The Hazards of Moviegoing
I am a movie fanatic. When friends want to know what picture won the Oscar in 1980 or who played the police chief in Jaws, they ask me. My friends, though, have stopped asking me if I want to go out to the movies. The problems in getting to the theater, the theater itself, and the behavior of some patrons are all reasons why I often wait for a movie to show up on TV.
First of all, just getting to the theater presents difficulties. Leaving a home equipped with a TV and a video recorder isn't an attractive idea on a humid, cold, or rainy night. Even if the weather cooperates, there is still a thirty-minute drive to the theater down a congested highway, followed by the hassle of looking for a parking space. And then there are the lines. After hooking yourself to the end of a human chain, you worry about whether there will be enough tickets, whether you will get seats together, and whether many people will sneak into the line ahead of you.
Once you have made it to the box office and gotten your tickets, you are confronted with the problems of the theater itself. If you are in one of the run-down older theaters, you must adjust to the musty smell of seldom-cleaned carpets. Escaped springs lurk in the faded plush or cracked leather seats, and half the seats you sit in seem loose or tilted so that you sit at a strange angle. The newer twin and quad theaters offer their own problems. Sitting in an area only one-quarter the size of a regular theater, moviegoers often have to put up with the sound of the movie next door. This is especially jarring when the other movie involves racing cars or a karate war and you are trying to enjoy a quiet love story. And whether the theater is old or new, it will have floors that seem to be coated with rubber cement. By the end of a movie, shoes almost have to be pried off the floor because they have become sealed to a deadly compound of spilled soda, hardening bubble gum, and crushed Ju-Jubes.
It is a cool, misty night, and after a miserable day, you decide to treat yourself to a movie. You are at the movie theater; you open the double-doors swiftly and smell the delectable-popcorn lathered in butter. You approach the desk; the employee welcomes you with a slow-grin and asks “Can I help you?” You proceed to choose the latest horror movie, Silence of the Lambs….you give the next employee your ticket to validate it and be admitted into the theater; with a crooked smile the employee makes a vigorous rip and hands you back your ticket. Then the employee softly utters, “Enjoy your movie!” You head towards the right hall; as you walk down, you notice the lights begin to dim….You finally reach the theater; you get comfy in your seat; the lights darken and transform the theater
When the lights come up the audience is immediately thrown into an old and dingy movie theatre complete with popcorn strewn across the floor. It is within this set that deep social commentary is made throughout the
Exposing the Hypocrisy of Religion in Emily Dickinson’s Some Keep the Sabbath Going to Church
Even though there is a great amount of audience participation, one really has to turn your attention to the actors in the movie. It takes a special kind of person to really understand the movie they are in.
Medical College of Wisconsin. “Facts About Anthrax and Smallpox as Bioterrorism Weapons.” Healthlink. 12 Nov. 2001. Medical College of Wisconsin. 24 July 2008 .
On Saturday July 29th, 2017, I was able to catch one of the funniest movies I’ve seen in a while, Girls Trip. I was able to view the movie with four of three of friends of mines at the Regal Moorestown Mall Stadium 12 & RPX, located in Moorestown, New Jersey. My experience started with the aromas of popcorn. I am one of those type who has to have popcorn with lots of butter while enjoying a movie. After I purchased my popcorn and bottled water I was ready to enjoy this night with my friends. However, I wasn’t the one who purchased the tickets so the seats choices where horrible. They were floor level, on the very far right and third row. Still trying to make the best out of it I reclined my see as far back as possible so my neck would bother me the during the movie. The theater was packed, mostly with women.
...ory is not a nightmare from which Yeats is trying to awake; it is the very world in which he lives. When he says that if Gonne had understood him he would have ?been content to live,? it is another way of saying that (since she can never understand him) he is not content to live. As a poet, he has undergone a kind of death, rendering him a lifeless observer of the present while becoming an active participant in the past which his poetry explores. Whether he sees this role as a dream or a nightmare, if Yeats ever awoke from history, he would cease to be a true poet and his verse would lose its true meaning.
Theatres and How We Had Fun." Little, Brown, and Company. (Boston, Toronto, London); 1991. P. 139, 144.
Actors were expected to memorize hundreds of lines at a time. While one play could be performing, actors would be practicing lines for their next show. Play writers also began to make roles for the actors in the theatrical pieces. The theaters that actors performed in were roofless so that the sun could be used as lighting. Theatrical shows were held in the afternoon because it provided the best amount of light for the show. When the people gathered into the theater, the different classes of people were separated by where they could afford to sit and watch the show. The lower classmen were situated on the bare earth where it was dirty and smelly because it was never cleaned. The owners’ of the theaters found it less expensive if they did not keep high maintenance of their establishments. Higher classmen sat under a roof and for a penny more, they could buy cushions for their seats.
par. 1). With clever poetic purpose, Frost‘s poems meld the ebb and flow of nature to convey
Though written only two years after the first version of "The Shadowy Waters", W.B. Yeats' poem "Adam's Curse" can be seen as an example of a dramatic transformation of Yeats' poetic works: a movement away from the rich mythology of Ireland's Celtic past and towards a more accessible poesy focused on the external world. Despite this turn in focus towards the world around him, Yeats retains his interest in symbolism, and one aspect of his change in style is internalization of the symbolic scheme that underlies his poetry. Whereas more mythological works like "The Shadowy Waters" betray a spiritual syncretism not unlike that of the Golden Dawn, "Adam's Curse" and its more realistic fellows offer a view of the world in which symbolic systems are submerged, creating an undercurrent of meaning which lends depth to the outward circumstances, but which is itself not immediately accessible to the lay or academic reader. In a metaphorical sense, then, Yeats seems in these later poems to achieve a doubling of audience, an equivocation which addresses the initiate and the lay reader simultaneously.
In conclusion, Yeats enjoys the idea of change and changelessness within the world. Yates of course approaches the idea of change and changelessness differently in each of the poems. Some of the ways that the idea of change is used can be optimistic more like the poem of The Wild Swans at Coole and some are more pessimistic and quite an eye opener like the poem on The Second Coming or Sailing to Byzantium. Either way, the critic Richard Ellmann was correct in his statement discussed before.
It can easily be argued that Frost believed that little difference existed between humanity’s inner nature and the nature of the world which surrounded him. Time and again Frost personifies nature in human terms and points out the many ways in which what happens in an individual’s life is a reflection of what is occurs in the natural world. In fact, it can be said that this poet viewed nature as being separate from humanity only by the virtue by which humanity removes itself from the outside world. In other words, nature never leaves, humans are the ones to leave nature. Many of Frost’s poem clearly demonstrate the ways in which the peace of being fully juxtaposed to nature when a human steps outside their rigid human realm and learn to appreciate their natural surroundings.
Yeats' poetry is very dramatic because he usually creates dramatic contrasts within his poems and because his tone changes regularly. When he wasn't in conflict with the world around him he was in conflict with himself. He was never satisfied with modern Ireland, even when he was younger. As he grew older, his dissatisfaction became even greater.
Frost uses nature as a reflection of human experiences; just like humanity it can have seasons and life cycles. He uses different scenes to depict a certain mood for readers to step into the psychological happening of a man. The idea of how seasons change, Frost compares it through the life cycles that humans encounter. Contrary to popular opinion, I believe that nature is not Frost’s central theme in his poetry; it is about the relationship that man has with nature in which can be seen from “Stopping by Woods on a Snowy Evening”, “The Road Not Taken”, and “An Old Man’s Winter Night.”