Understanding the Mothers and Daughters of The Joy Luck Club
Amy Tan's novel, The Joy Luck Club explores a variety of mother-daughter relationships between the characters, and at some level, relationships between friends, lovers, and even enemies. The mother-daughter relationships are most likely the different aspects of Amy Tan's relationship with her mother, and perhaps, some parts are entirely figments of her imagination. Therefore, Amy Tan believes that ramification of cultures and tradition between a family can be burdensome and cause the family tree to fall apart.
From the beginning of the novel, we hear Suyuan Woo tell the story of "The Joy Luck Club," a group started by some Chinese women during World War II. June explains while remembering the memories of her mother, " 'We feasted, we laughed, we played games, lost and won, we told the best stories...we could hope to be lucky. That hope was our only joy,' " (12). The mothers grew up during perilous times in China. They were raised to never forget an important outlook of their life, which was, "to desire nothing, to swallow other people's misery, to eat [their] own bitterness" (241). For many years, the mother did not tell their daughters their stories until they were sure that their fractious offspring would listen. By then, it is almost too late to make them understand their heritage that their mother left behind in China. It seems that their family's legacy cannot seize their imaginations after years, decades, and centuries of blissfulness and sorrow.
Through the eyes of the daughters, we can also see the continuation of the mother's stories, how they learned to cope in America. With this, Amy Tan touches on an obscure, little discussed issue, which is the divergence of Chinese culture through American children born of Chinese immigrant parents. The Chinese-American daughters try their best to become "Americanized," at the same time, casting off their heritage while their mothers watch in dismay. For example, after the piano talent show fiasco, a quarrel breaks out between June and Suyuan. June does not have the blind obedience "to desire nothing...to eat [her] own bitterness." She says to herself, " 'I didn't have to do what my mother said anymore. I wasn't her slave. This wasn't China' " (152). Unbeknownst to June, Suyuan only hopes and wants the best for her daughter. She explains, " 'Only one kind of daughter can live in this house.
At the beginning of the novel, Suyuan Woo begins telling the story of The Joy Luck Club, a group started by a small family of Chinese women during World War II, where "we feasted, we laughed, we played games, lost and won, we told the best stories. And each week, we could hope to be lucky.
The journey from Chongqing to America was one with many obstacles and Suyuan sacrificed so much for her daughter hoping that one day June will be successful. The support and care that Suyuan provided for June ended when she suddenly passes away which forces June discerns how little she actually knows about her own mother. This seemingly ordinary life of June disappears as she discovers her mother’s past which included siblings that have been abandoned and thus attempts to find her long lost sisters. This idea was brought up by the Aunties of the Joy Luck Club that her mother founded which can be seen as the call to an adventure. The purpose of this journey was not only to find her sisters but to also discover her mother for who Suyuan truly was. In June’s eyes, Suyuan was always impossible to please and she was never on the same page as her mother who believes a person could be anything they wanted in America-the land of opportunities. But as the Joy Luck Club reminds June of how smart, dutiful, and kind her
June-May fulfills her mother’s name and life goal, her long-cherished wish. She finally meets her twin sisters and in an essence fulfills and reunites her mother with her daughter through her. For when they are all together they are one; they are their mother. It is here that June-May fulfills the family portion of her Chinese culture of family. In addition, she fully embraces herself as Chinese. She realizes that family is made out of love and that family is the key to being Chinese. “And now I also see what part of me is Chinese. It is so obvious. It is my family. It is in our blood.” (Tan 159). Finally, her mother’s life burden is lifted and June-May’s doubts of being Chinese are set aside or as she says “After all these years, it can finally be let go,” (Tan 159).
Concealed pistols have always been an issue that the public wants to know more and more about. Most people who were born and raised in the outdoors agree fully on the legality of a concealed weapon, whereas people who were born in big cities where they did not hunt, shoot guns, or have a firearm in their house do not. This is a very large and argued about cultural issue. I personally am all for concealed carry of a firearm. There are many reasons for this such as personal defense, sense of safety, and the protection of others around me. There are some questions that are raised about the carrying of a concealed weapon such as “what states can I travel in with my firearm?”, “what is the process of applying for a concealed carry permit?”, and “can I enter a weapon free zone to stop a shooter?”. Concealed carry has proven able to reduce crime and lower the casualty rate of a shooter who enters a public area with the intent to kill as many people as possible. Some people argue that concealed weapons are just carried by people who are looking for trouble and that you can obtain a pistol without a background check. This will also be explored and explained thoroughly.
The Joy Luck Club daughters incontestably become Americanized as they continue to grow up. They lose their sense of Chinese values, or Chinese tradition in which their mothers tried to drill into their minds. The four young women adopt the American culture and way of life, and they think differently than their traditional Chinese mothers do, upsetting the mothers greatly. The daughters do not even understand the culture of their mothers, and vice versa. They find that the American way of thinking is very different from that of the Chinese.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash between cultures create rifts between mothers and daughters.
...his life so that he was not as lonely, while realizing that things need to change.
In The Joy Luck Club, the novel traces the fate of the four mothers-Suyuan Woo, An-mei Hsu, Lindo Jong, and Ying-ying St. Clair-and their four daughters-June Woo, Rose Hsu Jordan, Waverly Jong, and Lena St. Clair. Through the experiences that these characters go through, they become women. The mothers all fled China in the 1940's and they all retain much of their heritage. Their heritage focuses on what is means to be a female, but more importantly what it means to be an Asian female.
The language between a mother and a daughter can create a huge brick wall in their relationship because they have different views on life, and how they should handle it. In the book "The Joy Luck Club," by Amy Tan, a story is told of An-Mei Hus and her daughter Rose Hsu Jordan, who is going though a divorce. An- Mei wants her daughter, Rose, to try and save her marriage. But Rose knows it’s pointless to try and upon that she decides to learn to stick up for her self, get a lawyer, and fight her soon to be ex-husband for the house. The relationship between An-Mei Hsu and Rose Hsu Jordan shows that language is a brick wall, because they don’t understand why wants what they want. Rose doesn’t care to save her marriage; she only wants to get the house. When her mother, An-Mei, wants Rose to fight to save her marriage, because it’s the Chinese way, and how the only way to keep her honor among her family.
... and in her hurry to get away, she (falls) before she even reach(s) the corner,” (87). This foreshadows the relationship between the mothers and daughters in The Joy Luck Club. The daughters can not understand the reasoning behind their mothers’ decisions. However, the mothers realize their daughters are so much like them and they do not want this to happen. The daughters grow up being “Americanized,” but as they grow older they begin to want to understand their Chinese culture. All of the characters learned many valuable lessons that will be passed on to their own children.
However ,there comes a point in life as a child was making some choices are important. Having a good understanding is better off than having somebody tell you what to do or how you feel. The child might have to stay with one of your parents and just visit the ot...
Concealed weapons are a strong way to keep ourselves and our families safe, but it can also be a danger to all of us as we would not know the intentions of those who could carry a concealed weapon! While concealed weapons may not reduce crime, it can still be a way of to prevent mass shootings and support our constitutional rights. In the past, there has been some major discussions whether to pass concealed carry laws in some states to help in deterring crime and or to pass a law of gun control.
Development in relationships provokes the teaching of valuable life lessons. Amy Tan’s novel The Joy Luck Club, published in 1989, delineates the progressive development in the mother daughter relationships and the lack offs impact on an individual. The novel illustrates the tensions between mother and daughter through a lack of communication- illuminating that communication reaches prosperity only when understanding has been established. Tan furthermore emphasises, the motherly supremacy as a contribution to a daughter’s tireless urge to instil acceptance.
...ith Jing Mei and her mother, it is compounded by the fact that there are dual nationalities involved as well. Not only did the mother’s good intentions bring about failure and disappointment from Jing Mei, but rooted in her mother’s culture was the belief that children are to be obedient and give respect to their elders. "Only two kinds of daughters.....those who are obedient and those who follow their own mind!" (Tan1) is the comment made by her mother when Jing Mei refuses to continue with piano lessons. In the end, this story shows that not only is the mother-daughter relationship intricately complex but is made even more so with cultural and generational differences added to the mix.
Forgeng, Jeffery L. Daily Life in Elizabethan England. 2nd ed. Santa Barbara: Greenwood, 2010. Print.