Light and Darkness in The Scarlet Letter
Nathaniel Hawthorne's The Scarlet Letter is one of the most
analyzed and most discussed literary works in American literature and for
good reason. Hawthorne's ambiguity and his intense use of symbols have
made this work incredibly complex and incredibly bothersome. In The
Scarlet Letter, Nathaniel Hawthorne uses many symbols to give insight into
characters and promote his views on society. The scaffold scenes in The
Scarlet Letter tell the reader exactly what is to come, and the presence of
light in those scenes gives the reader insight into the characters.
The scaffold scenes establish a pattern of what is to come in the
novel through a common tie prevalent in the three different scaffold scenes.
The tie is that of creation and release. In the first scaffold scene,
Hester releases not only her guilt about her crime, but, she also releases
Pearl to the society and creates in Pearl the need for strength and
determination that she will need to overcome the legacy of her creation. In
this scene she also creates the need in Dimmesdale to absolve himself of
his guilt. The second scaffold scene is the opportunity for Dimmesdale to
attempt to release his guilt from the first scaffold. However, Pearl
creates a need in Dimmesdale to repent in front of the town. During the
third scaffold scene, Dimmesdale is able to release his guilt about his
crime and his lack of strength. He is also able to complete his obligation
to accept the hands of Pearl and Hester on the platform from the second
scaffold scene. Through his confession, he creates a sense of reality for
the entire town. It can be clearly seen that what is created in the first
scaffold is released in the second scaffold; while, the things created in
the second scaffold are finally released in the third and final scaffold.
There is another complexity to the scaffold scenes in the presence,
or lack there of, of lighting. The first scaffold scene is in the sunlight.
The sunlight in this novel is a symbol of disguise. In the sunlight of
the first scaffold, Hester is shown as strong and determined. She gives
the appearance that the letter does not bother her.
In book II of the odyssey Telemachus is about to start his journey to find his father. In lines 49-85 Telemachus is beginning to give his speech during the assembly. In this speech he is trying to get some people to help him on his voyage to find his dad. For the simple fact that everything is falling apart because Telemachus mother has attracted suitors. Also Telemachus knows his family doesn’t know how to defend themselves. Although it may seem as if Telemachus words aren’t registering to the people, they are really taking his words into consideration.
In Odyssey, Homer creates a parallel between Odysseus and Telemachos, father and son. The two are compared in the poem from every aspect. One parallel was the quest of Telemachos, in correlation with the journey of his father. In this, Odysseus is developed from a childish, passive, and untested boy, to a young man preparing to stand by his father's side. This is directly connected to the voyage of Odysseus, in that they both lead to the same finale, and are both stepping-stones towards wisdom, manhood, and scholarship.
Throughout the last books of The Odyssey Homer tells us how Odysseus restores his relationships with his friends and relatives at Ithaca. Perhaps one of the most revealing of these restoration episodes is Odysseus' re-encounter with his son, Telemachus. This re-encounter serves three main purposes. First, it serves to portray Telemachus' likeness to his father in the virtues of prudence, humility, patience, and planning. Secondly, it is Odysseus' chance to teach his son to be as great a ruler as Odysseus himself is. Lastly, Homer uses this re-encounter to emphasize the importance of a family structure to a society. To be able to understand the impact that this meeting had on Odysseus it is necessary to see that Telemachus has grown since his first appearances in the poem and obviously since his last contact with his father; Odysseus left Telemachus as an infant now their relationship is a man to man relationship rather than a man to child relationship.
Oscar Wilde, an Irish poet, novelist, and playwright, believed, “What seems to us as bitter trials are often blessings in disguise” (Think Exist). Wilde’s quotation conveys the idea of duality residing within every situation, person, and object. Nathaniel Hawthorne explores the idea further in his classic novel The Scarlet Letter. In the novel Hawthorne demonstrates duality within the character Pearl and the forest; he suggests an optimistic perspective of the world.
...cked the poise necessary to take back his home. With his courage intact, and his father by his side, Telemakhos and Odysseus formulate a plan to avenge their household; both men display outstanding fortitude. In commanding the servants (Eurikleia, to be specific), Telemakhos "spoke so soldierly that her own speech halted on her tongue" (XIX.38-39). At this point it is clear that Telemakhos has reached fulfillment and strength in his identity.
Throughout The Odyssey Telemachus grows in character from an unprepared teen to a young man who could one day rule Ithaca. He has many experiences traveling to learn more about his father and many that occur on Ithaca once Odysseus returns. All of these events help to shape him into the assertive young man he becomes.
The relationship of father and son between Odysseus and Telemachus allows their progress in maturity to be linked. It creates an intangible journey that, although separated by distance, could be shared. Therefore, when the journey they share becomes tangible, “a boy daydreaming,” (5), can become the “true son of King Odysseus (301).
Nathaniel Hawthorne’s The Scarlet Letter is one of the most respected and admired novels of all time. Often criticized for lacking substance and using more elaborate camera work, freely adapted films usually do not follow the original plot line. Following this cliché, Roland Joffe’s version of The Scarlet Letter received an overwhelmingly negative reception. Unrealistic plots and actions are added to the films for added drama; for example, Hester is about to be killed up on the scaffold, when Algonquin members arrive and rescue her. After close analysis, it becomes evident of the amount of work that is put into each, but one must ask, why has the director adapted their own style of depicting the story? How has the story of Hester Prynne been modified? Regarding works, major differences and similarities between the characterization, visual imagery, symbolism, narration and plot, shows how free adaptation is the correct term used.
In the Odyssey, Telemachus, son of great hero Odysseus, who grows up in the world of greed and disrespect where the suitors take over his palace and court his mother, is one of the most significant character throughout the whole epic. His father, Odysseus, leaving the land Ithaca for 20 years, is the only warrior alive in Trojan war who hasn’t make his return home. During Telemachus’ expedition to search for the news of his father, he is under a process of maturation from the beginning in which he is mere a shadow of his father to the end in which he becomes more and more like him in terms of initiative, sensitivity and socialization.
The first chapter sets the scene for the novel: Boston, during the seventeenth century. During this period, religion is the foundation for both the laws and the society. We are introduced to the town's cemetery and nearby prison. Next to the prison grows a wild rosebush. We can think of the wild rosebush as representing the beauty of nature, and the prison as the symbol of societies need to tame nature.
Telemachus’ and his father Odysseus’ experiences/journeys parallel each other in many different ways. One way that they are both similar is that they are both very well liked by Athena, who accompanies both on their journeys around Greece. Athena acts as guardian to both father and son. A quote which proves this is I, 85 “In the meantime I will go to Ithaca, to put heart into Odysseus' son Telemachus; I will embolden him to call the Achaeans in assembly, and speak out to the suitors of his mother Penelope, who persist in eating up any number of his sheep and oxen; I will also condu...
The first step in any hero’s journey is the Call to Adventure, or the seperation from the pack. For Odysseus this call happened while he was on Calypso’s Island. Up on Olympus Athena had convinced Zeus of her case and Hermes was dispatched to free Odysseus from Calypso’s grasp. Odysseus was settled here for quite some time and had no way of escape until Calypso was forced by the gods to let him go. This is where his journey begins. At first Odysseus is very skeptical of this freedom and thinks that it is a trick by Calypso, which is the denial stage that follows the call to adventure. This stage seperates Odysseus once agaian from what has become familiar to him. He is called to journey alone once again to gain what it is that he has wanted for so long. For Telemachus his call came due to the perils he was facing in his own home with suitors competing for his mother’s love. They started to eat him out of house and home and began to disrespect his mother. Before this Telemachus had stayed quiet, and had not taken action. Telemachus got summoned to branch out from his mother and his home to venture out on a journey of his own. It was now his time to become a man.
The reader first finds the character of Telemachus sitting among the suitors in his father’s palace. This seemingly unimportant detail yields information regarding his temperament. The suitors, whom Homer portrays as malicious usurpers, continue to take advantage of Telemachus’ hospitality. Instead of defending his home, his mother, and his belongings from these men, Telemachus numbers among them. This lack of assertiveness displays his frailty and his helplessness given the overwhelming circumstances. At this point, Athena, disguised as Odysseus’ old friend Mentes, visits Telemachus in order to “inspire his heart with courage” (I.105). The two share a meal and engage in a lengthy conversation. The goddess discusses how Telemachus should handle the troublesome suitors and suggests a journey to try to ascertain the whereabouts of Odysseus. The conversation appears to immediately galvanize the young man’s resolve. In fact, immediately after her departure, he summons the courage to confront the suitors, demanding that they are to leave his house at once. The assertiveness that Telemachus displays in this instance is a dramatic departure from ...
Present day churches can be filled with hypocrites. Some members and religious leaders go to church to look nice and appealing to someone else. They present themselves as holy and perfect and incapable of doing wrong, but they know they are far from that. As hard as they may try to look and act like the perfect being, the truth of their imperfect ways will be revealed for all to know. This is the case with the character or Arthur Dimmesdale from The Scarlet Letter. Dimmesdale appears incorruptible, revered and strong, but in reality he was corrupt, dishonest, and weak.
“The Road Not Taken” examines the struggles people run into when they come to a place in their life where a life altering decisions has to be made. The man who is described in this poem is traveling when he comes upon “two roads diverged” (1). He then has to choose which path he will take to continue on his journey. After standing at the diversion for a while, he knows he has to make a final decision. One path was worn down and “bent in the undergrowth” (5), so he took the other path, which was described as “perhaps the better claim/ Because it was grassy and wanted wear” (6-7). The man of the poem begins to ponder about a time when he will be telling his story of the path he took. Although we are not sure if the man regrets his decision or is relieved, he lets us know taking the road less traveled “has made all the difference” (20).