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The Greek influence in the world
The Greek influence in the world
Essay on the greeks
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The Attic Black-Figure Ovoid Neck-Amphora is a pottery piece that one does not know a lot about. It was produced sometime between 600 to 400 B.C., and is now housed at the Joslyn Art Museum in Omaha, Nebraska. It was used to hold liquids and was often a source of trade for the Greek potters. In this paper, one will learn how the pottery was made, what the designs on the vase mean, history, and about the culture of the Greeks. The first step in understanding the Attic Black-Figure Ovoid Neck-Amphora and other black figure pottery is to understand how the pottery is made. The artist started by digging a place in the ground to hold water in. After the large hole was filled by water, he would throw in a large amount of dry clay into the water. Then he would wait for the sun to evaporate the water leaving water pliable clay. The next step was to compact the clay and squeeze out and extra water. He would do this similarly to crushing grapes to get out the juice by stepping and walking on it. After this process, the clay would be ready to a make the vase. When he begins to make a vase, he starts by …show more content…
He was responsible for violent storms and earthquakes. The following story showed of Poseidon’s adventure. The god, Poseidon, was known to have an ill temper. At one point, he released tempests and earthquakes out of loneliness and anger. To combat his loneliness, he went out to find a wife and eventually set his sights of a Nymph named Amphitrite. She was the daughter of the Titan Oceanus who wanting to keep her virginity. Titan ended up rejecting Poseidon saying he was too violent, so he fled to the Atlas Mountains. The love struck Poseidon sent the dolphin king and messenger Delphinus to find his love. When Delphinus found her, he promised her that if she married Poseidon he would calm the seas. Thus, they were wed eventually having two children: Rhode Benthesicyme,
His last and final piece, which is very interesting, is called the "Stoneware Vase*" It has two curled spiral handles, suggestive of ancient or pre-historic civilizat...
The Odyssey has a lot of god’s but Odysseus gets the wrath of Poseidon because he punctures Poseidon’s son’s eye. After that day Odysseus’ life is ruined for 20 years trying to get back to his homeland of Ithaca. “(Zeus:) “For his sake Poseidon, shaker of the earth, although he does not kill Odysseus, yet drives him back from the land of his fathers. But come, let all of us who are here work out his homecoming
The two works of art that have been chosen to compare and contrast are The Palette Of Narmer and Apollo of Veii. The Palette Of Narmer dates back to the Hierakonpolis Dynasty 1 in 3100 BCE. The Palette of Narmer is interesting because it is the oldest historic work of art that names a person, and is the earliest piece of art that uses hieroglyph. This artwork depicts the dawn of a new age of man and his use of writing and pictographs in art. The statue of Apollo, from Veii comes from the Etruscan art period Apollo was created around 500 BCE. It was created by a very popular sculpture of his time, by the name of Vulca. The delicate technique of firing clay is fascinating. A sculptor of Vulca’s ability was required to know how to construct a large figure so that it did not fall under it’s own weight. He had to know how to precisely regulate the temperature of a kiln large enough to fit a statue of almost 6 ft tall, for a long period of time. The fact that to this day, Vulca is the only Etruscan Sculpture whose works of art have survived the test of time, show his genius in his creations.
In the article “Stories of the Trojan War,” it talks about how the gods are raged by the disobedience of the mortals which caused uproar during the time (Peabody). One of the gods that seemed to have a raging authority was Poseidon, god of the sea. He made the journey of Odysseus very hard. For instance, Poseidon would make the sea’s rage, blew Odysseus and his crew off track, and last he strikes them with thunder. That ultimately destroys the crew; except for Odysseus who is left stranded until found by Calypso (Puchner). The actual cause of Poseidon’s anger was due to the fact that Odysseus had killed Poseidon’s son, Polyphemus in a horrific manner. Also, because Odysseus was not appreciative of the fact that Poseidon helped keep his secret of his plot to invade with the
Throughout his journey Poseidon sends him all over the seas and even taunts him with a glance
On the Warka Vase shown on register 4 naked men carry three types of pottery and at least three of these pottery pieces hold some objects, this implies that all three types of pottery are holding some object or objects, since the men are taking the pottery to the same location. One of these pottery pieces appears to be a piece made to pour, and hold, liquids. This pouring vessel is again seen in an image on another vase (20), this vase seem t...
The first major period in ancient Greek sculptural development is The Archaic Period. The Archaic Period in the times of ancient Greece took place in 600-480 B.C.E. The main focus of the artists of this period was the idea of human figure. The key example of sculpture from this period is Kouros, which is a lifesize sculpture of the nude male standing with his arms down by the sides and with one foot forward. Another example of sculpture of this period is Kore. Kore is a clothed female sculpture. The features that are unique to the sculptures of this period were enlarged eyes and smiling faces.Personal feelings were reflected within art. Furthermore, The Archaic Period introduced red-figure vases and temples. It was one of the most famous themes of the vase painting. One example of red-figure vases would be Ajax and Achilles. This artwor...
Stepping into a museum, large or small, locating in east or west countries, as long as it exhibits ancient Asian artworks, one can hardly not find bronzes placed in the most prominent spot, shone by a beam of cold white light. Bronze Age is not as lackluster or icy-cold as this dark metallic alloy shown to us ostensibly; instead, it was full of creativity and innovation. It is amazing but not surprising that ancient Chinese are considered one of the most intelligent group of human-being, produced such remarkable amount of artifacts to either use in their daily life as necessities or decorations, or sacrifice their ancestors, or record important events. This paper will provide a specific description of two bronze vessels respectively from Shang and Zhou dynasties, giving interpretations of their production process and their roles in ritual performance.
Poseidon was so furious with King Laomedon when he was denied payment for building the walls of Troy that the vengeful god that he sent a sea-monster to destroy the countryside as punishment. In addition to his reputation as a fighter, however, Poseidon was also a legendary lover. From his love affair with Medusa and Amphitrite to his escapades with the goddess Demeter, Poseidon proved that he could at times rival his notoriously promiscuous brother Zeus. He may not have been as powerful as his brother but definitely could have almost any lady he wanted. He was also best known for his sudden earthquakes he created and destroyed many cities with it. One thing is for sure, the people who lived back when the gods ruled were very afraid of the all mighty god of water, Poseidon.
Poseidon wasn’t happy with Odysseys when his men killed Poseidon’s cows for food. Poseidon created the storm on the high seas and blows Odysseus on Calypso Island where he was captured. Due to having multiple gods in Greek religion, each god has a certain domain and they can’t interfere with another domain. All of the gods wanted Odysseus to be able to return home and reunite with his family except for Poseidon. “But my heart breaks for Odysseus, that seasoned veteran cursed by fate so long-far from his loved ones stills, he suffers torments, off on a wave-washed island rising at the center of the seas” (Homer 1.57-60). Athena’s appeals to Zeus about all of the Odysseus past sacrifices moves Zeus to take pity as well. When Poseidon is absent from Mt. Olympus, the other gods are able help Odysseus home. Athena guides Odysseus to Ithaca, getting him past many dangers and obstacles.
Amphitrite, hoping to protect her innocence, swam to the edge of the sea near Atlas and hid. Seeking help from everyone, Poseidon scoured the sea for his runaway bride. Delphin, the dolphin god, was eventually the one to find her and convince her to wed Poseidon. Poseidon gave Delphin a spot in the stars for his accomplishments (Astma, 2). After they were married, Amphitrite bore Poseidon three children: Triton, Rhode, and Benthesicyme. A fourth child, Kymopoleia named in only a few versions. Of Poseidon’s children, Triton was a merman and Rhode became the wife of Helio’s and the goddess of the Aegean Island of Rhodes (Magnani,
Artists created their own unique style in Greek culture and with the creation of the Roman Empire, Greek artwork had been spread throughout the region. When the empire eventually split and faded from existence, Greek artwork had left its mark on the remaining civilizations. Because Byzantium had arisen from the ashes of the Roman Empire, Byzantine artwork incorporated aspects of Greek art within their own artwork. The purpose of this investigation is to compare and contrast art in ancient Greece and Byzantium. Recognizing the similarities and differences between two related cultures is vital in understanding the evolution of art from one culture to another. Within this investigation designs/patterns and symbols will be researched in the Greek Classical Period (ca. 480-323 BCE) and the Byzantine Golden Age (ca. 850-1050 BC). Artwork within the cities of Athens, Constantinople and others will be examined, examinations and conclusions determined by the Metropolitan Museum of Art will be inspected and online and print sources will be studied as well.
...ity in Classical Athens. New York, NY: Alexander S. Onassis Public Benefit Foundation (USA) in Collaboration with the National Archaeological Museum, Athens, 2008. Print.
The head dated back to 900 BC, during the Olmec civilization of ancient Mesoamerica. The sculptures were dated to the Early Preclassic period (1500–1000 BC). In addition, some were found during the Middle Preclassic (1000–400 BC) period. The sculptures weigh approximately 40 to 50 tons. However, there are some that weigh 6 tons. It is unsure why the sculptures were created and placed at the location. The sculpture has left an impression of how much men power were require to move the stone. It is uncertain of the meaning which is questionable as for why. The sculpture is not aesthetically pleasing; however, many may find it stimulating, as it leaves many unanswered questions (Wikipedia, 2016).
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground