Making Fimo Beads
The "Generation X" population of today's society has made the wearing of beaded necklaces containing fimo beads quite a fashion statement. These necklaces contain small, round, colored plastic beads and other intricate beads made out of different colored fimo. Fimo is a synthetic material similar to modeling clay, and can be used to make thousands on types of beads. These beads can then be incorporated into necklaces. However, to accurately describe the process of making this style of bead, a simple pattern will be used as an example. Specifically, the fimo example described will have a pattern with a small, yellow circular center surrounded by three small, green triangles and three small, red triangles. The following process will allow anyone without artistic ability to create a simple, inexpensive fimo bead that can later be used in stylish necklaces.
The first step in the process involves taking a trip to a local craft store like, A. C. Moore, or a department store such as Wal*Mart, to buy the necessary supplies. For the example fimo bead, red, yellow, and green fimo must be purchased. To make a complete necklace, other colored plastic beads would have to be bought along with a spool of beading thread and a silver clasp. Also, a sharp flat-edged cutting tool (for example, a razor blade) and a thick, large pin will also be necessary tools in the final stages of the bead making process.
Once the supplies are gathered, the bead making process is ready to begin. The fimo color that will make up the center circle in the bead (in this case, yellow) is the color that is first readied. A piece of fimo with the diameter of a quarter and the width of a pencil, is pinched off from the larger slab of fimo. It is then rubbed between both hands in a circular motion until it is warm and no longer cracks when folded in half. Then, from that small, primed piece of fimo, a smaller, nickel-sized piece is pinched and rolled on a flat surface. The fimo is rolled into a cylindrical log that is approximately three inches long. It is important to ensure that the log is not too thin, meaning it does not easily pull apart.
It is perhaps the most difficult intellectual challenge to a Christian how God and evil can both exist. Many of the greatest minds of the Christian church and intellects such as Augustine and Thomas Aquinas spent their entire lives trying to solve this problem, and were unsuccessful (Erickson, 2009, p.439). However, this dilemma is not only an intellectual challenge, but it is emotional. Man feels it, lives it. Failing to identify the religious form of the problem of evil will appear insensitive; failure to address the theological form will seem intellectually insulting. This conundrum will never be completely met during our earthly life, but there are many biblical and philosophical resources that help mitigate it.
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The Eastern Woodland people also made jewelry such as gorgets, armbands, earrings, and necklaces. The gorgets were created with pendants with two holes in them from shell, slate or shale stone. They were strung with lacing and worn around the neck. Armbands were typically made of metal such as copper. They also made them out of bones. Metal armbands could be simple, narrow bands or stamped and decorated. They were also made of beaded leather strips or finger woven wool. Earrings were simple metal hoops with beads or pendants dangling from them. This type of jewelry was also worn in piercings through the septum of their noses. Necklaces were made from a wide variety of materials. Pendants were made from bone, shell, stone and metal. Beads made from shell, stone, metal, wood and glass were strung in single or multiple strands. More intricate necklaces were made by stringing bear claws or bird claws. Overall, the Eastern Woodlands people made many items to help them with their everyday lives and I think that they were very talented and creative for being able to make these items such as the jewelry and all the
Step4: Put flour on a surface and roll the dough until its ¼ in thickness.
Carol Stack finds herself in a curious place as a young white woman venturing into a black neighborhood in hopes of alleviating negative stereotypes and bringing illumination into a semiosphere that is altogether ignored or even despised. While she defined her purpose as the attempt to “illustrate the collective adaptations to poverty of men, women, and children within the social-cultural network of the black urban family” (28), her methods are not merely those of an outside observer spouting back information, but truly that of an actively engaged participant. Staying true to the guidelines of participant observation studies, Stack did not attempt to isolate or manipulate the culture she saw, and instead of donning the lab coat, as it were, and playing the role of the experimenting scientist, or simply sneaking in, Stack was very human in her interactions and dealings, participating as actively as possible in peoples’ real lives in The Flats. (Hedrick).
Mia Hebib is a Bosnian born artist based out of New York, who works primarily in jewelry design and sculptural forms. She was in a show called “Islam Contemporary” at the Lichtenstein Center for the Arts on August 2, 2013. Mia Hebib started her education as a jewler at the School for Applied Arts and Design in Zagreb, Croatia. In 2001, she received a Bachelor of Fine Arts in Metals and Jewelry from the Savannah College of Art and Design. Mia moved to New York City to continue her exploration in metal. She started a corporate jewelry design career with Jacmel Jewelry, Liz Claiborne, Henri Bendel and BCBG Generation and offered design consultation to Tory Burch jewelry design team. Since she was part of a corporate jeweler, she became distanced from her fine art background. In order to rekindle her fine art roots, she launched her series “Oblik Atelier”. After her experiences working with corporate jewelry,she wanted to return to hand crafted work rather than working as a jewelry designer.
In the play the crucible by Arthur Miller people are faced with an issue believed to be witchcraft. The play is based upon a problem that happened in 1692 and 1693 in Massachusetts. In the play people believe that everything that goes wrong must be related to witchcraft. If accused of witch craft you will be arrested and forced to a trial. In the play the trial is influenced on a girl named Abigale who holds the power to tell if a person is working with the devil. As the play progresses girls from the town fake illnesses, accuse people, and support Abigale decisions willingly with no disregard. The girls blindly follow Abigail scheme because if they go against her she will accuse them of witchcraft and will be sent to death.
The existence of famine, war, disease, and other distasteful aspects of humanity pose a tough, insistent question as to why God chose to create evil. As an infinitely powerful creator, surely a morally perfect God can and should create a world where evil does not exist in the first place. To propose otherwise seems to paint God as a malevolent being who apparently takes joy in watching the chaos. Bernard Leikind (2010) is a physicist who published an article that paints a representation of the mystery of evil as seen by most non-believers. In his article, Leikind uses the Old Testament biblical figure Job to support a malevolent God who just as easily gives as he takes away. He references Job 38:1-4 (NIV):
Over time, this concept that morality cannot be separate from God has encountered perpetual doubt from several atheists. The Bible tells us in Luke 18:19 that, “No one is good – except God alone” (Bible). From this, a believer might argue that we are incapable of being good, but by God’s grace and mercy we can be better. Atheists who speak in terms of good and evil have manipulated religious dialogue in their favor; they ha...
The trend is up. Those huge statement necklaces that became a sort of craze in past years are fading out of style and need to fade out of your wardrobe as well.
They took the technique of Cloisonné enamelling and developed it to produce highly stylised figurative works. In this technique flat wire or cloisons from the French word for partition or casement are used to outline designs, which had been incised on thin gold sheets by master designers. The cloison were then soldered to the sheets and the base roughened before the resulting cells were filled with enamel using a goose quill. They then placed the pieces in a kiln like device that was heated with a charcoal fire. Then after slowly cooling they were highly polished. The resulting enamels were beautiful works of art that would influence the development of western enamelling.
Of course, this doesn’t truly disprove the biblical God, but it certainly puts it into perspective. According to Christian doctrine, God raised His Son, Jesus, from the dead. This seemingly impossible feat proves, in the minds of believers, that their god is capable of anything. But as indicated by Epicurus, the monumental roadblock of suffering hinders this leap of faith. For example, if God raised Jesus from the dead – and thus intervened in the ...
Weaving is a common thread among cultures around the world. Weaving is a way of producing cloth or textile. Today we have machines that weave large-scale textiles at cheap prices. Production of cloth by hand is rarely engaged in today’s Westernized societies. Not many people are thinking about how the fibers are actually constructed to make their clothes. However, in other cultures across the world the tradition of weaving still exists. By comparing three cultures that continue weaving as a part of their tradition we can see similarities and the differences between them. The reasons that each culture still weaves vary, as do the methods and materials. The desired characteristics of the cloth also vary around the world as each culture values different aesthetics.
John Berger presents a multifaceted argument regarding art, its interpretations, and the various ways of seeing. Berger asserts that there is gap between the image that the subject sees and the one that was originally painted by the artist. Many factors influence the meaning of the image to the subject and those factors are unique to the subject themselves. Seeing is not simply a mechanical function but an interactive one. Even the vocabulary is subject to specialized scrutiny by Berger; an image is a reproduction of an original product, while only the product itself may truly be a ‘painting’. Images are seen at an arbitrary location and circumstance – they are different for everyone – while the product, which is in one place, is experienced
The whir of wheels on marble and concrete mixed with the mechanical, yet pleasant, voice on the public address system calling for someone to go to the nearest courtesy phone, or announcing that flight 896 is now boarding at gate 11.