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Lies in Heart of Darkness
After declaring his passionate hate of lying it is odd to see the complete reversal of character in Marlow by the end of the book. Then perhaps it is not a change but merely an unexpected extension of his character that gives a different dimension to his personality.
His statement "You know I hate, detest, and can't bear a lie...it appalls me. It makes me miserable and sick, like biting something rotten would do" (Longman 2210) gives what one may rightly consider a very straightforward clean cut description of the man's moral view and character traits. Yet by the end of the book one may feel he has not only betrayed their trust but himself and all the values he seemed to embody during the course of the story.
Marlow's interview with Kurtz's Intended was less than the honesty one might have expected given his vehement stand on the issue of lying. When he went to speak to her I fully expected him to be completely honest and tell her the truth. My logic was that if she knew what Kurtz was like in reality her suffering would be eased and she would be able to gain an honest semi-objective view of the man she loved. That shows my modern thinking! It soon became clear that she was not going to accept any version of the truth and I found myself hoping that Marlow would lie to her to spare he the torture of knowing the truth. Her constant interrupting of Marlow's dialogue in order to fill in wonderful, glowing details about the man was a complete revelation as to what she could hear and survive. Marlow says, "It was impossible not to" "Love him" she finished eagerly..."How true! How true!" (Longman 2244) . Once Marlow has decided to sugar coat the truth he begins to utter non-committal phrases in regards to Kurtz which the Intended finishes; "His words will remain," I said. "And his example," she whispered to herself. "Men look up to him, -- his goodness shone in every act. His example" (Longman 2245). I think Marlow begins to see that he cannot be honest with her when they begin to speak of Kurtz's death. He says, "My anger subsided before a feeling of infinite pity" (Longman 2245). She was a woman, she was weak, she was alone, and every male tendency within Marlow rose up and prevented him from crushing what was left of her fragile spirit.
Holden is not just abnormal, he has problems that other teenagers, including the students at Pencey, experience going through adolescence. An example of this is Holden's jealousy towards Stradlater when he finds out he is going on a date with Jane Gallagher, “Boy,was I getting nervous” (42). Every teenager has bouts of jealously especially about the opposite sex, and Holden is no different. Holden's rebellious nature, to an extent, is typical for a teenage boy. His rebellious nature of smoking when it is not allowed, “You weren't allowed to smoke in the dorm...I went right on smoking like a madman.” (41-42). Holden is also anxious about change, which again to an extent is normal, “Do you happen to know where they go, the ducks...”(60), and he has the right to be; change,especially during adolescence, is a terrifying but exciting ride into the unknown, and similar to other adolescents Holden is afraid but intrigued about the unknown.
Salinger portrays Holden Caulfield as immature, and as a result, he does not accept and is unaccepted by his general surroundings. The depiction of Holden’s irresponsible character demonstrates the disadvantage of immaturity when trying to function in society. Holden recalls an instance when he leaves the whole fencing team’s equipment on the subway and how they then “ostracized” him for it (Salinger
A lie, as defined by Webster's dictionary is 1) a false statement deliberately presented as true; 2) to convey a false image or impression. It is generally accepted that Marlow told a lie to the Intended - the reasons for that lie are debatable. I would suggest that he told not just one lie, to the Intended, but several - that his visit itself was, in a form, a lie.
In Joseph Conrad’s short story “The Heart of Darkness” we see many comments and terms that directly relate to people of color and women. We see that Marlow doesn’t believe that women are equal to him, and how Europeans viewed colored people differently at the time. I wouldn’t say that story was racist or anti feministic due to the time period that it came out in. Viewing it today I can see why people view the story as being racist. As for being anti feministic there are only a few comment that really stood out to me. At times Conrad makes points in which he views
Some critics have argued that Holden’s character is erratic and unreliable, as he has many of the middle-class values that he claims to reject. Later on critics began to have praised the twisted humor of the main character. These critics have commented that the structure of the novel helps you understand Holden’s unstable state of mind. Alastair best remarked: "There is a hard, almost classical structure underneath Holden’s rambling narrativ. The style, too, appears effortless; yet one wonders how much labor went into those artfully rough-hewn sentences" (qtd. in Davis 318)
The perception of Holden Caulfield in The Catcher in the Rye has two extremes; many find him likable, others find him irritable. Given Holden’s age and experiences, readers often relate to his thoughts and views of the world around him. On the opposite side of the spectrum, readers also find him to be repetitive and hypocritical of the world around him. This interpretation of Holden is derived from the lack of a climax in the book, but in reality, life is often anti-climatic. The majority of the story is not told by Holden’s actions, rather by Holden’s thoughts. Human minds are complex in nature; in order to understand the human mind, it is important to not only consider one’s actions, but their possible thoughts as well. Holden’s mindset of a teenager born into a privileged life that, due to his traumatic experiences, lead him to act and think a certain way that may not seem realistic; when most teenagers minds are constantly conflicted. Holden Caulfield exemplifies qualities of an ideal teenage rebel given his extreme cynicism and unrealistic perception of the world.
Holden is like most teenagers: he’s trying to find his place in society without having any sort of direction. One of the main reasons this is hard for Holden is because he doesn’t have any role models and is misguided. His brother D.B. lives all the way in Hollywood “being a prostitute” (Salinger 2) and he resents his parents. Everyone around him seems to be “phonies “and Holden is continuously trying to be different but notices that the lifestyle he wants just doesn’t fit in the world he lives in . He constantly rejects certain ways of living but can’t seem to find the purpose for his own and because of this he criticizes the life of the...
...ributed to Kurtz loosing track of his life emotionally, and later physically. Kurtz loved her, and his heart went cold as she was separated from his life. This can be seen in the story at the conclusion in a dialogue between the intended and Marlow, where she asks Marlow what Kurtz's final words were. Marlow lies, not because of his friendship with Kurtz, but because he recognizes the importance of him to her (and visa versa.)
A lie is an untruth. It can be a false statement or a statement left unsaid that causes someone to be misled. In life, lies are told for many different reasons. In fiction, they thicken the plot. In Conrad's Heart of Darkness, Marlow dislikes lies and therefore only tells two, both in extraordinary circumstances. The lies that Marlow tells show several things about him. For example, even though he has been touched by evil, he is still a good man. He never actually tells a lie, instead he lets others continue to believe what they already believe. This helps him justify his lies.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Throughout the duration of the book, Holden seems to make little progress in his personal growth, although for brief periods of time it appears he is closer to adulthood than what the reader is lead to believe. When visiting Phoebe’s school he discovers crude language written on the wall. Holden immediately thinks of ‘Phoebe and all the other little kids’ and how he would hate them to see the foul words. This proves that Holden has a natural protective instinct and symbolically takes on the persona of ‘catcher in the rye’ as he wipes the words off the wall. Holden wants to shield the children from seeing the obscenities of adulthood prematurely, just as the catcher wants to protect children from falling off the ‘cliff’. At the end of the novel Holden appears to have more acceptance of the idea of growing up. As he watches Phoebe on the carousel he deduces that sometimes you ‘have to let them fall’ (referring to the children on the carousel.). Holden now understands that growing up is inevitable and fighting it is useless. However, regardless of this new found clarity, he still obsesses about living in an uncomplicated world. He delights in the fact that the carousel goes ‘round and round’ because it continues to fuel his fantasies of staying in one place forever. It would seem that even though he has made progress, Holden still struggles with
“The mind of the man is cable of anything.” These are the words Joseph Conrad uses to describe the potential of each human being, a potential that can be limited based on a person’s ideal of what is right and what is wrong. Conrad makes this ideal visible in his piece of literature “Heart of Darkness,” in which he describes Marlow’s, the novel’s protagonist, journey to the center of imperialism, Africa, where he encounters the dehumanizing treatment of white Europeans towards the African civilization. During his expedition, Marlow learns that morals are individual perceptions of what is right and what is wrong.
In his novella Heart of Darkness (1899), Joseph Conrad through his principal narrator, Marlow, reflects upon the evils of the human condition as he has experienced it in Africa and Europe. Seen from the perspective of Conrad's nameless, objective persona, the evils that Marlow encountered on the expedition to the "heart of darkness," Kurtz's Inner Station on the banks of the snake-like Congo River, fall into two categories: the petty misdemeanors and trivial lies that are common- place, and the greater evils -- the grotesque acts society attributes to madmen. That the first class of malefaction is connected to the second is illustrated in the downfall of the story's secondary protagonist, the tragically deluded and hubristic Mr. Kurtz. The European idealist, believing the lies of his Company and of the economic imperialism that supports it, is unprepared for the test of character that the Congo imposes, and succumbs to the potential for the diabolical latent within every human consciousness.
... Marlow doesn’t believe she is worthy of the truth, so he lies to her. "I could not tell her. It would have been too dark" (124).
Marlow 's lie to Kurtz 's Intended can be interpreted as a comfort for the woman, but it can also be seen as Marlow not wanting the Intended to know much about Kurtz as he did. Marlow told the Intended that Kurtz’s last words were about her (164) but Kurtz was actually shouting his regrets of things he was not able to do when he was living(153-154). Marlow seems to want to take over the memories of Kurtz and keep them to himself. Although it seems that he lied to the Intended because he pities her, but he may have an ulterior motive. He doesn 't want the Intended to know the real Kurtz, the one that not much people knows about. He rather the woman to stay ignorant of who Kurtz really was and be naively happy than to actually explain to her that she didn 't know her fiance at all. This is a motive that shows that maybe Marlow wanted to be the person who knew the most about Kurtz than anyone who 've known Kurtz.