Illogical, submissive, and sensual are some of the words used to describe the view of women during the nineteenth century. In the novel The Awakening, Kate Chopin tells the controversial story of a woman, Edna Pontellier, and her spiritual growing. Throughout the story, Edna constantly battles between her heart’s desires and society’s standard. The novel shows how two women’s lives influence Edna throughout the novel. Mademoiselle Reisz and Madame Ratignolle are both in their own way strong, motherly influences in Edna’s life. Mademoiselle Reisz is Edna the mother who wants Edna to pursue her heart’s desires. Madame Ratignolle however, is the type of mother to Edna who wants Edna to do what is socially right. The way the two live their lives not only plays an important role in Edna’s mothering role, but it also represents the only two outcomes that Edna thinks she has for her life. In the manner of most mentors, Mademoiselle Reisz supports Edna as she begins to obtain the responsibility free life she yearns for. Mademoiselle Reisz is a free-spirited, hot tempered, childless, and unmarried woman. She is an outcast in her own town because of the way she lives her unconventional life. One of Mademoiselle Reisz’s neighbors says, “ In truth he did not want to know her at all, or anything concerning her – the most disagreeable and unpopular woman who ever lived on Bienville Street” (69). During the summer people’s view of Mademoiselle Reisz is still the same. Everyone seeks her out because she plays the piano well, but no one truly likes her other than Edna. As she walks into the entertainment room at Grand Isle where everyone is seated, “A general air of surprise and genuine satisfaction fell upon everyone as they saw the... ... middle of paper ... ...eing a mother, she spends more time on her artwork and her art improves drastically. Although Madame Ratignolle and Mademoiselle Reisz guide Edna throughout her awakening, Edna realizes that she could be neither. She wants to be free and without responsibility, but truly cannot. Edna still wants the life that Madame Ratignolle has, although it pushes her towards being responsibility free. Edna still cares about what others think unlike Mademoiselle Reisz. Unfortunately, these factors lead to Edna’s demise. Edna knows she will not be able to run away without hurting her family, but she does not want to stay. Edna’s choice says a lot about her, as a mother she was willing to give up her life than rather be with her children. Works Cited Chopin, Kate, and Barbara H. Solomon. The Awakening: And Selected Stories of Kate Chopin. New York: Penguin, 1976. Print.
She pursued activities that would allow her to become more individualistic, such as painting or art. Chopin decides to have Mrs.Pontellier’s character explore art, so she can address Mrs.Pontellier’s relationship with herself and her struggle to become an expressive artist. Throughout this short period Mrs.Pontellier constantly visits an accomplished female artist, Mademoiselle Reisz, who has abandoned the suppressive ideals of her time. Mademoiselle Reisz remarks, “I do not know you well enough to say. I do not know your talent or your temperament. To be an artist includes much; one must possess many gifts-absolute gifts-which have not been acquired by one’s own effort. And, moreover, to succeed, the artist must possess the courageous soul”(Pg.63). Chopin includes this, to show how Mrs.Pontellier is becoming ambitious and developing personal goals and interests. The significance of this pursuit of creativity is to reveal the importance of becoming her true self, in order to produce her own signature art. The underlying message is that to be an artist, one must have their own style, perspectives, opinions, and self assertiveness. Mrs.Pontellier however, is stuck between being a devoted mother and wife, or an artist who defies the standards upon her. Alongside this, Chopin conveys that with the absence of her husband, she has the opportunity to reflect on who she
Essentially, Edna is not able to fulfill any of the roles that are presented by Chopin in the novel: mother, sister, daughter, wife, friend, artist, lover to either man, and finally the traditional role of a woman in society. She does not quite fit into any niche, and thus her suicide at the end of the novel is the only way for Edna’s story to end. Chopin must have Edna die, as she cannot survive in this restrained society in which she does not belong to. The idea of giving yourself completely to serve another, Edna declares “that she would never sacrifice herself for her children, or for any one” (47). However, her awakening is also a realization of her underprivileged position in a male dominated society. The first sign that Edna is becoming comfortable with herself, and beginning to loosen the constrictions of not being an individual is when she asks Robert, her husband, to retrieve her shawl: "When he returned with the shawl she took it and kept it in her hand. She did not put it around her" (30). Edna is trying to establish herself as an artist in a society where there is no tradition of women as creative beings. For any woman to suggest a desire for a role outside the domestic sphere, as more than a mother or housewife, was perceived as
Kate Chopin’s The Awakening takes place in the late 19th century, in Grande Isle off the coast of Louisiana. The author writes about the main character, Edna Pontellier, to express her empowering quality of life. Edna is a working housewife,and yearns for social freedom. On a quest of self discovery, Edna meets Madame Ratignolle and Mademoiselle Reisz, falls in and out of love,and eventually ends up taking her own life. Kate Chopin’s The Awakening shows how the main character Edna Pontellier has been trapped for so many years and has no freedom, yet Edna finally “awakens” after so long to her own power and her ability to be free.
She desperately wanted a voice and independence. Edna’s realization of her situation occurred progressively. It was a journey in which she slowly discovered what she was lacking emotionally. Edna’s first major disappointment in the novel was after her husband, Leonce Pontellier, lashed out at her and criticized her as a mother after she insisted her child was not sick. This sparked a realization in Edna that made here realize she was unhappy with her marriage. This was a triggering event in her self discovery. This event sparked a change in her behavior. She began disobeying her husband and she began interacting inappropriately with for a married woman. Edna increasingly flirted with Robert LeBrun and almost instantly became attracted to him. These feelings only grew with each interaction. Moreover, when it was revealed to Edna that Robert would be leaving for Mexico she was deeply hurt not only because he didn’t tell her, but she was also losing his company. Although Edna’s and Robert’s relationship may have only appeared as friendship to others, they both secretly desired a romantic relationship. Edna was not sure why she was feeling the way she was “She could only realize that she herself-her present self-was in some way different from the other self. That she was seeing with different eyes and making the acquaintance of new conditions in herself that colored
The fact that Edna is an artist is significant, insofar as it allows her to have a sensibility as developed as the author's. Furthermore, Edna is able to find in Mlle. Reisz, who has established herself as a musician, a role model who inspires her in her efforts at independence. Mlle. Reisz, in confiding to Edna that "You are the only one worth playing for," gives evidence of the common bond which the two of them feel as women whose sensibilities are significantly different from those of the common herd. The French heritage which Edna absorbed through her Creole upbringing allowed her, like Kate Chopin herself, to have knowledge or a way of life that represented a challenge to dominant Victorian conventions.
In Kate Chopin's The Awakening, the main character, Edna leaves her husband to find place in the world. Edna believes her new sexually independent power will make her master of her own life. But, as Martin points out, she has overestimated her strength and is still hampered by her "limited ability to direct her energy and to master her emotions" (22). Unfortunately, Edna has been educated too much in the traditions of society and not enough in reason and independent survival, admitting to Robert that "we women learn so little of life on the whole" (990). She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her life, lets her goal become clouded instead of learning to depend on herself alone. Edna wants to overcome gender stereotypes, and is already using behaviours such as assertiveness and independence to question them, but the struggle is new to her and she fails to discover a method that would allow her to successfully leave behind society's preconceptions. Martin writes,
...they represent concerning women’s roles in society. Adele plays to entertain her husband and friends at parties, whereas Reisz plays for the art of the craft, always striving to be more proficient and more artistic. Mademoiselle Reisz easily sees past Edna's front, welcomes Edna into her life, and helps usher in the biggest change of Edna's life. Mademoiselle Reisz and her personality serve as the catalyst for the changes that Edna makes in her life. Edna strives to be Mademoiselle Reisz concerning her element of independence, while Leonce Pontellier, Edna’s husband, would like her to be more like Adele Ratignolle, and it is Edna who is striving to find the delicate balance in the middle.
Madame Ratignolle simply does not understand Edna; to her, sacrificing one’s life is the utmost that a mother can do for her children. It is as if Edna was not even “talking the same language.” In fact, the two women might well be speaking different languages. Unlike Madame Ratignolle who seems to have a baby every couple of years, Edna’s head is not filled exclusively with thoughts about her children. Whereas Madame Ratignolle is motherly at all times, Edna often seems irritated by her role as mother, and her attentions to her children often occur as an afterthought. Madame Ratignolle’s entire being is bound to her children; Edna’s being is of her own design. For her there is more to life than marriage and babies and social obligations. Edna might well, at least in this passage, be asserting an early version of what Betty Friedan discusses in The Feminine Mystique.
Chopin, Kate. The Awakening. A Norton Critical Edition: Kate Chopin: The Awakening. Ed. Margo Culley. 2nd ed. New York: W.W. Norton, 1994. 3-109.
Chopin, Kate. The Awakening. Anthology of American Literature. Volume II: Realism to the Present. Ed. George McMichael. New Jersey: Prentice Hall, 2000. 697-771.
In The Awakening, Kate Chopin depicts the varying definitions of women and their role through her three major female characters, Edna Pontellier, Madamoiselle Reisz and Madame Ratignolle. In the late 1800s, the role of women was strictly being caretakers for both their children and husbands. Edna Pontellier attempts to fit into society’s expectations by marrying Léonce Pontellier and raising two children, yet she struggles with feelings of oppression as she suffers through her unwanted role. Mademoiselle Reisz, a talented musician, is unmarried and childless, rejecting all of society’s ideals. Edna’s friend, Madame Ratignolle, greatly contrasts the two as she represents the model Louisiana women. However, while Edna, Madamoiselle Reisz and Madame Ratignolle each depict a different idea of woman’s role in society, none of these three women reach their full individual potential.
In the novella The Awakening by Kate Chopin, the main character Edna Pontellier “becomes profoundly alienated from traditional roles required by family, country, church, or other social institutions and is unable to reconcile the desire for connection with others with the need for self-expression” (Bogard). The novella takes place in the South during the 1800’s when societal views and appearances meant everything. There were numerous rules and expectations that must be upheld by both men and women, and for independent, stubborn, and curious women such as Edna, this made life challenging. Edna expressed thoughts and goals far beyond her time that made her question her role in life and struggle to identify herself, which caused her to break societal conventions, damage her relationships, and ultimately lose everything.
Mademoiselle Reisz is first introduced at a party when she plays the piano for Edna Pontellier. Edna is described as being "very fond of music."(25) Music is described as having a way of "evoking pictures in (Edna’s) mind" and causing her to have visions of naked men, the beach, her children, and many other images, which in turn, she attaches various names to. (25) As Mademoiselle plays, a series of physical changes affect Edna. For example, upon the first chord, Chopin describes it as sending "a keen tremor" (26) down (Edna’s) back, and eventually, the piece moves her to tears. Days later, Mademoiselle Reisz and Edna coincidentally meet, and Mademoiselle invites Edna to visit her in the city. This invitation starts the beginning of a great acquaintanceship.
primarily sexuality. Chopin declares that women are capable of overt sexuality in which they explore and enjoy their sexuality. Chopin shows that her women are capable of loving more than one man at a time. They are not only attractive but sexually attracted (Ziff 148). Two of Chopin’s stories that reflect this attitude of sexuality are The Awakening and one of her short stories “The Storm”. Although critics now acclaim these two stories as great accomplishments, Chopin has been condemned during her life for writing such vulgar and risqué pieces. In 1899 Chopin publishes The Awakening. She is censured for its “positively unseemly” theme (Kimbel 91). Due to the negative reception of The Awakening Chopin never tries to publish “The Storm”. She feels that the literary establishment can not accept her bold view of human sexuality (Kimbel 108). Chopin definitely proves to be an author way ahead of her time.
Kate Chopin’s The Awakening is a story about a well to do young woman, Edna Pontellier, who lives with her family in Louisiana during the late 1890’s. Set in a variety of scenes, it follows Edna as she engages on a personal journey of increasing autonomy, continually seeking both greater happiness and greater personal independence in the hope of leading a more meaningful and fulfilling life. In so doing, the novel portrays societal expectations for women in the post-war South during the late 1800’s, and shows the difficulties they faced if they refused to conform. The place of women in society can be seen in the way that the women in the novel act and speak, particularly in regards to their husbands and children, but also to others in general.