Complications in The Love Song of J. Alfred Prufrock
The complications of "Prufrock" involve from the poem's beginning a more direct transformation of the dramatic monologue than does "Gerontion" when the pronouns that "I" uses suggest the presence of an unspecified listener. In many dramatic monologues the listener is also not specified, and the reader is invited to take over the role of listener in a one-sided conversation. In "Prufrock," however, it is not clear whether a real conversation is being dramatically presented, whether the "I" is having an internal colloquy with himself, or whether the reader is being addressed directly. The "you" that is "I"'s counterpart stands in two places at once, both inside and outside Prufrock's mind and inside and outside scenes that can with difficulty be imagined based on the minimal details provided. The reader's situation resembles the position of the viewer of Velásquez's "Las Meninas," in which a mirror invites an identification with the observers of the scene depicted in the painting while the painting's geometry indicates that the illusion of that identification can be sustained only by ignoring obvious details. Reader and viewer stand both inside and outside the frame of an illusion that cannot be sustained.
Two epigraphs from Dante precede and follow the poem's title, one for the entire volume that takes its name from "Prufrock," the other for the poem itself, which stands first in the volume. Together they suggest the oscillation and indeterminacy of Prufrock's position and the reader's. In the first epigraph, Statius mistakes Virgil's shade for a "solid thing" and forgets momentarily what he himself is and can do. In the second, Guido da Montefeltro predicates his address to Dante on the opposite mistake, that Dante is not human and cannot carry his words further. Like Statius and Guido, the reader who tries to pin down the indeterminate identities and locations of "you and I" in the poem will always be mistaken. What is taken for a shade or a figment may be flesh and blood, and what is taken for living flesh may be only a figment in a perpetual instability that marks "Prufrock," like "Rhapsody," as the transforming end of a sequence of poems to which it can be said to belong but some of whose implications it subverts. The subversion occurs largely through the removal of those referential, seemingly stable elements of scene and character that contribute to making the illusion of hearing a personal voice in poetry possible.
Through her use of southern black language Zora Neale Hurston illustrates how to live and learn from life’s experiences. Janie, the main character in Hurston’s Their Eyes Were Watching God, is a woman who defies what people expect of her and lives her life searching to become a better person. Not easily satisfied with material gain, Janie quickly jumps into a search to find true happiness and love in life. She finally achieves what she has searched for with her third marriage.
Zora Neale Hurston was a very prestigious and effective writer who wrote a controversial novel, Their Eyes Were Watching God. Janie whom is the dynamic character, faces many hardships throughout her life. Janie’s Nanny always told Janie who she should be with. Janie was never truly contented because she felt she was being constricted from her wants and dreams. Janie’s first two marriages were a failure. Throughout the novel, Janie mentions that her dreams have been killed. Janie is saying that men that have been involved and a part of her life have mistreated and underappreciated her doings. The death of her dreams factor Janie’s perception on men and her feelings of the future. Logan and Jody were the men who gave her such a negative attitude towards marriage. Once Tea Cake came along, Janie realized that there are men out there that will appreciate her for who she is. Janie throughout the novel, comes into contact with many obstacles that alter her perspective on men and life overall.
Throughout the movie of Their Eyes Were Watching God, Oprah Winfrey alternates Zora Neale Hurston’s story of a woman’s journey to the point where nobody even recognizes it. The change in the theme, the characters, and their relationships form a series of major differences between the book and the movie. Instead of teaching people the important lessons one needs to know to succeed in this precious thing called life, Oprah tells a meaningless love story for the gratification of her viewers. Her inaccurate interpretation of the story caused a dramatic affect in the atmosphere and a whole new attitude for the audience.
So many people in modern society have lost their voices. Laryngitis is not the cause of this sad situation-- they silence themselves, and have been doing so for decades. For many, not having a voice is acceptable socially and internally, because it frees them from the responsibility of having to maintain opinions. For Janie Crawford, it was not: she finds her voice among those lost within the pages of Zora Neale Hurston’s famed novel, Their Eyes Were Watching God. This dynamic character’s natural intelligence, talent for speaking, and uncommon insights made her the perfect candidate to develop into the outspoken, individual woman she has wanted to be all along.
Unlike The Odyssey or any other epic tales, Their Eyes Were Watching God has a different perspective of what a hero is. In this novel, Hurston writes a story about an African-American woman named Janie Crawford whose quest is to find her identity and desire as a human being to be loved and appreciated for who she is. Her quest to fulfill those desires is not easy since she has to overcome so many obstacles and challenges in her life. A superiority that her Nanny posses over her to determine Janie's own life when she was a teenager and being a beautiful accessory to the glory of Joe Starks' are some of the experience that she encounters. She also has to make some sacrifices. And yet, just like any other heroes, at the end, she returns to her home with a victory on her hands.
Janie finds her way out when Joe Starks appears. The first thing Joe does after asking for a drink of water is to name himself: "Joe Starks was the name, yeah Joe Starks from in and through Georgy" (47). Hurston's naming of Starks is ironic for several reasons. The word stark is often used as a synonym for barren, and Joe Starks and Janie never have any children. Hurston hints at sexual problems that develop between the pair because of their separate beds and Janie's eventual verbal "castration" of Joe in the store. Starks's name is also ironic because of his focus on capitalistic pursuits. Starks's wealth gives him a false sense of power because the townspeople resent him and the things he does to gain his wealth. Starks's name could also be seen as a comment on his desire to be a "big voice." As Janie eventually finds out, there is not much behind the big voice; it is a facade for the starkness inside Joe.
Their Eyes Were Watching God provides an enlightening look at the journey of a "complete, complex, undiminished human being", Janie Crawford. Her story, based on self-exploration, self-empowerment, and self-liberation, details her loss and attainment of her innocence and freedom as she constantly learns and grows from her experiences with gender issues, racism, and life. The story centers around an important theme; that personal discoveries and life experiences help a person find themselves.
In life everyone tries to find their true identity. For some it comes naturally, for others it might take years to find their identity, or they might never find it at all. In the novel Their Eyes Were Watching God; Zora Neale Hurston reveals a woman’s identity through her struggles in life, her treatment by society, and her thoughts on life. Janie a young African American girl who grew up in white life style; believed she was related of them till about the age of six. This impact changed Janie’s view on life.
On the surface, ?The Love Song of J. Alfred Prufrock? is about an older man who is distressed by his own inability to tell a woman of his desire for her. He tries to relay his feelings to her but comes up with all kinds of excuses not to, and ultimately does not. The speakers? real problem is not that he is just too timid to confess his love for this particular woman, it is that he has a somewhat unproductive, bleak life and has a lack of willpower and boldness to change that life.
The editors of anthologies containing T. S. Eliot's "The Love Song of J. Alfred Prufrock" invariably footnote the reference to Lazarus as John 11:1-44; rarely is the reference footnoted as Luke 16:19-31. Also, the reference to John the Baptist is invariably footnoted as Matthew 14:3-11; never have I seen the reference footnoted as an allusion to Oscar Wilde's Salome. The sources that one cites can profoundly affect interpretations of the poem. I believe that a correct reading of Eliot's "Prufrock" requires that one cite Wilde, in addition to Matthew, and Luke, in addition to John, as the sources for the John the Baptist and Lazarus being referenced. Furthermore, the citation of these sources can help explain Eliot's allusion to Dante's Guido da Montefeltro.
In Their Eyes Were Watching God, Zora Neale Hurston portrays the journey of Janie Crawford as an African American woman who grows and matures through the hardships and struggles of three different marriages. Although Janie is an African American, the main themes of the novel discusses the oppression of women by men, disregarding race. Janie gets married to three different men, aging from a young and naive girl to a mature and hardened women near the age of 40. Throughout the novel, Janie suffers through these relationships and learns to cope with life by blaming others and escaping her past by running away from it. These relationships are a result of Janie chasing her dreams of finding and experiencing true love, which she ultimately does in the end. Even through the suffering and happiness, Janie’s journey is a mixture of ups and downs, and at the end, she is ultimately content. Zora Neale Hurston utilizes Janie’s metaphorical thoughts and responses of blame and escape, as well as her actions towards success and fulfillment with her relationship with Tea Cake, to suggest that her journey
Like Jay Gatsby, many elements of the paragraph in that opens the novel Their Eyes Were Watching God plays into Janie Crawford and how she fits into the gender roles that Zora Neal Hurston describes and in ways, twists, into the narrative of her novel and in the paragraphs mentioned. With these two different characters in two different stories, the narrator of the paragraph conveys a message and draws the distinctions between men, women and how they attain their dreams and the differences between them in doing so.
"The Love Song of J. Alfred Prufrock" is about a timid and downcast man in search of meaning, of love, and in search of something to break from the dullness and superficiality which he feels his life to be. Eliot lets us into Prufrock's world for an evening, and traces his progression of emotion from timidity, and, ultimately, to despair of life. He searches for meaning and acceptance by the love of a woman, but falls miserably because of his lack of self-assurance. Prufrock is a man for whom, it seems, everything goes wrong, and for whom there are no happy allowances. The emptiness and shallowness of Prufrock's "universe" and of Prufrock himself are evident from the very beginning of the poem. He cannot find it in himself to tell the woman what he really feels, and when he tries to tell her, it comes out in a mess. At the end of the poem, he realizes that he has no big role in life.
Alfred Prufrock”indicates the spiritual emptiness and disillusionment of people , chaos, and futility of modern life and nothingness of human existence on a meaningless world. This is what the poet intends to disclose. And love songs, as many expect, must be very sweet and romantic. Love must be connected with something pleasant. Yet the love song of Prufrock seems very sentimental and sorrowful. The first stanza of the poem presents an unpleasant sight to us.“when the evening is spread out against the sky, Like a patient etherized upon a table”, Prufrock perceives the sunset as a patient oozing on the operation table. Through Prufrock’ s“stream of consciousness”,“ half-deserted streets, cheap hotel, dust restaurants”-the living conditions of the poor appear before him. The situations and the atmosphere are not in harmony with a real love song. This reveals the state of mind of Prufrock, who is not happy, but in a melancholy mood. There is a repetition of the line“In the room the women come and go Talking of Michelangelo”demonstrates the women of fashion pose as a lover of culture and show off their culture accomplishment. They pretend to be educated and converse with so-called civilized gentlemen to relieve their boredom. People in the genteel society in the party eat, drink, dance, and talk to kill much time. This description of the life of genteel society forms a sharp contrast to the poor district with its
Prufrock, the narrator of the poem, is a middle-aged man who is living a life void of meaning and purpose. His thoughts are depressing as he mulls over his dull, uneventful life. One of his most crippling traits is cowardice. He's v...