In William Shakespeare's Hamlet, a kind of madness ultimately infects everyone, leading to an ending in which almost every major character is dead. Two of these maddened characters are Hamlet and Ophelia, who also share a love for each other. But though their irrational behavior is often similar and their fates alike, one is truly mad while the other is not.
Both Hamlet and Ophelia act very strangely. Hamlet, the prince of Denmark, insults everyone around him. He tells Ophelia he never loved her, calls her father a fishmonger, and in subtle ways calls his mother a whore and her new husband a murderer. And Hamlet himself is driven to acts of murder, from the unintentional stabbing of Polonius to the plotting that kills Rosencrantz and Guildenstern to the avenging murder of his uncle the king. Ophelia appear at the castle singing and giving out imaginary flowers. She seems not to even know her own brother.
The behavior of both Hamlet and Ophelia is a direct result of their fathers' murders. Both love their fathers dearly and readily obey, even when their fathers' orders go agains...
It is my intention to compare the book, Dangerous Liaisons by Choderlos de Laclos, to its modern movie version, Cruel Intentions starring Sarah Michelle Gellar. I intend to examine how the original French text was modified in reference to plot, character, morals/values, and themes. I also plan to discuss how these transformations change the meaning of the story and reflect different cultural/historical contexts. There are some major differences between these two works, if only because of when they were written.
Mandatory sentencing refers to the practice of parliament setting a fixed penalty for the commission of a criminal offence. Mandatory sentencing was mainly introduced in Australia to: prevent crime, to incapacitate the offenders, to deter offenders so they don’t offend again, to create a stronger retribution and to eliminate inconsistency. There is a firm belief that the imposition of Mandatory sentencing for an offence will have a deterrent effect on the individual and will send a forcible message to the offenders. Those in favour argue that it will bring consistency in sentencing and conciliate public concern about crime and punishment.
She lies” said Carl Whiteside who had bad breath and was sitting in the back seat with Tommy. Tommy disagreed to Carl and said that she wasn’t lying. Tommy than of a brilliant idea and made up a hamster story to protect Mrs.Ferenczi’s weirdness.Tommy shows that he really likes Mrs.Ferenczi
People detained under this legislation can be forgiven for arguing that they are being punished over and over again for their crimes whilst some offenders get to serve their time and move on with their lives. Unfortunately the very principle of the legislation is to detain offenders until they are no longer a risk, when in reality the risk of re-offending could escalate because of the powerful feeling of injustice created by the legislation.
The protagonists, The Marquise de Merteuil and the Vicomte de Valmont, consider it their life’s ambition to sadistically control and dominate those around them through sexual intrigue. These two villains are indeed locked in psychological combat to see who can actually ‘out-do’ the other in stalking, capturing and destroying the souls of others. Taking absolute pleasure in ripping any virtue from the hearts of their prey, Merteuil and Valmont wave their accomplishments in front of each other like spoils of war. The less the chance of surrender, the more relentless is the pursuit.
This essay has identified sanctions imposed on offenders including imprisonment and community corrections. Described how punishment is justified with the just desert and deterrence theory. Discussing the rate of individuals being imprison comparted to community, provided rates for assault which shows crime being maintained and community member feel safe enough to allow for this to
In Hamlet, one of the many things Shakespeare shows us is how the world can change a person, how certain circumstances can knock a person so out of proportion with who they used to be that they take on a new persona, a new identity. One such character is Ophelia, a young, innocent girl, who, throughout the play is torn between father and lover, accused of not being as innocent as she seems, and finally driven to insanity. In the end, she is driven to suicide, an innocent victim of the world around her.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
Due to Ophelia’s close relationship with Hamlet, his madness spread to her as well. Hamlet’s love letters and then confessing that he no longer loves her confuses the young Ophelia and urges her insanity. Ophelia’s brother was sent to France to study, she does not have a mother, and her father was recently
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
The reader is left guessing on Hamlet’s true feelings for Ophelia through his various insults, sexual innuendos, and admitted desire. Hamlet’s claim, “God hath given you one face, and you / Make yourselves another.” (3.1.155-156) is laced with irony and hypocrisy given Hamlet’s own deception regarding true feelings. This proclamation comes at the end of a lengthy tirade against Ophelia and womankind in general for their conniving deceit leading men astray. The fact that Hamlet cannot see this duplicity in his very own actions shows the double standard he holds for females. Ophelia’s immediate reaction is one of shock and defense due to the aggressive nature of Hamlet’s attack. She calls out “O, woe is me!” (3.1.174) in distress to the ferocity of Hamlet and is unable to form a particularly coherent response akin to the ones seen against Laertes and Polonius. She does show her intelligence and rebellion from this assumption of power by Hamlet in her songs while Hamlet is gone. While many attribute her madness to the death of her father, a large portion of her instability should be attributed to Hamlet and his earlier actions. In her first introduction as insane she sings, “And I a maid at your window, / To be your Valentine. / Then up he rose and donned his clothes / And dropped the chamber door, / Let in the maid, that out a maid / Never departed more.” (4.5.55-60). Due to her references to sexuality and deceit the
In reading Adams- “The School as an Ecosystem”, he brings up the question of who should control our schools and how? In the U.S we have a multilevel governmen...
Offenders are protected today by both the rule of law, ensuring that all offenders are treated equally, regardless of their age, sex or position in the community, and due process, which ensures that all offenders are given a fair trial with the opportunity to defend themselves and be heard (Williams, 2012). Beccaria’s emphasis on punishment being humane and non-violent has also carried through to modern day corrections. It is still the case today that offenders must only receive punishment that is proportionate to the crime they have committed and the punishment is determined by the law. The power of the judges and the magistrates to make decisions on punishment is guided by the legislation and they do not have the power to change the law (Ferrajoli,
When my friend introduced me to you. My friends were so obsessed and entangled by the wonders you did for them. If I can recall they said you took them to new places and down new paths. They talked about how you healed their sorrows and pain. I could not resist the temptation. Never once did I talk to my parents about my encounters which were influenced by you. What a fool I was. You severely disheartened my life, turned me evil. All my ambitions that inspired me were lost. You and your sharp eyes stabbed me right in the arm. It also stabbed the people I loved right in the arm too. Although, it was so amazing how dependent on you I was during my youth. These memories still sting like a violent slap across the face.