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Othello william shakespeare theme on jealousy
Othello william shakespeare theme on jealousy
Othello william shakespeare theme on jealousy
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Shakespeare’s Much Ado About Nothing and Othello feature comparably directorial villains in Don John and Iago, respectively. These characters may be the most direct link between two plays with many similarities. In the essay “Illusion and Metamorphosis in Much Ado About Nothing,” Paul and Miriam Mueschke claim, “The similarities between Much Ado and Othello […] are more numerous than are those between any other comedy and tragedy in the entire Shakespeare canon” (Mueschke, 65). That Don John, with his malevolent deceptions, is a sort of proto-Iago is not a novel concept, but Shakespeare’s different treatment of the two characters illustrates the plays’ greater philosophical differences. Both Much Ado and Othello derive their drama from epistemological problems and illusory female unchastity. The directorial Iago and Don John exploit the inherently faulty methods of knowledge that others employ (namely, Claudio and Othello) and their inherent animal natures to achieve their own ends.
Don John’s motivations for his misdeeds are unclear and varied. As a bastard, he feels slighted by and envious of his legitimate brother Don Pedro, who has “ta’en [Don John] newly into his grace” nonetheless (Much Ado 1.3. 22-23). His devious relationship with his brother can thus be seen as a precursor for Edmund and Edgar’s relationship in King Lear. Upon hearing from Borachio that Don Pedro is helping arrange a marriage, Don John wonders, “Will it serve for any model to build mischief on?” (Much Ado 1.3. 40). He seeks to elevate himself from his lowly position through treachery. The events that precede the play are vague, but it seems that Don Pedro, Claudio and Benedick have defeated Don John in war and returned with him to Messina. Don John aim...
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... on evil but on love, music, wit and the like. Yet in the world of Othello, the evil deeds of Iago have left a ruin of grief. The difference between the ultimate worlds of Othello and Much Ado About Nothing seems to be chance.
Works Cited
Bloom, Harold. Shakespeare: The Invention of the Human. New York: Riverhead, 1998. Print.
Mueschke, Paul, and Miriam Mueschke. "Illusion and Metamorphosis in Much Ado About Nothing." JSTOR. Folger Shakespeare Library, n.d. Web. 16 Apr. 2014. .
Shakespeare, William. Much Ado About Nothing. Ed. Peter Holland. New York: Penguin, 1999. Print.
Shakespeare, William. Othello. Ed. Edward Pechter. New York: W.W. Norton, 2004. Print.
Spivack, Bernard. Shakespeare and the Allegory of Evil: The History of a Metaphor in Relation to His Major Villains. New York: Columbia UP, 1958. Print.
BP1-Even before Much Ado begins, the main character Don Pedro is described in the cast as the Prince of Aragon, while Don John is noted as his illegitimate brother. These words show the difference in the two characters as one brother being seen as noble and and strong and the other being seen as an undesirable in those times. In Act 1, scene 3, we learn how Don John sees himself. “I had rather be a canker in a hedge than a rose in his grace,”(Shakespeare 23) about not wanting to be in Don John’s favor. “And it better fits my blood to be disdained of all than to fashion a carriage to rob love from any. In this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain.” Don John is not looking to be loved and accepted but instead accepts his role and his place in the shadows of his brother.
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
With this ending and the treatment of Don John throughout the play, it is clear that he will never be able to mingle positively without suspicion, and with other characters. His harsh sentencing for deceit is hypocritical as almost every character in the play, from Don Pedro to Leonato himself have deceived people, albeit not with bad intentions like Don John. His reputation ever since he was born has dictated his life and his only alternative to being called an untrustworthy bastard is to become a “plain-dealing” villain, to forge himself his own identity. Although everyone believes he is a conniving villain, Don John’s just forcing himself to be one; to prove he has his own identity among the “posh” people of Messina even if it is antagonistic.
Don John plays an essential role for nearly all of the trickery and deception in this play. He acts like a catalyst and an instigator for trouble, whose sole aim is to marmalize the love and happiness between Claudio and Hero. Shakespeare uses foreshadowing of Don John’s villainy to display the trickery and deception: ’It better fits my blood to be distained of all than to fashion a carriage to rob love from any, in this, though I cannot be said to be a flattering honest man, it must not be denied but I am a plain-dealing villain. I am trusted with a muzzle and enfranchized with a clog: therefore I have decreed not to sing in my cage. If I had my mouth, I would bite, if I had my liberty, I would do my liking.
Othello, a play written by William Shakespeare in approximately 1603, focuses on two opposite characters named Othello and Iago. Othello is a respectable army general who tragically dies in the end. The readers believe that his flaw is jealousy, which ruins his calm and makes him believe Iago, a character nobody should trust. The antagonist of the play, Iago, is a cunning liar who lies and tricks almost every other characters in the play to ruin and manipulate Othello. The play starts on the street of Venice where Iago convinces Roderigo to plot against Othello by planning falsely accuse Othello’s wife, Desdemona, of cheating. Interestingly, another specific detail critics usually look at is that Shakespeare choose to make the character of Othello a dark-skinned man, which was not a common feature a hero should have during the Elizabethan. Some of the common themes in Othello are the role of race and racism, the effects of jealousy, and the differences between genders during the Elizabethan.
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
William Shakespeare has yet again created a world of good and evil. In his work Othello, the ideals and principles of this world are just like any other with a twist brought upon by two characters, Othello and Iago. These two characters along with many others employ the central idea of what good and evil entails. However, neither Othello nor Iago possess just one of these traits. Othello is not just the pure perfect guy he is perceived to be and Iago is not just the evil vindictive character he is believed to be but rather both of these men are far more interesting than that. They both have the necessary qualities that get them through life and potentially threaten their lives. Through their actions and interactions with the other characters that they really are is shown.
In William Shakespeare’s Othello, the antagonist Iago shows evil motivations towards the protagonist Othello that could be considered obsessive. This pattern of behavior can be compared to the BBC television rendition of Arthur Conan Doyle’s Sherlock Holmes and its antagonist Moriarty. Iago and Moriarty’s obsessive behavior greatly effect Othello and Sherlock’s lives respectively that provide a solid argumentative comparison between the two. William Shakespeare’s Othello presents and “evil” character, Iago, who can be compared to the Arthur Conan Doyle TV adaption of BBC Sherlock’s Moriarty.
Watkinson, A. "Othello: The Ironic Interdependence of Othello and Iago." Novels for Students. 5 November 2004. http://www.enotes.com/othello/743/print
There are many reasons why we study William Shakespeare’s plays today. There is the insight into human nature that he knows well, allusions to old mythology and legends, and others. However, one reason stands out above the rest: his power of language. Also, this power of language is clearly shown in his play, Othello, through Iago, the antagonist of the play. Iago, who is an ensign of Othello, is furious that he was not given the promotion of lieutenancy. As a result, he uses his craftiness and his “power of language” to take revenge on Othello. Although his plan foils, he causes Othello to kill his wife Desdemona and commit suicide, all the while he deceives and exploits other characters for his plan. In Othello, Iago demonstrates his power
Those who have written on the imagery of the play have shown how the hold Iago has over Othello is illustrated by the language Shakespeare puts into their mouths. Both characters use a great deal of animal imagery, and it is interesting to note its distribution. Iago’s occurs mostly in the first three Acts of the play: he mentions, for example, ass, daws, flies, ram, jennet, guinea-hen, baboon, wild-cat, snipe, goats, monkeys, monster and wolves. Othello, on the other hand, who makes no use of animal imagery in the first two Acts of the play, catches the trick from Iago in Acts III and IV. The fondness of both characters for mentioning repulsive animals and insects is one way by which Shakespeare shows the corruption of the Moor’s mind by his subordinate. (21-22)
Shakespeare’s Othello consists of the themes betrayal, love and dishonesty. At the centre of this play is the tragic downfall of Othello at the hands of his so called friend Iago. In this essay I will be discussing the reasons for and against Othello being responsible for his downfall through looking at critical interpretations of his character and actions.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare's Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.
Jones, Eldred. "Othello- An Interpretation" Critical Essays on Shakespeare’s Othello. Ed. Anthony G. Barthelemy Pub. Macmillan New York, NY 1994.