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the technology of Japanese animation
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We cannot doubt that Japan has the biggest animation industry in the world. As an animation superpower, Japan has surpassed the United States in animation export and become the world’s largest exporter of animation (Guo, 2013). The globalization of Japanese animation has huge development in recent two decades. Animation brings huge economic benefits to Japan. This essay will research various aspects of Japanese animation, including background, global influences, differences between American and Japanese animation and cross-cultural communication. The research of this essay made one cultural flow of globalization clear. People all over the world will use artistic product with Japanese animation elements and communicate to others by using Japanese animation cultural context.
Japanese animation has significant development after Japanese manga have been able to access our daily life. The beginning of Japanese manga was considered during the 12th century. A monk satirizes political corruption by drawing animals. In that time, manga was considered a tool to express contemporary matters (Guo, 2013). During the World War II, manga was developed by Japanese governments because they think manga was a perfect medium to solve the cultural barriers. Governments used manga to encourage soldiers to fight bravely (Harris, 2013). After the 1960s, manga became a novel entertainment for the young generation. Many manga fans devoted their life into development of Japanese animation then animation industry has expanded rapidly (Guo, 2013). Nowadays, As Japanese animation industry is getting mature; global impacts of Japanese animation start to embody in various aspects. Such as some Japanese terms we used in daily life and some commercial products ...
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Guo , Y. (2013). Global influence of Japanese manga and animation.
Price, S. (2009). Cartoons from another planet: Japanese animation as cross-cultural communication. 24(1-2), 153-169. Retrieved from http://onlinelibrary.wiley.com/doi/10.1111/j.1537-4726.2001.2401_153.x/abstract Olsen, S., & Johnsen, F. (2012). American animation vs Japanese animation.
Lu, A. S. (2008). The Many Faces of Internationalization in Japanese Anime. Animation-an Interdisciplinary Journal.
Manion, A. (2004). Discovering Japan: Anime and Learning Japanese Culture.
Matsui, T. (2009). The Diffusion of Foreign Cultural Products: The Case Analysis of Japanese Comics (Manga) Market in the US.
Mikami, K. (2011). Cultural globalization in people’s life experiences: Japanese popular cultural styles in Sweden. (Master's thesis).
The Levin Institute - The State University of New York. "Pop Culture." Globalization101. The Levin Institute - The State University of New York, 2014. Web. 18 Apr. 2014.
In society today, we are conditioned to believe certain sets of ideals. We use these ideals to interact and get along with the other people we surround ourselves with. These ideals are often the societal norms that form common ground amongst individuals. However, living life based off these basic and unchanging beliefs is not beneficial to humanity, nor does it make life any easier to live. In fact, holding on to the most accepted beliefs holds back society as a whole. Judith Halberstam, in her essay “Animating Revolt and Revolting Animation” challenges these societal norms through the analysis of animated movies and, in doing so, carves a path for a new way of thinking.
Bliss, John, Art that Moves: Animation Around the World. Chicago, Illinois: Heinemann Raintree, 2011. Print
American pop culture recently received flak for cultural appropriation. Artists such as Katy Perry and Selena Gomez were criticized for superficially incorporating Asian images into their music. However, cultural appropriation and cultural tourism – and its consequences – are commonly seen in relation to traditional culture; this lack of attention towards visual representation of modern Asian subcultures – in relation to Asian Americans – dismisses the potential impact of these images. A visual analysis of Avril Lavinge’s “Hello Kitty” and Gwen Stefani’s appearances with the Harajuku Girls reveals that the use of Japan’s Harajuku subculture in American pop culture perpetuates Asian American stereotypes. Specifically, these acts contain characteristics of the submissive “lotus blossom” stereotype and the invisibility that comes from this stereotype. These characteristics result in an insidious formation of race; Avril Lavinge and Gwen Stefani’s cultural tourism constructs the concept of an American that excludes the Asian body through contrasts between themselves and the background Asian body. This racial formation relies on the idea that the two artists have become part of the Harajuku culture, yet they are clearly distinguishable from the homogenized Asian body.
Anime, or Japanese animation, is a style of animation most recognizable by characters with large eyes and beautifully detailed backgrounds. Once people watch anime, they will find besides spectacular animation, anime has complex characters and deep stories, many of which teach morals and values. Anime is very popular in Japan; it has also gained a following in America and is beginning to hit the mainstream.
Thoughts of Japanese culture typically includes reference of the traditional words such as Kabuki, sumo, samurai, or ninja according to Amelia Newcomb, author of “Japan cracking U.S. pop culture hegemony”. This is not true anymore, in fact, without realizing it, Japanese culture has seeped in under the door an invaded the American culture. Roland Kelts, author of the book Japanamerica, wrote about such ideals:
Western Washington University (2011). US / Japan culture comparison. Retrieved February 9, 2014, from www.wwu.edu/auap/english/gettinginvolved/CultureComparison.shtml
Some people may ask what is anime, and how is it different from cartoons. Anime is a term specified for Japanese animation. How has Anime affected history, and how does it influence today's society? Anime covers more serious topics than american cartoons. Cartoons in America are considered a form of entertainment for children. Anime in japan are for people of all ages, anyone can watch anime. Most anime shows and movies are made for children, adolescents, young adults, but there are also anime that are made for the older generation of people. Anime shows are directed for any type of viewer.
Statistics evidently demonstrates that anime will only achieve additional popularity as an entertainment form and will also be acknowledged fully as a form of art in the near future. As anime flourishes, many individuals who watch anime will possess the ability to gain insight into controversial topics simply by watching anime. One may coherently improve oneself by watching anime and Western society as a whole no doubt will benefit as a result of anime’s rise in popularity. Furthermore the work that the Anime organizations do directly impact Westerners as they monetarily fund charities in order to support those in need. The further development of anime and its indoctrination into Western culture will evidently continue to benefit Western society as a collective
Cartoons are the one that young and old audience grew up with. The most popular cartoon of all time was called “Disney”. Though way back in the 1928, a short animated film introduces in black and white called “Streamboat Wilie” with a cartoon mouse named Mickey. However, in 1986 a Japanese animated film had been joined in the world of animation (a.k.a called “anime” in Japanese). His name was Hayao Miyazaki He capture the wonderful imagination known well in the Japanese animation film existed today. Both films are very successful toward their film. But one is American and one is Japanese. However, Buzzfeed made a survey online about which animated film is the best. The result was fifty
Did you know that most of the cartoon shows that are on television come from Japan? Japanese popular culture has made a huge hit all over the world. There are many forms of popular art in Japan. Some know forms are anime, music, and manga. These are the most notable ones and are also what makes up most of their fan base for pop culture. Some other forms include cosplaying, contemporary art, and fashion. Cosplaying is short for “costume play” and it means to dress up as a character from sources like anime, manga, film, and games. There are a few places in Japan where people usually cosplay, including Akihabara, Harajuku and Shibuya. In present day, it is almost impossible to not see some form of Japanese pop culture in our country. There are even festivals and conventions held just for it which happens in many places over the world every year. Most people who attend these events will often cosplay as a character from something most people would know. Japanese pop culture is also one of the biggest exports of Japan. Japanese popular culture is the most attractive part of Japan, which has created a big impact around the world.
Manga and anime are a very huge part of Japanese culture. They have a long history in Japan and they have gotten increasingly popular. Even now in modern day Japan, manga and anime have become a major part of everyday life. Though accepted into many households, some people believe that manga and anime are a bad influence to the people that enjoy reading and watching them. However, manga and anime give the people of Japan a huge quantity of stories to explore and enjoy and a wide range of genres to choose from that it makes it such a favored hobby.
Manga and anime are popular for many people around the world and has been one of Japan’s most lucrative businesses. Manga and anime are misunderstood by some Americans who are unable to recognize the draw to them. To understand both styles, people need to know where they came from and what makes them a preferred interest of so many others.
Globalisation and global flows of culture have redefined the processes in which we share and connect to ourselves, others, and the world. From its onset, globalisation had both proponents’ and critics; some believed that it leads to a rich, hybrid global culture. Others saw it as the west versus the rest, an imprint of Western values and ideologies upon the world’s rich and diverse cultures. In exploring global flows of culture, we can observe these major assumptions about globalisation as well as its changing nature. New, ‘reverse’ cultural flows have begun to emerge and question these traditional assumptions. The case study of Japan’s ‘pink globalisation’ is one such reverse flow.
When walking through an art museum, there are rarely paintings of caricatures on display. Though some artists have developed avant guarde or impressionist styles, these are not considered cartoons for the simple fact that they never were displayed on the silver screen. Yet paintings of Disney characters sell for thousands at auction if they are authentic. Disney separates itself from other animation studios with their signature style and tedious techniques, like traditional artists. Since Disney has been making animated films for years, it has become a huge part of American culture. Many people even classify the older, hand-drawn films to be moving works of art. On the other hand, animated TV shows from Japan known as Anime, are not considered to be works of art. Often starting as a comic like sterilization known as manga, anime has captured the hearts of millions of viewers. Like any art form, there are a variety of styles to choose from; ranging from breathtaking to humorous. Like the renaissance painters or even Disney, Anime itself has shared many of the same traits. However, the world over dismisses it as a childish pastime, rather than the art form that it is. Both Anime and Art are a culmination of style, cultural representation, and emotional expression.