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The analysis of moll flanders
Analysis of Moll Flanders
The analysis of moll flanders
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Moll Flanders is an excellent story about one woman's evolution from a poor economic status to a, later, mid-class caste in life. Moll Flanders used her meticulous cunning in order to survive in the 18th century. She started out with a tabula rasa, or clean slate, when she is born, but, eventually, she resorts to an immoral life in order to survive. When she learns that her husbands die very quickly, but give her money for having sex with them, she turns to a life of whoredom. This choice, however, was only done as an instinct to survive.
In the 1800's, the legal system was not in a woman's favor. Women would not inherit anything when their husbands died. Which is why Moll Flanders had to resort to a life of crime after she no longer looked good enough to make a living as a whore. This all, eventually, led to her imprisonment and trip to America to live happily with her husband.
Moll Flanders chose her life as a prostitute. She states on page 138: "Well, let her life have been the way it would then, it was certain that my life was very uneasy to me; for I liv'd, as I have said, but in the worst sort of whoredom, and as I cou'd expect no Good of it, so really no good issue came and all my seeming prosperity wore off and ended in misery and destruction;..." Whenever Moll would have kids she would sell them or give them away. Moll saw children as a biprouduct of having sex. The choice of going to whoredom, however, was only because she felt the need to survive. Most animals have this instinct to survive. Whenever she would marry a man he would pay her to have sex, but his life would be short. This caused her to have to find another person in order to have money to eat and a place to stay. This was because the legal system in the 18th century did not allow women to inherit anything when their spouses died. Therefore, Moll Flanders had to turn to a life of crime, at the age of forty-eight, when she could no longer earn a living having sex for money. The first time she steals something she feels guilty. She starts her career by stealing a watch from a small child, and she even contemplated killing him.
To understand the significant change in the role of the women is to understand its roots. Traditionally, women in colonial America were limited in the roles they played or limited in their "spheres of influence." Women were once seen as only needed to bear children and care for them. Their only role was domestic; related to activities such as cooking and cleaning. A married woman shared her husband's status and often lived with his family. The woman was denied any legal control over her possession, land, money, or even her own children after a divorce. In a sense, she was the possession of her husband after marriage. She "... was a legal incompetent, as children, idiots, and criminals were under English law. As feme covert she was stripped of all property; once married, the clothes on her back, her personal possessions--whether valuable, mutable or merely sentimental--and even her body became her husband's, to direct, to manage, and to use. Once a child was born to the couple, her land, too, came under his control." (Berkin 14)
TMA 3: Compare and contrast the representation of women and female sexuality in The Tartuffe by Molière and The Country Wife by William Wycherley.
Dorothy Molloy is well known for the dark, ironic humour in her poetry. Les Grands Seigneurs explores the irony of romantic relationships in a woman's youth. She heavily outlines that once a woman is married she loses her power and independence and eventually becomes a "mere 'toy' a plaything 'only a bit of fluff'. The portrayal of women in this poem is the exact opposite of how the Landlady is portrayed in Rolad Dahl's short story. While Rolad Dahl describes the "Landlady" as cunning and even malicious at time , Dorothy Molloy portrays the heroine as a 'damsel in distress' thus further reinforcing the stereotype of portrayal of women in modern literature.
Sandra Cisneros short story “Woman Hollering Creek”, has many allegories about culture, morality, and gender roles.
Women of the seventeenth century had many reasons to accept the challenge of traversing to the New World. Life in England was not always easy, in fact, sometimes worse than in Virginia. Working conditions were appalling, with little pay and long hours. Many found work as servants to the upper class or turned to prostitution. The type of women who gladly boarded the ships were mostly young, single women of low class roots. Sometimes they were young widows who had been left impoverished or women who had no male in their lives for support and protection.1.
The contrast between how She sees herself and how the rest of the world sees Her can create extreme emotional strain; add on the fact that She hails from the early 1900s and it becomes evident that, though her mental construct is not necessarily prepared to understand the full breach against Her, She is still capable of some iota of realization. The discrimination encountered by a female during this time period is great and unceasing.
Mary Wollstonecraft lived with a violet and abusive father which led her to taking care of her mom and sister at an early age. Fanny Blood played an important role in her life to opening her to new ideas of how she actually sees things. Mary opened a school with her sister Eliza and their friend Fanny Blood. Back then for them being a teacher made them earn a living during that time, this made her determined to not rely on men again. Mary felt as if having a job where she gets paid for doing something that back then was considered respected than she wouldn’t need a man to be giving her money. She wasn’t only a women’s right activist but she was a scholar, educator and journalist which led her to writing books about women’s rights.
The Victorian era was remarkable for its rigid gender roles, which defined societal interactions. The prototypical Victorian woman existed in the domestic sphere, where she acted as a moral compass to guide her husband and children toward traditional morality. This vision was mostly limited to the middle and upper classes, but if her family’s circumstances were good, the Victorian woman might have spread her domestic, moralizing influence outside of her home to help the less fortunate. The Victorian man, on the other hand, occupied the public sphere, where he dealt with business and politics, and the more complex moral codes of the two. His home was a retreat, where he could take comfort in the morally upright space his wife made for him. However, as the period wore on, these strict gender roles proved to be too oppressive, and a “New Woman” emerged. The New Woman, as portrayed by Vivie Warren in Mrs. Warren’s Profession, steps out of the domestic sphere, a move that requires agency, moral complexity, and separation from – sometimes even emulation of – men. Because this stance was so different from the typical Victorian woman, it posed challenges not just for the New Women themselves, but for all members of society they interacted with.
In the early twentieth century, the issue of gender inequality and lack of feminism was prevalent throughout society. Susan Gladspell’s play, Trifles, contains various instances of gender discrimination within the characters’ actions in the plot. Females in that society were subjected to great discrimination due to their sexuality and were viewed as insubordinate and only capable of obtaining menial jobs. This resulted in men constantly demeaning women in the form of mental and emotional abuse. Occasionally, this abuse gradually worsened and finally accumulated into some major disaster. In order to better the lives of women, the feminism movement was on the brink of starting a major revolution to restore equality in society. Throughout Susan Gladspell’s play, Trifles, the author incorporated elements of gender inequality and discrimination in hopes of bringing about the feminist movement.
In the short story “Marigolds” by Eugenia Collier, the narrator Lizabeth realizes that she is no longer a child but a grown up woman who renounces her innocence and begins her adulthood by developing a sense of compassion. She learns that the world is more than just the dusty shantytown and a squad of kids she plays with; there are also the complex realities of depression, indifference and poverty. The reason behind this realization is that Lizabeth, at an age of 14, overhears her parents’ conversation about the harsh economic situation that their family is facing. She is filled with anger and detests the unfairness that is given to her family. All these feelings encourage her towards an explosive, malicious act of destruction. She is especially
One of the first characteristics readers see of Mathidle is her longing for a wealthy lifestyle. Since she did not marry a “…rich and distinguished man…,” she regrets marrying her small town man; however, her husband tries to do everything in his power
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.
Gorham, Deborah. A. A. The Victorian Girl and the Feminine Ideal. Bloomington: Indiana University Press, 1982. Martineau, Harriet.
Computer engineering started about 5,000 years ago in China when they invented the abacus. The abacus is a manual calculator in which you move beads back and forth on rods to add or subtract. Other inventors of simple computers include Blaise Pascal who came up with the arithmetic machine for his father’s work. Also Charles Babbage produced the Analytical Engine, which combined math calculations from one problem and applied it to solve other complex problems. The Analytical Engine is similar to today’s computers.
In regards to Flanders having sex with her own brother it would be difficult to argue that this was a predetermined event considering she truly did not know her husband was of her own flesh and blood. If, indeed, she was aware of the relation and then chose to proceed then one could discus it further in the context of freewill. As for being a whore there is no question that Flanders, especially later in her life, involved herself with such happenings, but for me it was the thievery that seemed to capture the essence of Flanders continual undoing and constant need for penitence. There is no better part of Defoe's work to capture the feelings of utter despondency then when Moll is going to steal for the first time from the apothecary's shop. Defoe prefaces the scene with a few paragraphs where Moll explains her absolute "desolate state". The crime is then set in what James Sutherland explains, "...Moll's first theft he sets the scene with such careful attention to detail that he fixes it in our minds, and gives to it that air of authenticity which, for Defoe, is almost justification of fiction". This is where Defoe's journalistic stylings shine. The reader is indeed in the apothecary and sees Moll's gaffe unfolding before him.