in a city that is famous for crushing spirits. Both Bartleby and the lawyer represent true characters within the fabric of the city of New York.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I think I’ll just step behind his screen and black his eyes for him.”(p.2411) The other scriveners also felt alienated by the actions of the narrator. His lack of resolve when dealing with Bartleby angered them because they knew that if they would have taken the same actions, they would have been dismissed much more rapidly. The narrator admits to this when he said, “ With any other man I should have flown outright into a dreadful passion, scorned all further words, and thrust him ignominiously from my presence.” (2409) The next theme is man’s desire to avoid conflict. The narrator avoids conflict on several occasions. The first time Bartleby refused to proofread a paper, the narrator simply had someone else do it instead of confronting him and re...
In the beginning of each story, characters are both shown as “ideal” characters in that their characteristics give the characters their first perceived amiableness. In “Bartleby the Scrivener” Melville uses distinguishing characteristics to solely represent Bartleby from the others in the story. He enters the story first, as a response to an advertisement for a position as a scrivener in a law office. Melville states, “A motionless, young man one morning stood upon my office threshold, the door being open for it was summer. I can see that figure now – pallidly neat, pitiably respectable, incurably forlorn!” (Meyer 149). Here he makes it known that just by seeing Bartleby’s presence when he first enters the law office; he is exactly what the unnamed lawyer was inquiring about. He was by far unlike other characters in the story. He had no vices or hang ups, the first presence and his stature, he came their wiling and ready to ...
Melville, Herman. "Bartleby the Scrivener." The Story and Its Writer. Ed. Ann Charters. Boston: St. Martin's, 1995: 513-539.
Bartleby, the Scrivener, a story of lawyer and scrivener, questions like: What is worth living for in the world? What does society to value or shape what it means to be successful or of worth in the world that is inhabited? This is done through various implications of Bartleby’s actions and responses, as well as the lawyer’s, and the descriptions and imagery of the environment.
Bartleby joins the lawyer's office as a scrivener, after having worked for the Dead Letters Office. As explained by the lawyer, the scriveners were paid four cents a folio, and under the employment of the lawyer, the scriveners also had to run errands for the lawyer, as well as help in proof reading the copied documents. The employer did not compensate for these other tasks. Thus, it was obvious as to why "Bartleby was never on any account to be dispatched on the most trivial errand of any sort; and that even if entreated to take upon such a matter, it was generally understood that he would 'prefer not to'- in other words, that he would refuse point blank." (Melville 15). For one thing, Bartleby was not being paid for the errands, but for the writing he did. Also, this defiance is a means through which he was preserving his autonomy. Bartleby was making a decision as to what he was and was not going to do. Bartleby's employer notice...
Melville's use of ambiguity in "Bartleby" is extreme and prevalent throughout the story. He introduces the reader to the narrator's office before Bartleby's arrival to explain the functional system that exists before Bartleby. The reader gains knowledge of the narrator's two copyists and is able to see that despite problems that each man poses, the narrator is able to control these idiosyncrasies.
Bartleby demonstrates behaviours indicative of depression, the symptoms he has in accordance with the DSM-IV are a loss of interest in activities accompanied by a change in appetite, sleep, and feelings of guilt (Diagnostic and Statistical Manual of Mental Disorders, 4th edition, 320). Very shortly after Bartleby begins his work as a Scrivener he is described by the narrator as having done “nothing but stand at his window in his dead-wall revery”. (Melville, 126) In contrast, Bartleby had previously been described as a very hard worker and this process of doing increasingly less shows how his a diminishing sense of interest both in his work but also of the perception others have of him. It is also noted that included in this lack of interest is a social withdrawal (DSM—IV, 321) which corresponds well to Bartleby in that his workspace becomes known as his “hermitage”. During small talk which included Bartleby he says that he “would prefer to be left alone”. (Melville, 120) Bartleby only emerges from his hermitage when called upon and quickly returns when faced with confrontation.
In Herman Melville's story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby constantly changes throughout the story, the narrator's attitude is conveyed through literary elements such as diction, point of view, and tone.
In “Bartleby, the Scrivener” the author, Herman Melville, uses indirect references to hint to many historical, literary, and biblical events. “Bartleby, the Scrivener” contains many allusions about important events that help connect this fictional story to actual events in Melville’s time period, before, and beyond. Melville uses allusions frequently throughout “Bartleby, the Scrivener” to help build connections with the real world and the fictitious world of this short story.
He starts to disconnect himself by refusing to do work given to him by his boss, this comes from his desire to be complacent, which we find out when he says “I like to be stationary,” when talking to the lawyer (127). Bartleby continues to change throughout the story, as he goes from being an employee who won’t do his work, to never leaving the office and essentially making it his home. According to Todd Giles, “Bartleby's silence establishes distance,” meaning that he becomes so out of place that people stop expecting of him (Giles, 2007). What this causes is the need for Bartleby to be removed from the Wall Street Office. The lawyer tries in many different ways to do so, and even offers him more money than he is owed if he will quit. Bartleby refuses and continues to stay in the building, doing nothing, detached from the world around him. Eventually the lawyer changes offices due to Bartleby and leaves him there for the next buyer. Bartleby is forced out by the new owner, and in time it is told the police he is a vagrant and he is thrown into jail. Bartleby’s story ends
Melville, Herman. “Bartleby the Scrivener.” The Norton Anthology of American Literautre. Ed. Nina Baym and Julia Reidhead. New York: W.W. Norton & Company, 2007. 2363-89. Print
Melville intends something less black and white with more gray shading. Melville uses dramatic irony and grim humor in “Bartleby, the Scrivener: A Story of Wall Street. This is to show the reader how the Lawyer assumes he is a safe, successful and powerful man with extensive control in his polite society until he hires a man named Bartleby. This relationship is slowly revealed to be quite a conundrum for the Lawyer and the reader. Melville shows how the Lawyer never had any power or control over Bartleby but quite the opposite; Bartleby held all the power and control in this relationship. I will explore the important of the power struggle and the fight to maintain control between the Lawyer and Bartleby.
The lawyer, also the narrator, hires Bartleby to work as a scrivener at his business that involves bonds, mortgages and titles. The lawyer thinks he has all of his scriveners behaviors “on lock”. Although Bartleby started as a hard working employee, he eventually and in a calm manner refuses to do any requested work by the lawyer by simply saying, “I would prefer not to”. The lawyer doesn’t fire Bartleby after he declines to work, instead he gives Bartleby another chance. The lawyer preference to remain calm shows that he chooses to stray from confrontation. Bartleby continuous refusal to work leads to him being fired, but he refuses to leave. The lawyer’s philosophy and careful balancing of his employees is compromised by Bartleby actions. The lawyer moves his entire practice to another building to only find Bartleby there. Bartleby is arrested and continues in his bizarre daze. The lawyer visits Bartleby to convince him to eat and get through to him, but it doesn’t work and Bartleby dies. The lawyer sensitivity and empathy towards Bartleby raises questions to the lawyers sincerity. Ultimately, my goal is to demonstrate what was the lawyer’s intent to help Bartleby?
“Bartleby, the Scrivener” is one of The Piazza Tales written by Herman Melville which was one of his greatest works that express the author’s groundbreaking beliefs through a relationship between a narrator and his coworkers. The narrator is a successful lawyer who hires Bartleby. Shortly after, Bartleby manages to drive the narrator crazy by doing absolutely nothing. Doing this, Melville introduces several important prompts for the reader to ponder over. These prompts are introduced to us and justified through Melville’s symbolism. Melville’s great uses of symbolism strongly address three major contentions to his audience: his critique against capitalism, his philosophical stance on the value of life, and his reaction towards his audience’s feedback.
Melville, Herman. “Bartleby, the Scrivener.” The Norton Anthology of American Literature. 8th ed. Nina Baym and Robert S. Levine. Vol. B. New York: Norton, 2012. 1483-1509. Print.