Modernist's Experiments in Heart of Darkness
In Joseph Conrad's Heart of Darkness, a chaotic form of writing takes place which is characteristic of the Modernist's experiments in their style of literature of stream-of-consciousness. Written before WWI took place, he spoke of a different type of chaos and uncertainty present in the world at this time; the issue of slavery.
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
Conrad's narrative frame also continues his experimentation with literary form in Modernist style. Two separate monologues are present throughout Heart of Darkness. The first part starts out with an unnamed narrator aboard the ship Nelly, describing to himself, as well as to the reader, those aboard the ship, particularly Marlow. At first, the narrator is not known for sure to be a character aboard the ship until a few paragraphs later identify him as a person observing the others-"Between us there was, as I have already said," (Conrad, Longman p.
Early statistic provide from scholar article has proved that since the 1970s to 80s, Census by state has documented a high population of undocumented immigrants in the United States. Passel and Woodrow indicate that the estimation of undocumented immigrants is 2.06 millions in 1980s; most of the undocumented immigrants are Mexicans. By the year 2000, more than 1.6 million captures were along the U.S border. In southern California, “with almost 2.5 million unauthorized immigrants residing in the state, California is home to almost one fourth of the nations unauthorized” (Gonzales 473). This group can split into two major types, which are people who enter U.S illegally and people who enter through admission with their overstay visa.
There are limited Excepted Hiring Authorities (see GPPA). When hiring T5 civilians under excepted service authority we may hire under Schedule A, B, C, D and VRA (to include veterans, disabled persons, students/interns (Pathways)) authorities (which we do not used presently).
Without personal access to authors, readers are left to themselves to interpret literature. This can become challenging with more difficult texts, such as Joseph Conrad’s novella Heart of Darkness. Fortunately, literary audiences are not abandoned to flounder in pieces such as this; active readers may look through many different lenses to see possible meanings in a work. For example, Conrad’s Heart of Darkness may be deciphered with a post-colonial, feminist, or archetypal mindset, or analyzed with Freudian psycho-analytic theory. The latter two would effectively reveal the greater roles of Kurtz and Marlow as the id and the ego, respectively, and offer the opportunity to draw a conclusion about the work as a whole.
Joseph Conrad’s own experiences during his trip through the Congo helped him provide a foundation for the writing of Heart of Darkness. In 1890, Conrad took a job as a captain on the river steamer Kinshasa. Before Conrad took this job, he had worked for the French merchant navy as a way to escape Russian military service and also to escape the emotional troubles that had plagued him. Conrad had been in a financial crisis that was resolved with help from his uncle. After this series of events, Conrad joined the British merchant navy at the beckoning of his uncle and took the job as the captain of a steamboat in the Congo River. An important fact to remember is that Conrad was a young and inexperienced man when he was exposed to the harsh and dangerous life of a sailor. His experiences in the West Indies and especially in the Belgium Congo were eye opening and facilitated his strong outlooks that are reflected in the book Heart of Darkness. Conrad’s journey through the Belgian Congo gave him the experiences and knowledge to write about a place that most Europeans would never see in their lives.
The United States has often been referred to as a global “melting pot” due to its assimilation of diverse cultures, nationalities, and ethnicities. In today’s society, this metaphor may be an understatement. Between 1990 and 2010, the number of foreign born United States residents nearly doubled from 20 million to 40 million, increasing the U.S. population from almost 250 million to 350 million people. With U.S. born children and grandchildren of immigrants, immigration contributed to half of this population growth. These immigrants, consisting of mostly Asian and Hispanic backgrounds, have drastically changed the composition of the U.S. population. In 2010, Asians and Hispanics made up 20 percent of the U.S. population, in contrast to a 6 percent share of Asians and Hispanics in 1970. It is predicted that by 2050, the share of immigrants in the United States will increase to one half of the entire population. With this rapid increase in diversity, many citizens have opposing views on its impact on the United States. In my opinion, an increase in immigration does contain both positive and negatives effects, but in general it provides an overriding positive influence on America’s society (“Population”).
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
Conrad uses light and dark imagery to help create the setting for the story; light represents civilization while darkness suggests the uncivilized. The novel opens on the deck of a boat called the Nellie, as we are introduced to the passengers we are told how the sun is slowly fading, and soon darkness will engulf the area. This image is Conrad?s first use of light and darkness; he uses it to foreshadow the ultimate darkness Marlow will face. Conrad is warning his readers to be careful, lest they let down their guard and allow the darkness to come them. The other character in the book, Kurtz, is taken over by the evil embodied in the darkness. During Kurtz?s journey into the heart of darkness the isolation, darkness and power all made him lose control of himself and allowed the darkness to take over.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Point of View and Theme in Heart of Darkness In Joseph Conrad's novel Heart of Darkness the story of Marlow, an Englishman travelling physically up an unnamed river in Africa and psychologically into the human possibility, is related to the reader through several narrational voices. The primary first-person narrator is an Englishman aboard the yawl, the 'Nellie', who relates the story as it is told to him by Marlow. Within Marlow's narrative are several instances when Marlow relies upon others, such as the Russian, the brickmaker and the Manager at the central station, for information. Therefore, through complicated narrational structure resulting from the polyphonous account, Conrad can already represent to the reader the theme of the shifting nature of reality.
A story that uses a decent amount of ambiguity is like reading half of a story, in the sense that the reader can "fill in the blanks". The author leaves several details out in order for the reader to make his or her own interpretations. Heart of Darkness, written by Joseph Conrad, expresses ambiguity in a variety of ways. These include several details throughout the story, themes such as dark and light, and in characters including both Marlow and Kurtz. Conrad was one of the first writers to use this technique and by doing so, inspired many other 20th century writers to do the same. The story takes place when strong countries in Europe were taking over parts of Africa and imperializing every place they found. This novel is seen as a bridge between the 19th and 20 century writing styles because of the modern techniques and approach. The use of ambiguity in the themes and archetypal images in Heart of Darkness is how Conrad allows his readers to connect with the story on a personal level.
Anyone can read Heart Of Darkness and easily sense the attitude of Conrad toward English politics. Many times throughout Heart Of Darkness Conrad points out the pointlessness and savagery of English colonization. Conrad also comments a bit on society as a whole. With these two ideas added to the book, there is no wonder of why Heart of Darkness is such a touching novel.
I am, Henrietta Lacks, and this is my story. My personal war on cancer was lost. I have died in pain, tormented by the tumors covering my body like a web, at the John Hopkins Hospital. But my life didn’t end at that point. Unexpectedly, the cancer tissue, which was taken from me by Dr. Gey, continued on living. Even though I was dead, my cells were alive - full of miracles to unfold and misery to cause.
Impressionism, “in which the understanding of knowledge comes from the experience from everyday life, as opposed to innate thought,” reflects the ideology of philosopher David Hume and connects to the central idea in Joseph Conrad’s Heart of Darkness. Hume’s theory of impressionism further emphasizes to the overall meaning of Heart of Darkness as a whole that in a primitive environment, such as the “darkness,” corrupts its inhabitants.
Joseph Conrad’s Heart of Darkness is a great example of a Modernist novel because of its general obscurity. The language is thick and opaque. The novel is littered with words such as: inconceivable, inscrutable, gloom. Rather than defining characters in black and white terms, like good and bad, they entire novel is in different shades of gray. The unfolding of events takes the reader between many a foggy bank; the action in the book and not just the language echoes tones of gray.
A person is formed by body and soul and immortality is for the complete person, not a partial one.