The Crying of Lot 49: Her Errand Into the Wilderness
One of the central themes touched upon in Pierre-Yves Petillon's Essay, "A Re-cognition of Her Errand Into the Wilderness," is the general sense of awakening one feels when he reads Thos Pynchon's The Crying of Lot 49. Petillon begins his essay by expressing the opinion that "it is rather odd that The Crying of Lot 49, a slim novella should have become an overnight classic (O'Donnell, p.127)." What at first seemed like a typical piece expounding the virtues of LSD, turned out to have much more under the surface than a first reading would reveal. "Here was another 'groovy' sample of the emergent psychedelic scene: om, sweet om, O(edipa) M(ass) and her Lonely Hearts Club Band (O'Donnell, p. 128)." Petillon touches upon the book's power beautifully by realizing that "its 'mood' grows upon you with each reading (O'Donnell, p. 129)."
Born in the Late 1930's, Thomas Pynchon "came of age during 'the Eisenhower Siesta,' when everything had, it seemed, slowed to a sudden standstill (O'Donnell, p. 135)." Petillon then relates Lot 49 to Jack Kerouacs On The Road, by telling of their simultaneous "sense of 'blooming,' as if awakening from a long sleep (O'Donnell, p. 130)." He also points out that both Kerouac's and Pynchon's main characters (Kerouac's being himself, and Pynchon's being Oedipa Maas), both move further and further into an "invisible, hidden America (O'Donnell, p. 130)."
I believe the one thing Petillon has failed to mention adequately, though, is the fact that the reader never gets a sense of their surroundings. When awakening from a long sleep, one usually ends up with a general awareness and clarity as to what is going on around him. However, with The Crying of Lot 49, you come to end of the story, or the end of the awakening if you will, only to find that you have slipped further into a dream.
In “A Rose for Emily”, Charles Faulkner used a series of flashbacks and foreshadowing to tell Miss Emily’s story. Miss Emily is an interesting character, to say the least. In such a short story of her life, as told from the prospective of a townsperson, who had been nearly eighty as Miss Emily had been, in order to tell the story from their own perspective. Faulkner set up the story in Mississippi, in a world he knew of in his own lifetime. Inspired by a southern outlook that had been touched by the Civil War memory, the touch of what we would now look at as racism, gives the southern aroma of the period. It sets up Miss Emily’s southern belle status and social standing she had been born into, loner or not.
After a basketball game, four kids, Andrew Jackson, Tyrone Mills, Robert Washington and B.J. Carson, celebrate a win by going out drinking and driving. Andrew lost control of his car and crashed into a retaining wall on I-75. Andy, Tyrone, and B.J. escaped from the four-door Chevy right after the accident. Teen basketball star and Hazelwood high team captain was sitting in the passenger's side with his feet on the dashboard. When the crash happened, his feet went through the windshield and he was unable to escape. The gas tank then exploded and burned Robbie to death while the three unharmed kids tried to save him.
Bravery can be showed by having strength, being willing to sacrifice, and standing up for yourself and others. Life will not be very fun if you do not try to make it fun. One has to be brave to make life fun. If one is not strong it would make it hard to be brave. If Holling was not strong then he would not have been able to play Ariel in the Shakespeare play. All of his friends showed up when he was was wearing yellow tights and feathers on his butt. He stayed strong and finished the play. “Still ringing in the hands of Danny Humfer, Meryl Lee and Mai Ti who were standing in the very front row.” (Schmidt 86) That moment was when Holling first saw all of his classmates watching him in the play. At first he only saw Danny’s parents, but then
Whether a person’s life is something experienced authentically, or factually written down as literature, there are more complexities faced then there are simplicities on a daily basis. This multifariousness causes constant bewilderment and hesitation before any sort of important decision a person must make in his or her life. When it comes to characters of the written words, as soon sensations of ambiguity, uncertainty, and paranoia form, the outlook and actions of these characters are what usually result in regrettable decisions and added anxiety for both that character as well as the reader. Examples of these themes affecting characters in the world of fiction are found in the novel The Crying of Lot 49 by Thomas Pynchon, and the play Glengarry Glen Ross written by David Mamet. Throughout both of these texts, characters such as Oedipa Maas who allows these emotions to guide her in her journey of self discovery, and Shelly Levene who is so overcome with these emotions that they become his downfall. For both of these characters, these constant emotional themes are what guide their most impulsive actions, which can generally also become regrettable decisions. Even though it is a distinguishing factor of human beings, when these characters are portrayed in print, it somehow seems to affect the reader more, because they are able to see the fictional repercussions, and also know how they could have been avoided.
“Unbroken” by Laura Hillenbrand is a capturing, inspiring, and unforgettable tale. Hillenbrand excels in narrative storytelling, expressing feelings and experiences that are difficult to capture in this style of writing. In this book, Hillenbrand provides a balance between facts and the story itself; she portrays the story by stopping at intervals and going more into depth about different facts that will help the reader to understand. The combination of the two create a story that’s both informative and emotionally capturing. Hillenbrand seizes the readers emotions through the use of morals and themes.
In today’s world, we live in a society where we are subjected to follow rules, which are placed upon us by the society. Many people are faced with the dilemma of whether or not to follow the ideals of other people, or pursue their ideals and go against the prevailing conventions. In “Selections from Into the Wild” by Jon Krakauer, the author talks about a man named McCandless who went into the Alaskan wilderness in order to find his true self. His journey was also to escape from the societal norms of society. A person who goes into the wilderness believes that they can live their life with brute simplicity. This gives them little to no time with the complicated problems of modern society. Likewise, in “Waiting for a Jew” by Jonathan Boyarin, the author talks about one’s aspiration to find their identity and purpose in the community. He conveys that religious places, like shul, allow an individual to develop a cross- cultural self. The desires and expectations placed upon us by the society shape our strategies of personal identity; therefore, instilling fears that cause us to identify in opposition to our prevailing conventions.
Sylvia Plaths poem, Sow, depicts a beast of mythic proportions through various images, comparisons, and specific word choices. By presenting the sow from both the point of view of its owner, neighbor, and of the speaker, Plath paints a vivid picture of farmyard decadence that the reader can relate to.
The Ones Who Walked Away from Omelas is a short story written by Ursula Le Guin. In her story, Le Guin creates a model Utilitarian society in which the majority of its citizens are devoid of suffering; allowing them to become an expressive, artistic population. Le Guin’s unrelenting pursuit of making the reader imagine a rich, happy and festival abundant society mushrooms and ultimately climaxes with the introduction of the outlet for all of Omelas’ avoided misfortune. Le Guin then introduces a coming of age ritual in which innocent adolescents of the city are made aware of the byproduct of their happiness. She advances with a scenario where most of these adolescents are extremely burdened at first but later devise a rationalization for the “wretched one’s” situation. Le Guin has imagined a possible contemporary Utilitarian society with the goal to maximize the welfare of the greatest number of people. On the contrary, Kant would argue that using the child as a mere means is wrong and argue that the living conditions of the child are not universalizable. The citizens of Omelas must face this moral dilemma for all of their lives or instead choose to silently escape the city altogether.
Many people have become lost in the context of their life and do not understand what they have been doing or what the purpose of existence is. The manner in which Kerouac relates his own feelings to the dark, soothing atmosphere of the room gives the reader a clear idea as to what he is experiencing. This appeal to style lulls the reader into contemplation concerning their...
What is in the spring of your life if the spring of a life refers to your first twenty years in your life? The Bell Jar, a semi-autobiographical novel by Silvia Plath, describes Esther Greenwood’s harsh spring of her life. Narrating in the first person, Esther tells her experience of a mental breakdown in a descriptive language, helping the readers visualize what she sees and feel her emotions. The novel takes place in New York City and Boston during the early 1950s when women’s roles were limited to domesticity. The repression of women’s roles in the American society during the 1950s and other influences such as her lack of confidence, her hesitance, her mother, and her feminist point of view seem to affect her mental breakdown.
There are two levels of participation within The Crying of Lot 49: that of the characters, such as Oedipa Maas, whose world is limited to the text, and that of the reader, who looks at the world from outside it but who is also affected the world created by the text.3 Both the reader and the characters have the same problems observing the chaos around them. The protagonist in The Crying of Lot 49, Oedipa Mass, like the reader, is forced to either involve herself in the deciphering of clues or not participate at all.4
The tone is set in this chapter as Krakauer uses words to create an atmosphere of worry, fear, and happiness in McCandless’s mind. “The bush is an unforgiving place, however, that cares nothing for hope or longing”(4). McCandless is on the path of death, which creates worry and fear for the young boy. “He was determined. Real gung ho. The word that comes to mind is excited,” (6). Alex is very excited and care free, which Krakauer used to his advantage in making the tone of Alex’s mind happy. The author creates tones to make the reader feel the moment as if the readers were sitting there themselves. Krakauer uses dialogue and setting to create the mixed tones of this chapter. As one can see from the quotes and scenery the author uses tones that are blunt and are to the point to make the reader feel as though the emotions are their own. Krakauer uses plenty of figurative language in this chapter. He uses figurative language to support his ideas,to express the surroundings, and tone around the character. To start the chapter he uses a simile describing the landscape of the area, “…sprawls across the flats like a rumpled blanket on an unmade bed,” (9). This statement is used to make reader sense the area and set the mood for the chapter. The use of figurative language in this chapter is to make a visual representation in the readers mind. “It’s satellites surrender to the low Kantishna plain” (9).
On January 14th of 1963, Sylvia Plath had finally completed The Bell Jar after approximately two years of writing. This novel could have been considered a partial autobiography, because the main character Esther Greenwood eerily represents Sylvia Plath. There are a number of references to Plath’s real life throughout the book, too many for it to be considered a mere coincidence. Within the story, Esther Greenwood considers and attempts suicide quite frequently. Could this novel have been foreshadowing Sylvia’s death, which took place a little less than a month after?
Into the Wild, written by Jon Krakauer, is the story of a young man named Christopher Johnson McCandless who ventured off to Alaska and tried to survive in the wild. McCandless grew up in Annandale, Virginia where he attended school and made very good grades, rarely bringing home anything below an A. His father, Walt worked for NASA for a little while, before starting his own business with Chris’s mother, Billie, out of their own home. They worked hard and for long hours to get the business up and running and it finally paid off. The McCandless family was wealthy, but had many emotional problems. After graduating from Emory University in 1990, Chris McCandless donated twenty-four thousand dollars from his savings account to charity, changed his name to Alexander Supertramp, and then disappeared. This book tells the story of his life and travels. Some critics say that Chris McCandless was a very admirable person. He was a brave man that followed his dreams. However, given all of his flaws, attitudes, and actions, he is un-admirable. McCandless walked into the wild very unprepared and stubborn. He also treated his family poorly as well as anyone who got emotionally close to him. Chris was additionally too impressionable in a way that he admired authors along with the books they wrote, and tried to imitate them. He was very rebellious in his actions as well, and did not try to change the world or help others.
Milo 's discomfort and humiliation was obvious when he was catching up with Rich and lied about his degree of success in acting. He does not want to be looked down upon by Rich. He often avoids telling anyone about how he is now just waiting tables in Los Angeles to make end 's meet. This discloses that Milo would rather lie than having the possibility of someone judge him on his failure. Shame is an extremely common symptom of loss or failure in a career, (Knox, n.d.). Shame occurs due to the thought of “what will they think of me?” This is giving the authority to people judge us and let their judgments play in one’s identity, (Knox, n.d.). Milo 's failed acting career is a large stress factor that can be a causal factor in depression. Being unsuccessfulness in one’s career can form thoughts and beliefs that one is failure in every aspect in life. This is a crippling belief that can exacerbate major depression (Butcher, Mineka, & Hooley, 2014). Milo closely identified himself with his potential to be a big actor. This factors in the severity of his loss of sense of self, (Knox,