Kafka's The Trial
Kafka's The Trial follows a man, K., as he is arrested and released for an unknown offense and attends a series of bizarre trials. He tries to comprehend and extricate himself from an outrageous course of events, which transpire suddenly in his life. K. is persecuted by this unimaginable court, which seems to hold a quasi-authoritative place in society. K.'s life seems to spiral out of control while he and the reader struggle to understand what is going on. Kafka uses this piece to criticize bureaucracy, even in a seemingly democratic society. Kafka believes that bureaucracy is endangering the freedoms of the individual in modern society and that it is extremely detrimental to society in the long run. It is not readily identifiable what geographical location Kafka is referring to in The Trial. Based on the rest of the novel's bizarre twists and turns it seems that Kafka did not want to nail down any concrete location to weight down his surrealist story. While there is no link with any known location (other than perhaps Kafka's hometown of Prague) the surroundings are modern and urban. In The Trial, K spends most of his time in various buildings with very little mention of any identifying characteristics. Kafka seems to center around middle class urbanites for the most part. Kafka tackles the evils of government and bureaucracy, concentrating on the social implications of these man made authorities on the individual.
Reification seems to serve a pervasive role in Kafka's The Trial. Reification is when something abstract is given material worth by a society It seems that Kafka is questioning how the legal system has been given so much authority and power making it a material entity. In 1912, when Kafka penned The Trial, the rise of the republic was evident around Europe. There was a renewed emphasis on realism and rationale, which also makes an appearance in The Trial. When published, Kafka's novels "evoked the hopelessness of individuals confronting a relentless, machinelike society in which they are minor cogs". As the threat of war swirled in Europe (World War I was just on the horizon), anti Semitism and nationalism surrounded Kafka. In the arts, the rise of modernity created a challenge to positivism that could not be silenced.
"Man, when perfected, is the best of animals, but, when separated from law and justice, he is the worst of all." (Aristotle). In Chinua Achebe's novel Things Fall Apart, Okonkwo is living proof of Aristotle's statement. Although he is arguably the most powerful man in Umuofia, His personal flaws of fear of failure and uncontrollable anger do not allow him true greatness as a human being.
Kafka’s In the Penal Colony is a story about the use of torture tools which cause death sentences into effect, within 12 hours of torment and the convicted, in the end dies. Lets regard the roots of this subject and its idea of hope....
In “A Hunger”, “The Penal Colony”, and Metamorphosis by Franz Kafka, Kafka succeeded in showing his individuals as obsessed with their profession; however their obsession caused their doom because society asks so much from an individual, only so much can be done. However, regardless of that, these individuals choose their work over themselves, and not even bad health or death can stop them. Because society places immures pressure on Kafka’s work obsessed character, they neglect their well-being and cause their own downfall.
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
Franz Kafka, b. Prague, Bohemia (then belonging to Austria), July 3, 1883, d. June 3, 1924, has come to be one of the most influential writers of this century. Virtually unknown during his lifetime, the works of Kafka have since been recognized as symbolizing modern man's anxiety-ridden and grotesque alienation in an unintelligible, hostile, or indifferent world. Kafka came from a middle-class Jewish family and grew up in the shadow of his domineering shopkeeper father, who impressed Kafka as an awesome patriarch. The feeling of impotence, even in his rebellion, was a syndrome that became a pervasive theme in his fiction. Kafka did well in the prestigious German high school in Prague and went on to receive a law degree in 1906. This allowed him to secure a livelihood that gave him time for writing, which he regarded as the essence--both blessing and curse--of his life. He soon found a position in the semipublic Workers' Accident Insurance institution, where he remained a loyal and successful employee until--beginning in 1917-- tuberculosis forced him to take repeated sick leaves and finally, in 1922, to retire. Kafka spent half his time after 1917 in sanatoriums and health resorts, his tuberculosis of the lungs finally spreading to the larynx.
Okonkwo has murdered, beaten, and cast off those he loved throughout his life. He remained stubborn and violent until his last days, and yet through his internal struggle, and sparse, yet endearing loves Okonkwo is still perceived to be morally indefinite. Okonkwo may not be considered by western culture to be a good person, but viewing his life in its entirety, it is almost impossible for one to attach a completely negative label to him. By telling the story of Okonkwo's life, Chinua Achebe, creates a dynamic and morally ambiguous protagonist while addressing the moral issue of Christian evangelism in Africa.
Okonkwo is “a man of action, a man of war” (7) and a member of high status in the Igbo village. He holds the prominent position of village clansman due to the fact that he had “shown incredible prowess in two intertribal wars” (5). Okonkwo’s hard work had made him a “wealthy farmer” (5) and a recognized individual amongst the nine villages of Umuofia and beyond. Okonkwo’s tragic flaw isn’t that he was afraid of work, but rather his fear of weakness and failure which stems from his father’s, Unoka, unproductive life and disgraceful death. “Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness….It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.” Okonkwo’s father was a lazy, carefree man whom had a reputation of being “poor and his wife and children had just barely enough to eat... they swore never to lend him any more money because he never paid back.” (5) Unoka had never taught Okonkwo what was right and wrong, and as a result Okonkwo had to interpret how to be a “good man”. Okonkwo’s self-interpretation leads him to conclude that a “good man” was someone who was the exact opposite of his father and therefore anything that his father did was weak and unnecessary.
From birth Okonkwo had wanted his son, Nwoye, to be a great warrior like him. His son instead rebelled and wanted to be nothing like Okonkwo. Okonkwo would not change so that his son would idolize him, as he had wanted since his son's birth. He chose not to acknowledge his son's existence instead. This would weigh heavily on anyone's conscience, yet Okonkwo does not let his relationship with his son affect him in the least bit.
Okonkwo crumbled under the newly developed society of the white man in Umofia. He could no longer act on his fury, vehemence or impetuousness, because acting in those non-compliant ways got him no further advancement and was frowned upon. Okonkwo lost his mental composure and everything in his life went to pieces because of it. His lack of sensitivity and understanding of those different from him handicapped his entire life. Okonkwo’s strength was further proven to have many fallacies because he was not strong in the important aspects of having composure and not acting on impulse. He could no longer control the people around him, nor his own life so he became misfortune of a classic tragedy.
With a socially imposed and personal devotion to attain a highly regarded status in his clan, Okonkwo’s life was one that valued traditional authority, customs, and kinship. As a protagonist, Okonkwo’s story exemplifies the altering role of the state as the marching boots of colonialism enter his village, Iguedo. In Chinua Achebe’s novel Things Fall Apart, he illustrates the societal life of the Umuofia clan prior to the arrival of and the encounter with early colonizers - offering an Igbo account of the transformation of local institutions. Once wielded by elders and the spiritually divine, the power of control fell into the hands of foreigners. Worship of ancestors, the supreme deity Chikwu, and other Earth gods transferred to the God revealed in the Bible. The interactions between the institutions of rule, belief, environmental management, and trade are each delicately reliant on each other, so that in Iguedo the ability to rule fails to exist without belief, religious believes are derived from the environment, and the mercy of environmental conditions dictates agricultural trade. Through the life and death of Okonkwo, the novel presents how the experience of the Igbo and their interaction with the state witnessed unquestionable change.
Neumann, Gerhard. "The Judgement, Letter to His Father, and the Bourgeois Family." Trans. Stanley Corngold. Reading Kafka. Ed. Mark Anderson. New York: Schocken, 1989. 215-28.
While everyone was working on their farm, Unoka did nothing but drink, dance, and just plainly prayed to the gods. Okonkwo was ashamed of him and did everything possible to never end up like his father. When the narrator stated, “With father like Unoka, Okonkwo did not have the start in life which many young men had…But he threw himself into it like one possessed. And indeed he was possessed by the fear of his father’s contemptible life and shameful death” (pg. 18). The shame of a father like Unoka drove Okonkwo into the passion of being nothing but successful in his life. Everything about Okonkwo had to be acknowledged and respected whether be his family or the people in the village. The true hatred of his father derived his power when the author stated, “Okonkwo was ruled by one passion- to hate everything that his father Unoka had loved. One of those things was gentleness and another was idleness” (pg.13). Also, another statement that represents the flaw in Okonkwo is the way he is when it comes to his father, not defeating him or fighting for the father that raised him even thought they were poor, the gesture of lowing your head to the outer of your father’s name in disgrace when the narrator stated, “ … ‘Ask my dead father of he ever had a fowl when he was alive’ Everybody laughed heartily except Okonkwo, who laughed uneasily
To fully understand this story, it’s important to have some background information on Franz Kafka. He was born into a German speaking family in Prague on July 3rd, 1883. He was the oldest of six children. His father Harmann Kafka was a business man. His mother Julie Kafka was born into a wealthy family. Kafka considered the vast differences in his paternal and maternal relatives as a “split within himself” (Sokel 1). Kafka felt that “the powerful, self-righteous, and totally unselfconscious personality of his father had stamped him with an ineradicable conviction of his own inferiority and guilt” (Sokel 1). He felt the o...
The character of Okonkwo in Chinua Achebe’s Things Fall Apart was driven by fear, a fear of change and losing his self-worth. He needed the village of Umuofia, his home, to remain untouched by time and progress because its system and structure were the measures by which he assigned worth and meaning in his own life. Okonkwo required this external order because of his childhood and a strained relationship with his father, which was also the root of his fears and subsequent drive for success. When the structure of Umuofia changed, as happens in society, Okonkwo was unable to adapt his methods of self-evaluation and ways of functioning in the world; the life he was determined to live could not survive a new environment and collapsed around him.
The Trial is Kafka’s exploration of the most extreme consequences of denying one’s own guilt and thus one’s own humanity. In some senses, it serves as a warning, or a sort of parable of its own, and in others it is simply an expression of anguish. The story serves to warn against thinking so highly of oneself that we only interpret infractions of the outright law as guilt. If we are to be truly innocent and humble beings, we must recognize our own innate guilt as human and accept it. If we do not, we will constantly be obsessed by our “state of apparent acquittals."