Indifference in Camus’ The Stranger (The Outsider)
Albert Camus’ novel, The Stranger, examines what happens to a passive man when mixed in a murder. During the trial of the main character, Meursault, the prosecutor examines Meursault’s normal behavior as callous and cold. In order for the prosecutor to have a case in the reader’s mind, Camus must create the past that the trial calls for. Camus shows a passive man, and the way that he deals with normal life occurrences. Camus must create a portrait of indifference.
When Meursault is talking to Raymond Sintes, a neighbor of his, Raymond tells his tales of violence and asks Meursault for advice. Meursault seems withdrawn during his time with Raymond. Raymond had actually asked Meursault into his room so that he may ask Meursault’s opinion: “because I was a man, I knew about things, I could help him out, and then we’d be pals.” (Camus, 29) Meursault remains quiet in the conversation, but eventually does speak up: “I didn’t say anything, and he asked me again if I wanted to be pals. I said it was fine with me: he seemed pleased.” (Camus, 29) It really made no difference to Meursault if he was stated as a friend of Raymond’s or not. The way that Meursault does not contribute to the conversation and that it is just “fine with [him]” to be friends creates an image of indifference. This image continues to grow as Raymond continues to talk to Meursault. Raymond goes on to tell of his problems with women, and Meursault still remains silent. After his Raymond’s confessions are over he once again thanks Meursault for being a pal: “I didn’t mind being his pal, and he seemed set on it.” (Camus, 33) Once again, Meursault’s attitude makes it seem that he doesn’t really care if he is Raymond’s pal. It has no effect of him, but it will help out Raymond, so he’ll be his pal.
When Meursault is asked to deal with serious relationship questions and issues, he shows his indifference again. Because Meursault becomes romantically involved with Marie, she eventually asks him if he loves her, “I told her it didn’t mean anything but that I didn’t think so.” (Camus, 35) This seems to be a very cold response to a question that is taken seriously, but M was telling the truth. It didn’t really matter to him.
The United States is the only country who does not use the metric system (meters, kilometers, litters); instead they use the customary system (inches, feet). For example, if you will have to drive in another country you will not understand how far another grocery store because the sign tells you in meters not in miles.
Albert Camus is a skillful writer noted for showing aspects of culture and society through the depiction of his characters. In The Stranger, Camus illustrates the existentialism culture and how that comes into play in the life of the protagonist Meursault. The Stranger, as suggested by the title, is a novel revolving around the protagonist, Meursault, who is a stranger to the French-Algerian society as he challenges its values. Camus vividly portrays Meursault’s journey through the use of imagery, irony, and symbolism. In The Stranger, Albert Camus uses the minor character, Raymond Sintes, to illustrate the contrasting nature of Meursault and how his friendship with Raymond leads to his downfall.
...ll. The inner city has many complications the fact that most are African American is a mere coincidence. If we as a nation are capable of fixing all institutions and structural issues we could bring the slums out of poverty. The cycle of unemployment and poverty is a terrible cycle that cannot only be judged by race and cultural values. When reading this book keep in mind the difficulties, any family or person could go through these tribulations. There are many arguments and sides to each problem; this is another one of those. The battle for inner city poverty, and the factors that go along with it, has not been finished. Wilson brings out a different aspect which could help people expand horizons and come up with better solutions.
The Stranger by Albert Camus is a story of a sequence of events in one man's life that cause him to question the nature of the universe and his position in it. The book is written in two parts and each part seems to reflect in large degree the actions occurring in the other. There are curious parallels throughout the two parts that seem to indicate the emotional state of Meursault, the protagonist, and his view of the world.
Efforts to engage Meursault in secular structures of meaning are equally futile. When Meursault's boss offers Meursault a position in Paris, he expects Meursault to embrace the opportunity for career advancement. Meursault, though, lacks all ambition and turns down the boss' offer without considering it. As a student, Meursault recalls, "I had lots of ambitions…But when I had to give up my studies I learned very quickly that none of it really mattered." When Marie asks Meursault whether he wants to marry her, she expects him to take the institution of marriage seriously. Yet Meursault is indifferent towards it, thinks "it didn't mean anything" to love a person, and agrees to marry Marie simply because she wants to marry him. Though he grows fond of her, he doesn't cultivate any attachment to her more meaningful than superficial attraction. Throughout his trial, Meursault is equally bemused by the meaninglessness of the justice system and finds its attempts to impose rational, meaningful structure on his actions ridiculous. He considers the guilty verdict he eventually receives entirely arbitrary, and describes its "certainty" as "arrogant."
Wood, Kerry.” Literary Analysis : Irony In ‘ The Cask Of Amontillado’ by Edgar Allan Poe.”Humanities 360. Helium, Inc., 9 Nov 2007. Web.17 Mar 2014.
"Why did William Golding Write His Novel, Lord of the Flies? - Homework Help - ENotes.com." Enotes.com. Enotes.com, n.d. Web. 14 Apr. 2014.
Mr. Summers is a bright and cheerful man. His attitude, demeanor, and name represent the summer. Mr.Graves' name represents what is about to happen. They are sending someone to their grave. These names are obvious as to what they mean.
Meursault is a man who chooses to observe people, rather than interact with them. He often people watches from his balcony in the evening, than actually going down to communicate with them. While he was in exile, he was forced to converse and discuss his feeling to strangers like his lawyer, and the chaplain of the prison. Due to being a severe introvert, the idea of discussing his problem to another person was foreign for him. The experience of opening himself up to others for help was alienating, and contradicted his personality of being a stranger to everyone. Camus writes, “He didn’t understand me, and he was sort of holding it against me. I felt the urge to reassure him that I was like everybody else, just like everybody else.” (Camus, 66) Meursault wanted to help his lawyer understand his point of view, but his nature is so closed off that he’s unable to put his feeling into words for others
Often times an author incorporates a thought or philosophy into a work that can shape or reshape the attitude emitted from the novel. In Albert Camus', The Stranger, the Existential philosophy that the author fills into the work give an aura of apathy. With the opening lines of "Mother died today. Or, maybe, yesterday; I can't be sure," Camus immediately sets a tone of indifference (1). Though the protagonist, Mersault, is not completely without cares, the overall attitude of passiveness he has toward himself, as well as toward others, give the entire novel a tone of apathy.
In Shirley Jackson’s “The Lottery,” the theme of the story is dramatically illustrated by Jackson’s unique tone. Once a year the villagers gather together in the central square for the lottery. The villagers await the arrival of Mr. Summers and the black box. Within the black box are folded slips of paper, one piece having a black dot on it. All the villagers then draw a piece of paper out of the box. Whoever gets the paper with the black dot wins. Tessie Hutchinson wins the lottery! Everyone then closes in on her and stones her to death. Tessie Hutchinson believes it is not fair because she was picked. The villagers do not know why the lottery continues to exist. All they know is that it is a tradition they are not willing to abandon. In “The Lottery,” Jackson portrays three main themes including tradition, treason, and violence.
In The Stranger, Camus portrays women as unnecessary beings created purely to serve materialistically and satisfy males through the lack of a deep, meaningful, relationship between Meursault and females. Throughout the text, the main character, Meursault, creates closer, more meaningful relationships with other minor characters in the story. However, in his interactions with females in this book, Meursault’s thoughts and actions center on himself and his physical desires, observations, and feelings, rather than devoting his attention to the actual female. Living in Algiers in the 1960s, Meursault originates from a post-modernist time of the decline in emotion. Meursault simply defies the social expectations and societal ‘rules’, as post-modernists viewed the world. Rather than living as one gear in the ‘machine’ of society, Meursault defies this unwritten law in the lackluster relationships between he and other females, as well as his seemingly blissful eye to society itself. In The Stranger, males, not females, truly bring out the side of Meursault that has the capacity for compassion and a general, mutual feeling relationship. For example, Marie and Meursault’s relationship only demonstrate Meursault’s lack of an emotional appetite for her. Also, with the death of Maman, Meursault remains virtually unchanged in his thoughts and desires.
In The Stranger, Albert Camus describes the life of the protagonist, Meursault, through life changing events. The passage chosen illustrates Meursault’s view during his time in prison for killing the Arab. In prison, one can see the shifts in Meursault’s character and the acceptance of this new lifestyle. Camus manipulates diction to indicate the changes in Meursault caused by time thinking of memories in prison and realization of his pointless life. Because Camus published this book at the beginning of World War II, people at this time period also questions life and death similar to how Meursault does.
In many works of literature, a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediments, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him, giving him a type of feeling even if Meursault doesn’t care. Meursault is a victim of emotional indifference between his friends and social indifference. This essay will be about the character’s struggle that contributes to the meaning of the work as a whole.
The Stranger written by Albert Camus is an absurdist novel revolving around the protagonist, Meursault. A major motif in the novel is violence. There are various places where violence takes place and they lead to the major violent act, which relates directly to the theme of the book. The major violent act of killing an Arab committed by Meursault leads to the complete metamorphosis of his character and he realizes the absurdity of life.