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Analysis of the book Heart of Darkness by Joseph Conrad
Literal analysis of heart of darkness
The heart of darkness philosophy
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The two major themes of Heart of Darkness are the conflict between “reality” and “darkness,” and the idea of restraint and whether or not it is necessary. Conrad’s passage describing the restraint of the hungry cannibals exemplifies both themes: It describes how reality shapes human behavior, and contrasts the characters of Kurtz and Marlow. “Reality,” as it is used here, is defined as “that which is civilized.”
Conrad emphasizes the idea of what is real versus what is “dark,” what is civilized versus what is primitive, what colonizes versus what is colonized, repeatedly throughout Heart of Darkness. As stated above, “real,” in this case, contains all the implications of a civilized society: clothing which covers a person’s sexual organs, restraint from gluttony, a constant reliance on clocks as dictators of action, etc. The cannibals in the aforementioned passage face a horrendous conflict between what is real and what is “dark,” or, in their case, what is natural and what must be restrained. Marlow cannot fathom how these “big powerful men, with not much capacity to weigh the consequences” could restrain their desires to consume him and the pilgrims: “Restraint! What possible restraint? Was it superstition, disgust, patience, fear – or some kind of primitive honor? No fear can stand up to hunger, no patience can wear it out.” The “darkness” these men restrain is the part of every person that wants fulfillment, the Id in psychoanalytic terms, the part almost every orthodox religion looks down upon. Along with every civilized society, one which requires some form of government, the citizens are expected to restrain, to a certain extent, their most basic desires. This theme can be taken a step farther, and c...
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...ssage describing the cannibals exemplifies both. The cannibals are practicing a sort of enigmatic restraint that keeps them from fulfilling a basic human need; on a second level, they are facing the issue of what is reality (what is civilized) versus what is natural. Although there is no concrete evidence that these peoples are cannibalistic, the natural solution to their hunger is to eat, and they do not. Marlow, the character symbolic of the reality of civilization, practices this restraint, a sort of religious emulation of what he has seen of civilized peoples up to this point. Kurtz, on the other hand, has abandoned his restraint, has stepped into the “darkness” so to speak. “The horror! The horror!” he utters on his deathbed, perhaps expressing contempt at his own actions, perhaps at all existence. Perhaps at the reality and restraints of civilization.
...o, while the novella’s archetypal structure glorifies Marlow’s domination of Kurtz. These two analyses taken together provide a much fuller and more comprehensive interpretation of the work. Conrad presents the idea that there is some darkness within each person. The darkness is is inherited and instinctual, but because it is natural does not make it right. He celebrates – and thereby almost advises – the turn from instinct. By telling Marlow’s tale, Joseph Conrad stresses to his audience the importance of self-knowledge and the unnecessity of instinct in civilization.
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
Joseph Conrad's Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it, displayed by the domination, torture, exploitation and dehumanization of the African people. Conrad often emphasizes the idea of what is civilized versus what is primitive or savage. While reading the novel, the reader can picture how savage the Europeans seem. They are cruel and devious towards the very people they are supposed to be helping.
Pluto's rotation period is 6.387 days, the same as its satellite Charon. Although it is common for a satellite to travel in a synchronous orbit with its planet, Pluto is the only planet to rotate synchronously with the orbit of its satellite. Thus being tidally locked, Pluto and Charon continuously face each other as they travel through space.
In the passage of Heart of Darkness, Joseph Conrad utilizes syntax that captures Marlow’s conscience with his mental process of perception filled with contradiction and uncertainty. Because Marlow expressed his perspective of the bond with the natives, he pointed out that every men on earth has similar characteristics of prehistorics traits. Conrad employs imagery which can permits his reader to visualize how Marlow is feeling when he took the opportunity in seeing the natives and their lifestyle. Because of viewing their natives lifestyle, Marlow has stirred his emotion in being overwhelmed and terrified. A rhetorical question was used at the end of the passage to show how Marlow is dealing with his trouble with what he sees in his surroundings.
In Joseph Conrad’s Heart of Darkness, something is always contrasted against something else. Within the title itself, the contrast of light and dark is made. Throughout the book, the contrast is made between good and evil, between the pilgrims and the cannibals that Marlow encounters. Using the ironic opposition of the pilgrims and the cannibals will present a way into a post-colonial analysis of the book.
In Joseph Conrad’s unforgettable novel, Heart of Darkness, the profound words of Mr. Kurtz are a judgement of his malevolent life and of humanity in general. “The horror! The horror!” are the uttered words of Kurtz as he returned with Marlow from his civilization in Africa. Conrad left the words open for interpretation, leaving many readers feeling indifferent. As Kurtz encountered death, he reflected on his past and was fond of leaving the diabolical world that he inhabited. He was pleased to be dying due to his own evil, greedy actions as well as the inequality within humanity.
Heart of Darkness, is not only an intense tale of pursuit, but also a psychological roller coaster as, through the characters of the story, Joseph Conrad shows us a powerful struggle between the Freudian personalities of id, ego and superego. The main characters of the novel, Marlow and Kurtz are mainly identified with the id and the super-ego type of personalities, and throughout the novel, these characters are placed in intense situations which makes them question their own beliefs and reactions, and ultimately their human personality. Hence, in between the characters, not only is there a battle in the physical sense, but also on the meta-physical level. This leads to a psychological imbalance between the human personalities of both the characters, and while one character is already dominated by his id to a large extent, the other character grapples with the struggle of his id with his super-ego.
"Witchcraft Trials." The Gale Encyclopedia of the Unusual and Unexplained. Ed. Brad Steiger and Sherry Hanson Steiger. Vol. 2. Detroit: Gale, 2003. 99-108. Gale Virtual Reference Library. Web. 4 May 2014.
Our sun is the central pivot point to which or entire planet and solar system is built around. With out it all life on our planet would cease to exist. Within this paper we will explore how our Sun and solar system formed and came to resemble what we see today.
Despite the opinion of certain critics, Conrad did not create Marlow to be a prejudice character. One of his first Marlow?s first Reactions to the villagers is the exact opposite, ?They were not enemies they were not criminals??(Conrad, 189) While his initial response may not seem altogether accepting, it is far beyond the understanding of his peers. As the story continues Marlow is slightly sarcastic in his understanding of the villagers, ?Fine fellows-Cannibals-in their place. They were men one could work with, and I am grateful to them. And, after all, they did not eat each other before my face? (189)? Marlow shows his ability to be sarcastic in the face of popular criticism, even making the mold step to refer to these African?s as ?Fine Fellows?(189), ?They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of they humanity-like yours-the thought of your remote kinship with this wild??(189) Although the natives...
In administration of criminal justice system scientific knowledge is recognized as useful. Forensic science plays an important role. In India it started in around 1960. Now forensic science and its technique plays an important part in Indian legal system. Judges are taking help of forensic science technique to punish the criminals. Nowdays forensic science is not only used in criminal matters but also used ...
Heart of Darkness is a story in which racism presents itself so deliberately that, for many, the dilemma of race must be tackled before anything else in the book may be dealt with. Conrad used derogatory, outdated and offensive terminology for devaluation of people’s color as savages. This use of language disturbs many readers who read this book.
In Conrad's Heart of Darkness, Kurtz's final words as he lay dying are, "The horror! The horror!" (pp. 1415) Some interpret these final words as the horror of one culture decimating another in the name of religion, civilization or greed. Others may believe that Kurtz had at that moment fully recognized what he had become, "the expression of sombre pride, of ruthless power, or craven terror..." (pp. 1415)